Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10

@mahgister

Thanks!

I will have to buy this one, although it’s out of print and on a French label.

I haven’t bought any CDs from Europe since before the pandemic.

What are the other nine in your top ten?????

McLaughlin is a great musician ....

One of my favorite fusion album with an Indian mandolin player, U. Shrinivas... i own ten albums of him this one with McLaughlin is top..,.

I dont like "fusion " in general but i know many, many great albums...

This one is in my top ten of "fusion"...

https://www.youtube.com/watch?v=U237EkeL56U

For example the "fusion" of Bach with jazz by some Jazzman...Or the encounter between Ali Akbar Khan and a jazzman... They are more musical encounter event  and interesting , more than the development of "a new fusion genre" as such  ... the event will not be repeated on a long term creating a new language replacing the two which fusionned for an album..

I once attended a concert that featured Ravi Shankar with Bud Shank, Dennis Budimir and various other LA Jazz players but was not that impressed. To me it sounded like two traditions moving in parallel. 

On the other hand, I very much enjoy the Indo-Jazz "fusion" of Shakti, which seems to me more Indian than Jazz, overall. John McLaughlin seriously studied the Vina. In fact, he said he was falling in love with it to such an extent that at one point he had to ask himself whether he wanted to make it his main instrument and give up guitar. He's also  studied the Indian system of keeping time or Tala. So, he's done much more than just  "dipping his toe" into Indian music.  

My parents had some recordings by flautist Jean Pierre Rampal and Andre Previn  that attempted to fuse Classical with Jazz but I never cared for them. It was all too polite and safe. 

Vocalist Savina Yanatyou has some recordings on ECM that attempt to bridge Jazz with traditional middle eastern music. I like them but they don't sound very jazzy to me. Oudist Anouar Brahem has attempted something similar with his ECM releases. 

I'm left with the impression that a true fusion is rare. Ironically, the fusion of Rock and Jazz may be the most successful to date, even if some of us don't find it that compelling. A lot of Fusion records sold during the genre's heyday, for whatever that's worth. 

I take a relaxation break from Russian jazz and from Billy Harper magic...😁

I just listen today to Wes Montgomery Riverside collection...

A must have astonishing 12 cd box ...

I just add another modification to my self amplified small speakers by the way ... I am amazed...

i ask myself why people throw so much money in gear and not so much in music albums...

An audiophile system nowadays cost peanuts if we know what to buy and how to embed it... i am mystified by people who want to invest a fortune in a dac... 😊

Anyway.... I listen music not so much to sound , except these last month because i tweaked my new small speakers to their optimised acoustic treshold ...( with bundle of straws in the rear porthole to increase the bass driver chamber volume and i use a cardboard empty paper roll fixed around the tweeter to increase the focus and separation from the other driver : results is imaging better and better timbre and better bass extension ... Cost peanuts.;.. 😁 Nobody can believe this for sure... Most people believe in money not in acoustics...

For casual listening many hours a day i use my small astonishingly good speakers now in my basement acoustic corner ... But for a sacred more dedicated listening hour nothing beat my AKG K340 headphone...It would need a costly set of speakers in an acoustic room...

 Pat Martino  and Wes Montgomery are really guitar geniuses...  Grant Green too...

https://www.youtube.com/watch?v=YnXDKcOHYms&t=2019s

I have a very eclectic musical taste as opposed to narrow taste. I have always been that way and my taste has not narrowed with age. If anything it has widened....

I like the Mahavishnu Orchestra. I like John McLaughlin and Billy Cobham as well as the bassist Rick Laird and keyboardist Jan Hammer. All 4 have studied classical music as well as jazz and Cobham, Laird, and McLaughlin have all played with "giants of jazz"

I like RTF. I like Chic Corea and Stanley Clarke. I like drummer Lenny White and Al De Meola's history speaks volumes.

When I am in the mood I can listen to Flamenco guitar for hours. Paco de Lucia is a virtuoso and a favorite. (yes I own all the duo/trio concert CDs with De Meola, McLaughlin, and Coryell.)

