I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.
Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.
The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".
"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.
While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.
speaking of creed taylor, tonight i listened again to george benson’s weekend in la -- on it there is one track from his cti days -- ’ode to kudu’
i invite you to listen to that one on ’weekend in la’, then go back to hear the original track of that song (and a beautiful alternate take) on the early cti release of george benson’s ’beyond the blue horizon’ 1971
some of the best benson, and best jazz you will ever hear, imho
OK, we're off jazz a bit here. But this is what started it all for me.
This was released in 1948 and became a big hit. I was very young but into the whole cowboy hero thing. The result was "Ghost Riders" became the first song I remember being really aware of and wanting to hear again and again. My first favorite tune.
And Vaughn Monroe's version set the standard for the many, many others that followed. The emphasis here was his voice, no surprise since he was a singing star on records and radio. The later versions, The Outlaws and others, showed what a hot guitar could add.
Hey acman I ordered a Japanese UHD CD of Miles In Tokyo and listened to it last night. Great sonics and I agree that all the musicians are in great form but drummer Tony Williams really stood out - JMHO
frogman, he did not understand the "word" that McLaughlin had delivered when he had written it many years ago. And instead of "speaking" it as was intended he went into something of his own making that at times sounded like inappropriate and meaningless wandering.
In fact, I generally like Jean-Luc Ponti, and I very much like his performance in Mahavishnu's Visions Of The Emerald Beyond. But here - no.
There is a much better version of this composition where McLaughlin plays with his later Shakti group. Easy to find on youtube.
This is a complex composition that has many subtleties, you can't just come out on stage and play it. Even Mclaughlin himself couldn't.
Was that a gauntlet I heard drop? The man has been on the site 2 days and this is his second post!! Surely you Aficionados will not stand for this outrageous assault.
I would mostly agree with your post till you used the word boring. The inventiveness used by the greats always stuns me. I almost always am rewarded with something new when listening to the masters!
I don't really know what to say. I normally like Ms. Nah. At least Ulf was good.
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