Just got a new power amp


Just received a PS Audio S300 to pair up with my Linn streamer.  They are only about a foot apart.  PS Audio recommends XLR cables.  Will I notice any difference if I go with the XLR over good quality RCA connections?

Currently running RCA and gotta say it sounds phenomenal.

rjinaz86323

@kijanki Right.

(We introduced a class D amp of our own design about 4 years ago FWIW.)

The question then becomes, in the context of this thread 'is it important?' WRT the thread title, it isn't. Ampex made a tape machine that was used for quite a lot of the recordings made in the so called Golden Age of stereo (1958-1963); that machine had a balanced input and output using transformers but the internal electronics was mostly single-ended. Its use of transformers allowed it to be immune to interconnect cable differences.  

@atmasphere  I agree, "Fully Balanced" design doesn't have to be better - net result is what counts.  There are many imprecise popular or marketing terms in use, why to argue.  I noticed that many great companies still use erroneous "watts RMS" and wonder if it is on purpose.  They likely know it should be just watts or watts average, but that is what most customers think of (product of RMS voltage has to be RMS power) - cannot blame them. 

I've always preferred single ended over XLR.. I think it sounds smoother, more detailed, more analog and has better contact rather than the little pins on XLR...

XLR really is for broadcast studios, military, commercial systems for noise rejection where there are hundreds of cables going hundreds of feet from studio to studio and lots of grounding issues, I've worked soldering racks full of XLR cables that are all super long runs of mogami cable...

That being said, some equipment is specifically designed to sound better with XLR, but my vote is RCA

Can someone discuss the pros and cons of 'op amps' that ? must convert balanced signals to single ended signals?  It is my understanding some equipment thus sounds better with single ended cables vs balanced cables.

Hey @fastfreight

When an amp or preamp has XLR inputs there are three things that may be done: 

  1. Ground one signal pin.  
  2. Use a transformer to convert to single ended
  3. Use op amps in differential configuration
  4. Very very rare - use discrete circuits to convert

The first case looses any noise / long distance benefits of the XLR cables.  The connector is a convenience feature.    The second is fully discrete but subject to bandwidth and distortion limitations of the transformers, may add character all its own.  Third is the most common and I’m sure you don’t even know how many times that was used in creating the music you listen to.  

Professional devices, from microphone preamps to mixing boards and tape recorders almost all rely on op amps as the inputs and convert the signal from differential to single ended before doing whatever they will do with them, so keep that in mind when evaluating whether this is good enough for you.  

Like any active devices they may add noise or distortion, but it is only at the end of the chain that Audiophiles become obsessed with them! 

I would not say they have any specific sound by themselves or their use, so it IS good to test with them.  Also, while XLR is "professional grade" and bigger and more complicated there’s no guarantee at all in a home away from radio towers and machinery that you’ll ever hear a difference.  If you have a long run to a subwoofer, or to active speakers in your surrounds you might as well go with XLRs to ensure the least likelihood of noise pick up though.