Drummer Tony Williams is another who is known for fusion but played on countless pure "straight ahead jazz" albums with Miles Davis, Jackie McLean, Andrew Hill and Herbie Hancock to name a few.

I went to a Return to Forever Reunion Tour concert at the United Palace Theater in NYC 15 years ago and it was a great experience.

I have seen Billy Cobham live in a jazz setting.

I have seen Chick Corea live in a jazz setting.

I have seen Stanley Clarke live in a jazz setting.

Mahavishnu Orchestra bassist Rick Laird played with sax legends Zoot Sims and Al Cohn before becoming the house bassist at Ronnie Scotts Jazz Club playing with many "giants of jazz" who had a residency there. (he described playing with Sonny Rollins as a great learning experience).

Rick Laird with Victor Feldman:

Victor Feldman Trio - 1965 - YouTube

Billy Cobham with Chick Corea:

Horace Silver Quintet - Song For My Father - YouTube

Tony Williams, Chick Corea, and Stanley Clarke with Stan Getz

Stan Getz - Five Hundred Miles High (1975) [with Chick Corea, Stanley Clarke, Tony Williams & Airto] - YouTube

John McLaughlin with Miles Davis

Miles Davis (with John McLaughlin) - Live at Hill Auditorium, Ann Arbor, MI, USA, February 21, 1970 - YouTube

Al De Meola is on tour and playing at The Patchogue Theater for Performic Arts on Friday October 27, a 10 minute drive from my house. I have tickets.

 

I did not like "fusion" in general for the same reason...

"fusion" borrow from different traditions but stay on a superficial sound level often... Especially if the styles they borrow from are not near or related to one another...

For example Bollywood music borrowing from Pop and Indian classical music...

For example, listening to Nikhil Banerjee is a sacred event , listening Bollywood "fusion" is a short leisure at best at least for me...

The same is true for any other "fusion" examples...

There is very good fusion music though , lost in the general not so interesting albums mass...

For example the "fusion" of Bach with jazz by some Jazzman...Or the encounter between Ali Akbar Khan and a jazzman... They are more musical encounter event  and interesting , more than the development of "a new fusion genre" as such  ... the event will not be repeated on a long term creating a new language replacing the two which fusionned for an album...

Some tradition may be influenced by some other genre and integrating it slowly in history..,.It is one thing.... But creating tomorrow a style integrating two genres will not always be so interesting because it takes really genius to do so, each idioms being with his own rules...... I prefer more traditional jazz even free jazz to Pop/jazz "fusion" most of the times...There is exception for sure...

@alexatpos 

The structure of compositions, timing, duration of solo parts, the overall ’sound’ I find very hard to listen too. Again, speaking in general, but I did not find any music from that time that I like (not even the album I have posted above)

Ah, OK -- I misunderstood. I thought you'd posted the link to that track as an example of one you liked on the J. McLaughlin record. Sorry about that! At any rate, it seems you are very clear about what you do not like when it comes to Fusion.

Anything that uses synths is pretty much out for me -- Fender Rhodes, I'm OK with. So, for example  the first two RTF albums, with Flora Purim, Airto, S. Clarke and Joe Farrell, I like. I don't know if this is actually Fusion -- more like electric Latinized Jazz. 

I can definitely relate to "becoming more and more exclusive". 

 

@stuartk Speaking in general and in broad terms I would say that in (jazz) music every time period has its own distinctive ’sound’. Fusion, with its arrangements, use of keyboards and other instruments has that too, even more, I would dare to say. The structure of compositions, timing, duration of solo parts, the overall ’sound’ I find very hard to listen too. Again, speaking in general, but I did not find any (fusion) music (from that time period) that I like (not even the album I have posted above)

So, its not about the use of ’electric instruments’, but rather of how are they used. Than again, I am quite certain that with years I am becoming more and more exclusive and not only with music,ha,ha

@curiousjim 

I just started The Complete EmArcy recordings and so far A+!

I'm glad you like it. Another suggestion is this Brownie biography which I have read and consider it a really good bio of which I have read hundreds of bio's on jazz artists as well as many other subjects.

