Linn Bedrok LP12 Plinth Upgrade

Oh and he reckons the Linn should bounce evenly in a "pistonic" motion.

but of course it doesn't - watch the video - when he bounces the platter the side the tonearm sits on bounces much more ( the motion is higher and lower )than the other side - the whole thing is bouncing sideways, certainly not evenly let alone pistonic.

No If I spent $60k on a turntable I would not want that guy touching it.

YouTube video.

I felt l just had to watch this YouTube video after reading all this malarkey.

l will not get into a slanging match over what l observed, but it does appear to be a very lacklustre attempt to prove one thing or another that has obviously left more unanswered answers than it answers. As a tool for assembling this very expensive tonearm and deck it is very amateurish and unprofessional.

Recording and editing looks very rushed and calls into question why Linn signed this off. Quality control was thrown to the wind and appears quite comical. Everything looks like a ‘first take’ with no retakes.

Whoever oversaw the filming should maybe take note as the feedback just on this site alone can make them question if this YouTube link could be removed and recorded again. For this viewer it did not aspire much confidence in the senior engineer, and the production and can arguably damage the reputation of the brand.

@newton_john indeed, there are folks on this thread who assume a lot about the Linn table, you know what they say about folks who ‘assume’ things.

@dover My discussions with the mechanical engineer was in reference to the bearing, since you stated the shaft in the bearing would be “ as loose as a goose”.

This told me and was confirmed by the mechanical engineer that you really did not comprehend how the Karousel bearing functions.
As to the setup of the tonearm, I might agree with you, somewhat. The Ekos SE has very limited set up adjustments, one of the issues I see with that arm.

Where did you see the part where you say the lid is dropped? I did not see that in the video, nor did I see the part where you say he drops the tonearm carelessly onto the table..!!

On side one, or side two……

Everyone will be in one camp or another. I wonder if anyone’s opinion has changed? But harken…..l can see the light through yonder window glow to stop this discussion from turning very dark…..like the old foreboding ‘Darkest Africa’ expression in the 19th Century, l suggest a change to a lighter note.

Memories of, ‘’’Dr. Linninstone l presume?’’

Now how about an LP12 on a granite plinth……that would be less expensive. Anyone had the courage to try it?

l hear the sound…….of distant drums……far away……farrrr away. .Jim Reeves.

Since all you guys love Linn Products and the LP12 so much, I am sure you’ll want to wish Ivor Tiefenbrun a happy 79th birthday. Here is a little bit on him that I lifted from Facebook.

“Born on March 18, 1946, Tiefenbrun founded Linn in Glasgow, Scotland, in 1972. Linn’s first product was the iconic “Sondek” LP12 turntable which is still in production today. The LP12 challenged the prevailing belief that loudspeakers were the most critical component in an audio system. Tiefenbrun emphasized the importance of the source, asserting that a high-quality turntable was essential for accurate music playback.

Under his leadership, Linn Products expanded its product line to include a range of audio equipment, from loudspeakers to digital music systems. Tiefenbrun’s commitment to precision engineering and innovation has earned Linn Products a reputation for excellence and reliability. His dedication to pushing the boundaries of audio technology has garnered a loyal following among audiophiles worldwide.

In recognition of his contributions, Tiefenbrun was appointed a Member of the Order of the British Empire (MBE) in 1992. His legacy is one of relentless pursuit of perfection, a passion for music, and a commitment to delivering unparalleled listening experiences. His impact on the industry continues to inspire both seasoned audiophiles and newcomers alike.“