Linn LP12 turntable


I was in my favorite audio store yesterday talking turntables… Rega P10, MoFi MasterDeck etc, when he stated he had a Linn LP12 he was selling for a customer at $2,400 & the customer had $14K (with upgrades) into it. Intriguing, but knew nothing about Linn. After my research, people seem to love it or hate it. But it is installed in many fine audiogon systems. 
I would like your thoughts and recommendations. 
I have asked the following questions of the dealer: 

1. Date of production 

2. Upgrades that have been added 

3. Power supply / tone arm

4. Condition 

5. Recently serviced

I have not yet seen it, but it is there now. What other questions should I ask?

My current analog system: 

Pro-ject 1xpression carbon classic with Hana ML

Rega Aria

PS Audio BHK pre

Simaudio Moon 330A amp

KEF R11’s

Advise would be greatly appreciated. 

128x128signaforce

Back in their day, I too saw the advert claiming you could whack the plinth of the ARXA with a hammer without disturbing the sound from an LP in play. Which is in part why I posed my question about the LP12 suspension. SOTA use an inverted symmetrical spring suspension, and Mijostyn claims it is very impervious to external disturbances. This being a benefit of the inverted springs.

signaforce

Yes there are a lot of LP12 bashers and the Linn doctrine of unending upgrades to cash in more money on used decks that still feeds the love/hate stories.

l believe in all the ‘sales hype’ that had fuelled this debate on how this manufacturer engineered the first ‘turntable you could hear’ to be true. What upset the hi-fi world is now evident and often discussed. The alleged supplier/retailer collusions that incrementally began elbowing out ‘rivals’ to achieve overall domination in the UK marketplace. Many equally competitive/reputable brands subsequently unfairly fell by the wayside in the 1980s. Now all this may have come back to haunt Linn for there is now a lot of backlash unintentionally of their own making.

 

There will always be different opinions on the Linn LP12 (bass bloom/constant fettling /servicing/endless money drain) but you pays your money and you takes your choice!

As to your final choice signaforce, someone has spent a lot of extra cash on this ‘cash cow’ already and that saves you doing the same. If you audition this turntable ignoring any hype and do some ‘sound listening’ and ultimately enjoy what you hear (maybe on home trial) go for it. Someone else has already put the original design restraints to order and you cash in.

 

Thats my Logic!

The top 3 polarizing/contentious have now been mentioned in the thread.

Linn, Rega and VPI.

Hopefully, the OP follows his ears/wallet to his "Goldilocks" table.

Just don't cheap out on the cart and phonostage!

The road to a satisfying analog rig can be a long one. As you said, many audiophiles own, or have owned, an LP12. Like everything else, there are always conflicting opinions. In any case, the LP12 will be a big step up from your Project table. Considering the past owner’s investment versus the price to you, do you really have a lot to lose? Will you look back later and regret not buying it?

If the linn sounds very good on a good  system, you know it’s capable of doing so which is all that matters. Any system is only as good as it’s source.