Clifford Brown: The Life and Art of the Legendary Jazz Trumpeter: Catalano, Nick: 9780195144000: Amazon.com: Books

@alexatpos

’Fusion’ is not my thing

I actually own very few Fusion CDs.

The difference I find with McLaughlin is his distinctive compositional sense which I very much happen to enjoy.

If you like that track "Django" , then perhaps you will like this ("New York On My Mind" from "Electric Guitarist"): 

https://www.youtube.com/watch?v=oOHFqkQIgMU&list=OLAK5uy_lkVyvWMUxcnJCYFH5S3Q3hwDgEKx-TxeI&index=1

I'm curious: what’s the difference, to you, between Jazz played on electric instruments and Fusion?

 

 

 

 

 I just started The Complete EmArcy recordings and so far A+!
 

You guys are incredible?

'Fusion' is not my thing, so McLaughlin albums are rare in my collection, but I've got this somewhere...it is perhaps nice starting point for introducing to his sound, with lots of famous players featured on different songs

https://en.wikipedia.org/wiki/The_Promise_(John_McLaughlin_album)

https://youtu.be/viDVXHyIbCo?feature=shared (Django, with J.Beck)

 

 

@pjw81563 

I haven't owned "Electric Guitarist" or "Electric Dreams" since I got rid of all my vinyl in the early 90's. I think it's time to bring them back into the collection! 

 

@stuartk 

I was writing an answer to curiousjim and when I posted it I saw you had already answered while I was writing....

Here is the song Santana played with McLaughlin on the Electric Guitarist album

Frienship - YouTube

@curiousjim 

Did he play on any Santana albums?

John McLaughlin and Carlos Santana played on two albums both recorded in 1973. "Love Devotion Surrender" (Santana and McLaughlin contribute on every song. "Welcome" John McLaughlin contributes on 1 track titled "Flame Sky"

 

Using the Wiki Discography links, "Love Devotion Surrender" is listed on the John McLaughlin (they both play on all songs) discography under Collaborative Albums.

"Welcome" is listed on the Santana Discography and McLaughlin plays on one track #8 Flame Sky.

@curiousjim

The one track off Santana’s "Welcome" : "Flame Sky" , the link to which I’ve already posted.

Their co-led "Love Devotion and Surrender" album:

https://www.youtube.com/watch?v=mmIaubt4NWY&list=OLAK5uy_lEtxpyVbQXeGJ45TzyAcSxBg1DjfMh7go

Santana guested on one track on Johnny Mac’s "Electric Guitarist":

https://www.youtube.com/watch?v=mmIaubt4NWY&list=OLAK5uy_lEtxpyVbQXeGJ45TzyAcSxBg1DjfMh7go

He has indeed covered a lot of ground. Seems many people gravitate to Mahavishnu, the Miles stuff and the acoustic trio w/ DiMeola and DeLucia but there is much more to explore.

My overall favorite is probably "Extrapolation", which is emphatically a Jazz album, rather than Fusion. Read the review in the Penguin Guide. McLaughlin played an acoustic with a pick-up, as he also did on "In A Silent Way".

I believe Santana and McLaughlin put out a live DVD from Montreux...

OK, I  found this: 

https://www.youtube.com/watch?v=k0KcWyZ8II0

I think you probably have enough to keep you busy for awhile!

 

Well let’s see.  I have heard the Mahavishnu Orchestra. I have at least two copies of Bitches Brew.  I have a couple of Al DiMeola albums.

 I’m listening to “ The Essential John McLaughlin” ant it has something from Shakti, Mahavishnu, Pavo de Lucia & Miles Davis, Carlos Santana, The London Symphony Orchestra +.  Wow his styles are all over.From Jeff Beck like to soft jazz.

Did he play on any Santana albums?

@curiousjim

How have I never heard John McLaughlin? I don’t have a single CD or even a tune that he’s played on in my collection.

What a huge rock I’ve been under!

