Capacitor log Mundorf Silver in Oil


I wished I could find a log with information on caps. I have found many saying tremendous improvement etc. but not a detailed account of what the changes have been. I have had the same speakers for many years so am very familiar with them. (25+ years) The speakers are a set of Klipsch Lascala's. They have Alnico magnets in the mids and ceramic woofers and tweeters. The front end is Linn LP12 and Linn pre amp and amp. The speaker wire is 12 gauge and new wire.

I LOVE these speakers around 1 year ago they started to sound like garbage. As many have said they are VERY sensitive to the components before them. They are also showing what I think is the effect of worn out caps.

There are many out here on these boards I know of that are using the Klipsch (heritage) with cheaper Japanese electronics because the speakers are cheap! (for what they can do) One thing I would recommend is give these speakers the best quality musical sources you can afford. There is a LOT to get out of these speakers. My other speakers are Linn speakers at around 4k new with Linn tri-wire (I think about 1k for that) and the Klipsch DESTROY them in my mind. If you like "live feel" there is nothing like them. In fact it shocks me how little speakers have improved in 30 years (or 60 years in the Khorns instance)

In fact I question Linn's theory (that they have proved many times) that the source is the most important in the Hi-Fi chain. Linn's theory is top notch source with lessor rest of gear including speakers trumps expensive speakers with lessor source. I think is right if all things are equal but Klipsch heritage are NOT equal! They make a sound and feel that most either LOVE or hate. (I am in the LOVE camp and other speakers are boring to me)

So here goes and I hope this helps guys looking at caps in the future. Keep in mind Klipsch (heritage Khorns Belle's and Lascala's especially) are likely to show the effects of crossover changes more then most.

1 The caps are 30 years old and
2 the speakers being horn driven make changes 10x times more apparent.

Someone once told me find speakers and components you like THEN start to tweak if needed. Don't tweak something you not in love with. Makes sense to me.

So sound
Record is Let it Be (Beatles)
The voices are hard almost sounds like a worn out stylus.
Treble is very hard. I Me Mine has hard sounding guitars. Symbals sound awful. Everything has a digital vs. analog comparison x50! Paul's voice not as bad as John's and George's. Voices will crack.

different lp
Trumpets sound awful. Tambourine terrible. Bass is not great seems shy (compared to normal) but the bad caps draw soooooo much attention to the broken up mid range and hard highs that are not bright if anything it seems the highs are not working up to snuff. I have went many times to speaker to make sure tweeters are even working.

All in all they sound like crap except these Klipsch have such fantastic dynamics that even when not right they are exciting!

Makes me wonder about the people who do not like them if they are hearing worn out caps and cheap electronics? Then I can see why they do not like them! If I did not know better from 25+ years of ownership that would make sense.

For the new crossover I have chosen Mundorf Silver in Oil from what I have read and can afford. I want a warm not overly detailed sound as Klipsch already has lots of detail and does not need to be "livened up" they need lush smooth sounding caps. Hope I have made the right choice?

When the crossover is in I will do a initial impression on same lp's. Right now it goes from really bad (on what may be worn vinyl) to not as bad but NOT great on great vinyl. (I know the quality of the vinyl because tested on other speakers Linn)

The new caps are Mundorf Silver in Oil and new copper foil inductors are coming. I will at the same time be rewiring the speakers to 12 guage from the lamp cord that PWK put in. PWK was a master at getting very good sound often with crap by today's standards components.

The choice of speakers would be a toss up now depending on what I am listening to. Klipsch vastly more dynamic but if the breaking up of the sound becomes to much to effect enjoyment the Linn would be a better choice on that Lp. If I could I would switch a button back and forth between speakers depending on song and how bad the break-up sound was bothering me.

volleyguy
Gentlemen,

For my crossover one of the required capacitor values is 15micF, which is an available value in a single Clarity MR.

However, I came across a website (reference and excerpt below) in which the author said that for values above 10micF it is better to use several smaller value capacitors rather than a single large value capacitor.

I was wondering if you would please comment on this?

As always, thanks for your help,

John

Reference: http://audio.calsci.com/X-Overs2b.html

10th & 11th paragraphs:

"Whenever you need a capacitor over about 10µF, it's best to build up the capacitor from several smaller capacitors...

"The reason for adding up many small capacitors is that the capacitors have inductance and lead resistance, which make the capacitor less useful. When you place resistors and inductors in parallel, their effect shrinks, but the capacitor's effects add. So, building up large capacitors by placing several small capacitors in parallel makes our capacitors act more like perfect capacitors. This is a good thing."
Face

I agree but have been led to believe it is not as important. (why I did not change the inductor before) Does that mean can not hear it or just not as critical?

I guess I will find out.

I have to admit I am very curious.

I have some friends just laughing at the idea of Silver wire coated in Silk wrapped in cotton(which I am excited about) and being able to hear the difference big time. They just laugh! Oddly enough the same friend after hearing my system said "it does not even sound like a stereo" spent many a nights up to 2-4am looking (and bought) (I would get the 4am e-mails) the same gear. He drove up 10 hours each way to the U.S. to get it as well. I told him not the gear but the parts.

