I know there are a bunch of folks here using the SoundSmith Susurro MkII. I just finished setting mine up on my VPI Avenger and really the first thing I noticed is how much more surface noise it picks up off my records. I mean, by a lot. My previous go to cart has been a Benz Wood SL, one of the later ones with the MR stylus. I found that to be relatively quiet. The SS uses a O.C. Line Contact type stylus - not quite the same as a MR, but if anything I'd have thought it would be contacting areas of the groove not as heavily traveled as with the MR stylus, thinking it might be either the same or quieter. Not the case by a long shot. Anyone else experience higher surface noise with the Sussurro MkII?
If you do a search for Sussaro MKII in this forum, you will find my impressions of the Sussaro MKII compared to the Benz LPS and Ruby Z.
What I enjoy with the BenzLP, LPS, and Ruby Z are the beautiful, natural, and organic sound each present. The one thing that I felt that the top tier Benz could have I improved on was the mid range. It seemed as if the midrange lacked just a tad too much warmth, giving me the impression of a slight recessed vocal range. Otherwise, the bass and upper frequencies were excellent. My recollection of The Sussaro MKII out of the box seemed that it was a pretty even keel cartridge with great frequency response and not lacking anything. The sound is great with a very noticeable wide stereo image. The Sussaro MKII is an outstanding cartridge for its price class and is very pleasing.
Don’t misconstrue what I stated about the Benz LP, LPS, or Ruby Z, as a fault, they are also excellent cartridges, it just seemed to me that on my system, the vocals were just a tad, hint, smidgen laid back. The Sussaro is more fleshed out in this regard and after listening to the Benzs for a few years, this main difference I described is noticeable to me. I would not toss the Benz out based on what I say…I have happily lived with the Benz LP and Ruby Z series since the mid 2000s and they ride shotgun in my other tonearm.
@audioquest4life , I’d love to get your thoughts on how the LPS and the Sussurro MKII compare to each other. I packed up all my stuff a year ago June. With all the crazy stuff going on it took me until July of THIS year to get everything here. But those delays resulted in me getting a tremendous price for my house, so I won’t complain. I moved all the audio gear myself, of course. :-)
Good luck on your retirement move and congratulations on your retirement. I can’t wait to make our last move to our retirement house, wherever that may be.
I have a Benz Ruby Z, Benz LP, and Benz LPS to compare to the Sussaro MKII that I acquired a few years ago. The Sussaro MKII did not have any noticeable surface noise, whatsoever. The only time I hear noise, is when I am playing loud, and it is when the cartridge tracking is in between tracks on the record. These are used on SME V tonearms and Transrotor Apollon turntable. In bound is the new Transrotor TRA 9 tonearm in gold finish to complete the three ring tonearm circle.
This noise is what I would call groove noise due to the amplification levels being higher than normal. If your system is quiet and the noise you hear in the record when loud playback levels are induced, it is more than likely groove noise (my novice explanation is that you are playing louder than normal). The Sussaro holds itself very well compared with the upper tier Benz line up.
I also have a Hyperion that is on one of my other tonearms and same thing, no noise. If you don’t hear noise constantly when playing the record, then I would suggest it is groove noise. If your hearing static noise at all loudness levels and during playback and in between tracks, then yes, probably something is not right. Double check settings, but that is going have to wait when you settle into your new house and get the room ready. Good luck.
Hi @dhite71. At the moment I have no update for you. I was running a Benz LP-S nicely until I packed up my house for my retirement move. At the moment now, only the digital side of my system is set up in the new house. I need to get the room painted, the rug installed, the electrical done, before I unpack that behemoth of a VPI Avenger and set it up. I don’t want to do that more than once! :-) I do plan to hook the Sussurro back up, though.
@tonyptony What happened with your surface noise? I was very surprised to read about your trouble. I got a new Sussurro a few weeks ago. I previously had a Benz Micro Wood SM. The SS was definitely quieter. I have a Rega table and simply mounted and eyeballed the alignment.
I added a new Sussurro to my table in January and have enjoyed it very much all year. Then recently, after seeing a notice on Analogue Corner from MF about a few WallyTraktors still being available, I ordered one to use with my Helius Omega arm. Wow. After just a few minutes (well maybe a half hour) of readjustment and suddenly the cart sounds WAY better. I've got the arm as low as I can with my setup and the arm is just a hair's breadth above horizontal. The VTF is 2.15 to compensate a bit for the slightly high arm and the SRA looks good in my scope. Yes, I did tweak the azimuth a bit by ear as well. At any rate, everything now sounds as I'd always hoped but thought wasn't quite possible with my equipment. Surface noise is nonexistent on most good vinyl and the soundstage is to die for now. And believe me I've spent many hours messing with everything from tweaks to amps trying to get to this place. So yes, from my 40+ years' experience, these styli are indeed tricky to get aligned just right. but boy is it worth it!