Well, I don’t know ;o)

He’s gone through many varied phases in his career (both acoustic and electric). Everyone here will have their favorites and so, there are many possible entry points. Here are my highlights:

1) Mahavishnu Orchestra: "The Inner Mounting Flame" and "Birds of Fire"

https://www.youtube.com/watch?v=7bGlIdUiZww

https://www.youtube.com/watch?v=5mdGCqZTres

2) Acoustic Trio with Al DeMeola and Paco de Lucia: "Friday Night in San Francisco" and "The Guitar Trio"

https://www.youtube.com/watch?v=bhK_GFNq0N0&list=OLAK5uy_m3G0kqZEHRlJQRaPDPm24JHgr3sDg9Dmo

https://www.youtube.com/watch?v=5ZUjEM4K-Y8&list=PLnVn29o5Rr-WyFmeqNMRD1JUfGPqbtFO2

2) With Milles -- "in A Silent Way", "Bitches Brew" and "Tribute to Jack Johnson"

https://www.youtube.com/watch?v=YHesqaMhh34

https://www.youtube.com/watch?v=up9yWDl0jBc

https://www.youtube.com/watch?v=50fB5L1vmn8

3) "Emergency" with Tony Williams Lifetime".

https://www.youtube.com/watch?v=qa4z_-2BLpo&list=PLXfrcG1laNyz1nIaTEytw-BtSDCBmgpqX

4) Two of my favorites from early on: "Extrapolation" and "My Goals Beyond".

https://www.youtube.com/watch?v=n6LkGwuimsU&list=OLAK5uy_mKm4NpG6DQs2o_fM-VCd5NOsejjFAetrg

https://www.youtube.com/watch?v=Dd-JqnBWkro&list=OLAK5uy_ml8P0Xkvpu-LEkewJPoG9cdUiqbG3nQ9g

5) "Johnny McLaughlin Electric Guitarist" and "Electric Dreams" from 1979 feature what is probably his most gorgeous electric guitar tone and some of his most melodic playing.

https://www.youtube.com/watch?v=oOHFqkQIgMU&list=OLAK5uy_lkVyvWMUxcnJCYFH5S3Q3hwDgEKx-TxeI

https://www.youtube.com/watch?v=gYCLuCgt5JA&list=OLAK5uy_kIO1rFHxsodO1wv85atNVojWcPRNBhVps

7) The group Shakti was an amazing mix of Jazz and classical Indian genres: "Shakti", "A Handful of Beauty" and "Natural Elements".

https://www.youtube.com/watch?v=38RqK5GRhTI&list=OLAK5uy_kI4f7B6ucgN3izogXg0qWbuQFxmozmPOg

https://www.youtube.com/watch?v=RZ3l_ml07Go&list=OLAK5uy_kmNvcwTDOV6zENZdZeqMTf1pDveEwdEcM

https://www.youtube.com/results?search_query=shakti+natrual+elemsnts

8) Later acoustic trios: "Live at Royal festival Hall" and "Que Alegria"

https://www.youtube.com/watch?v=iuCDnUv3Ifw&list=PL9OZb2I0bFecdKWW6jytb8g_ht_Zqm1ay

https://www.youtube.com/watch?v=xHJjiIxLBNk&list=PL9OZb2I0bFeenX949tqsP4nCroUxodaBr

There are many, many other recordings to explore but this is a good cross section. 

Also check out Larry Coryell, Philip Catherine, Al DiMeola, John Abercrombie, Bill Connors, Ralph Towner (among others!) 

Clifford Brown and The Max Roach Quintet.

 

@curiousjim A couple pages back I posted that Clifford Brown is my favorite trumpet player, second only to Louis Armstrong.

A great box set to have (I do) is this one from 1989 titled "Brownie: The Complete EmArcy Recordings Of Clifford Brown" The sonics are great (mono) for a remaster over 30 years ago and the music represents some of the greatest jazz played covering 10 CDs, from August of 1954 through Clifford’s untimely death on June 26 1956

It covers 3 recording sessions with 3 of the greatest jazz vocalists of the time, Dinah Washington, Sarah Vaugan, and Helen Merrill.

A lot of incendiary live concerts are also represented which are also very good sonically for live recordings from the 50s. A review from Discogs:

The sound quality on this box set is nothing short of terrific. A mono sound that is robust and energetic; you can feel the energy of the sessions pulsating through your room. Being an 80s CD release, I didn’t expect much in terms of sound quality and was just going to use this box set as a way to figure out what albums to get on vinyl. I might still get these records on vinyl but it is not because I’m chasing a better sound. ***As goods as this box set is, it is almost undone by the overwhelming number of alternative takes which are unfortunately sequenced right in the middle of the track list rather than at the end***

I happen to love alternate takes with all jazz music as the improvised solos are never played the same way more then once. Of course all of the superlative Clifford Brown Max Roach Quintet sessions are represented

The box set is a little costly now but I have inserted a Spotify link to the complete set. The sonics on Spotify are very good indicating they used the 1989 remaster and if you like it but want hi res I would think it should be available on Qobuz. Enjoy!!

Brownie: The Complete EmArcy Recordings Of Clifford Brown - Compilation by Clifford Brown | Spotify

@stuartk 

How have I never heard John McLaughlin?  I don’t have a single CD or even a tune that he’s played on in my collection.

What a huge rock I’ve been under! 

@curiousjim 

You can never go wrong with Santana!

...especially when partnered with J. McLaughlin! 

 

Listening to Ronnie Bedford,   Just Friends.  Featuring Tommy Newsom, Bill Charlap, & Peter Huffaker.

Billy Harper plays on this excellent Grachan Moncur III 2004 recording. Harper is definitely one of the great tenor players post 1970.

Exploration - YouTube

@acman3 

I bummed.  I bought a streamer so I wouldn’t keep buying CD’s, but “The Beliver” isn’t on Amazon Music or Qobuz.  

Oh well.

The most creative saxophonist virtuoso i listened to is Roland Kirk...

Wayne Shorter more minimalist is on par for me...

But now i will make a place for Billy Harper beside them and beside Rollins, Hawkins and Stitt...

Is there something as visionary saxophone music ?

Yes, Billy Harper.....After Coltrane....

I listened to an incredible third album ( the only defect is that he sing for sure well and speak😁 )  :

https://www.allmusic.com/album/if-our-hearts-could-only-see-mw0000060083

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I concur....

At least " the believer" album is top it seems as the two others above...

He had a musical sense so tense that this tame his astonishing virtuosity...This is why i love him... He is not savage player as some others or a completely "civilized" one ,  but a refined musician who play with his heart no less than with his brain...

😊

I had the good fortune to experience Harper in person just once, as part of a band gotten together for a Lee Morgan tribute. As far as I know Harper only played on Morgan’s final album.

It was quite an array of talent, including Eddie Henderson, Geri Allen and Billy Hart. Don’t recall the others.

Harper was a stand-out. I felt I was as close to experiencing something on the level of Coltrane as I’d ever likely experience. I’d heard Rollins, Murray, Lovano, Potter, Bobby Watson and others but Harper was distinctly different -- in his own category.

Post removed 

This second album i listen to of Billy Harper is no less genius than the first above... Amazing...

Because he never put useless notes... His musical sense is top... Then it keep our attention to the music line not to himself playing... A master for me walking the thin line between musical content and improvization ......We feel he never need to prove himself and stay creative without using music for himself... In this sense he is spiritual player...Less ego and more music...

i am impressed and i tried to put my words on my impressions... 😁😊

But i could have stayed speechless... 😁

 

https://www.youtube.com/watch?v=Y7BOjLN2XTI

Is a third album at this perfection level be possible?

 I will see after dinner and walk... 

 

@acman3 

You wouldn’t happen to know what album 1981 is on? I looked on Qobuz and Amazon Music and couldn’t find it.

Thanks.

Sometimes we can only be sure that the musician is at the top of his game and a genius, even before we learn to know if we like him or not or the fact that we like him or not matter no more because his playing sound and phrasing is unique ...

It seems Harper is in this league of his own...

The only comparison in mind is Love Supreme of Coltrane ...

My first listen and any negative review of this masterpiece would be ridiculous😊and any positive review understatement :

https://www.youtube.com/watch?v=Ez8uX1Qj5mQ

 

 

If Destiny IsYours, is Spiritual, then I’ve found religion.😁

Good stuff!