Peter's OCL is without question, and by far, the most difficult stylus profile to dial in with respect to overall setup that I've ever had to deal with. Extremely sensitive to VTA in particular with respect to how noisy it will be in the groove but also VTF and azimuth of course.
There will be a very narrow window with respect to VTA/SRA in terms of how it will perform with respect to not exaggerating groove/surface noise once it has broken in. It will be interesting to see if that setting conforms to what the AM software is telling you.
I'd agree with other posters about putting 50-60 hours on the cartridge before really getting serious on the setup. IMO, once you have azimuth set up properly you will then need to experiment with very small incremental changes in VTA/SRA along with similarly small changes in VTF at the same time (I'd be inclined to going higher into the recommended range of VTF than lower) to try and nail the setting.
You will know it when you hear it and it will be much easier for you if your arm has VTA on the fly adjustment (mine does not).
But virtually any other line contact stylus (including Peter's on his mid level retip) is much easier and more forgiving to set up. Any of the microridge styli are even more forgiving IMO.
If you ever do consult Peter Ledermann regarding your issue with the Sussuro please let us know what he says. He was very helpful to me when I had an issue with a Grace Ruby re-tip. And no one knows the sussuro better than he.
@tonyptony I can’t remember the final number re VTA but I was clearly getting results that trended better (that’s until I ran out of room to lower my tonearm further, purely a function of some challenges I have in setup on my table, another 1mm would be ideal)
The AM setup seemed to optimize especially well for clarity and channel separation. Probably not as “organic” and “analog like” as the prior setup, but that’s a trend I see the more I optimize my vinyl rig, it sounds more and more like digital ie flat tonal response, very clear and open, no compression etc
Since the only person that I need to please is myself (from a system perspective), I did not feel the need to remeasure and validate my set up using the software.
Yes. While I can appreciate the logic behind what AM is doing, I think the final judge winds up being your ears.
Point taken @viridian. What threw me is that in past cart setups I hadn't been surprised like this. My Zephyr MkII was/is relatively quieter. I'll give it time after I feel I've gotten it tweaked properly in setup.
I had a similar issue. I set up my arm/cartridge using the
AnalogMagik
software and got it all dialed in from a numbers standpoint, but I didn't like the sound. I fine tuned the set up by ear and was able to get the performance I was looking for. Since the only person that I need to please is myself (from a system perspective), I did not feel the need to remeasure and validate my set up using the software.
@tonyptony I would concur. My experience with AnalogMagik is that it’s great for really fine tuning a setup that’s already good, but the sheer pita nature of going back and forth make it a tricky approach to getting to an initial setup.
Sounds like you have the tools and experience to get to a good place “by ear” so try this and then go back to AM once that’s done.
Also most cartridges need 20-40 hours to bed in and edginess and the behaviors you describe are typical of a new cart still needing to settle in
@mijostyn, yes that's a good approach. AnalogMagik's paradigm is that these interrelated adjustments are all optimized through the minimization of distortion as measured during each adjustment, cycling through the adjustments as needed (in a particular order) until the lowest distortion values are reached. I'm only just learning the ins and outs of this program, so maybe it's a good idea to fall back to a known method for this.
Except setting azimuth with a mirror and any setting of anti-skate are inexact. Anyway VTA is where it’s at for this issue. Also I’d talk to Peter Ledermann. He’ll have the best advice.
Tony, Once the azimuth is set, tracking force and anti skate dialed in. start with the tone arm bearing end low, just below were the tone arm is parallel to the record. Raise the rear a degree at a time listening to the noise in between. Give the noise a rating at each level write it down. At some point the noise will drop off then start going up again. Back off to where the noise is quietest. Set the Azimuth with mirror and the anti skate with a test record. These have to be right on. The last thing you do is the VTA. This will be the quietest you can get this cartridge. Differences in frequency response can make one cartridge sound noisier than others.
You might be right, lewm. There's no doubt it is noisier, but I have read that OCLC types are very sensitive to set up. Maybe I need to experiment a bit. I'd be surprised, though, if the cart could quiet down so much from where it is with break-in - but who knows?
I am no expert on stylus shapes, but so far as I know, micro-ridge types are quite different from line contact types. Also, could you be leaping to conclusions based on only a few samples? Those of us afflicted with audiophilia nervosa tend to do that. I suggest you play a random large sample of LPs before worrying about surface noise, and I also think that maybe adjusting VTA might help, if the phenomenon is real. I cannot tell you whether to raise or lower the pivot point, but do both to see what happens to surface noise. Playing with the resistive load may also have an effect. Another low probability explanation might be that the new cartridge needs break-in.
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