I do not think he fully can wrap his head around that though that it is the parts. He really struggles with the idea that 2k (used for sure) for the speakers and 4k for parts after.
Audiotweak,

It's an interesting question. Steen's ideas were based upon the assumption that mechanical control would result in electrical ditto - which would lead to assume that the Q factor would be influenced. I have been unable to find clear conclusions towards this in his written work that I have access to.
Just because it's a parallel circuit does not mean it's out of the signal path.
Duelund Gents,

Will the natural Q factor of a inductor be reduced with doping such as the material you apply to your product? Is the mechanical Q the resonant energy curve of the device and would doping serve to flatten and broaden this curve? Asking about the use of inductors in a loudspeaker not a rf device. Thanks Tom
Some parallel functions show remarkable improvements in sound, when using better parts. It all depends what parallel function we are talking about?
Duelund it is me.
I am just unsure what a parallel part is going to do. (i.e. waste of money?)
Hello Gents from Duelund

So the use of non ferrous materials for a chassis is most acceptable. I suppose its up to the listener now to decide which material within this group is most musical to their ears.

Would you now answer how the choice of doping material used to reduce mechanical resonance will influence the Q factor of an inductor? And secondly is it better to have a high Q or a lower Q inductor for use within a speaker crossover design? Thanks very much. Tom
I'm aware of the parallel inductor, don't get that many orders for 1... ;)

Sure beats 0 though.

I tend to conclude, it's either volleyguy, or we have a serious mono enthusiast among our clients.
Duelund not ended yet!

I have a parallel tweeter inductor coming from you and have bought some Duelund Silver 2.0 from Irish65 for speaker wire. So at least two more tests.
At least relative to our components, avoid metal enclosures unless they are of the diamagnetic type such as copper.

Steen himself made wood enclosures, that were painted on the inside with graphite. He would literally make his own using graphite powder.

A fun experiment, is to remove the metal lid on your cd-player, amplifier etc. Then substitute with a wooden lid with either a copper shield or graphite painting on the inside.

It can make a very large difference, but is of course for the more tweaky inclined. And as always, experiment at your own risk. :)

Moreover,

I thought this thread had ended, you guys are fantastic!
Tom,

Wow! That is a generous offer, and thank you. However, I would hate to see you or your friend go to any trouble since I have not decided upon a metal enclosure but rather saw some when looking on the internet and was curious, although instinctively skeptical, about using them for the crossover chassis. I know some guys around town who are woodworkers and was thinking of having them make me a couple of enclosures out of black walnut. I would have them made out of solid wood and mount the crossover components on the base in the manner you suggested. I will use some spikes to couple the enclosures to the floor through the carpet also as you suggested.

Thanks again for your help,

John
Okay

With the help of a friend who has a large quantity of test equipment I will request his brain to test the variance of inductance in the presence of these different materials. My thoughts of a chassis was the material that the crossover components were to be mounted on, not the top cover or sides.Whatever material is chosen as a base, it should be just that a material that is rigid and conductive of resonance and vibration. Select a material that is reactive and not a material that will store and hold energy such as MDF or any material that is suspended on rubber, plastic glass or any other parasite of musical nature. Whatever chassis you choose direct couple it to the floor. Tom
Tom,

Thanks for your reply. Below are a couple of the comments I found on another forum that had me thinking that I should stick with a wooden enclosure:

"...I think you are right about the enclosure. It is a Faraday box. Any magnetic fields inside that box tends to get squashed if they are not static."

"An aluminium box will lower the inductance of the coils quite a lot, as would a brass box. A steel box would increase the inductance a lot. Either way you could also be having a faraday effect, or at least a compression of field lines, or even a coupling of 2 coils via the box."

I don't know if the above statements are correct or not, but they raised my concern. If a steel chassis is in fact benign related to the inductor's magnetic fields, then that would be one option I might explore.

Thanks again for your help,

John
John

Look for materials of music in wood or metal. MDF is dust and glue so I wouldn't go there. How can that have a pleasant sound. Any chassis that you choose I would terminate with a hard material such as brass or bronze to the floor so vibration has a place to exit as fast and as coherent as possible. Tom
Regarding my last questions, nevermind. I found the answer regarding the enclosure - definitely not a good idea! And I think I'll be okay with the placement relative to my amplifiers.
Gentlemen,

Would a steel or aluminum enclosure be a bad idea for the crossover?

Also, I think I'll be able to keep the crossover about a foot away from my monoblocks. Inside the crossover I'll certainly orient the inductors so that they don't interfere with each other, so while I'm at it I suppose it would be a good idea to orient them so that their magnetic field isn't pointed at the amplifiers too.

As always, I appreciate your thoughts,

John
Irish65,

Thanks again for your comments. If I pursue the Dueland inductors, they will most definitely be Cast.

Regards!
Rfogel8,

I thought the same thing about caps compared to inductors. However, in some cases the inductor provides the larger sonic gain. If you decide to use a Cast inductor you will know what I am talking about. The noise is eliminated or at least not audible. So my comment about inductors pertains to the Cast. Using another brand of inductors I have found that the caps bring more to the table.

But then again what do I know :-)
Sorry the way my previous thread ended. I meant to hit "Preview first" but mistakenly hit "Submit". Hate when that happens!

You don't have to convince me of the sonic merits of silver but the price of admission is a bit steep with Dueland. Heck I thought Siltech was expensive til I looked at Dueland's pricing!

Finally, I generally prefer 12AWG inductors that will naturally give you lower DCR than 14/16AWG alternatives but 8AWG seems a bit much. I don't use resistors on my tweeters so a good quality 12AWG coil seems to strike the right balance between protection and sonics; ditto for my midrange.
Irish65,

I understand what you're saying about the "current passing thru caps/inductors" causing some "vibration" though who knows how much it really comes into play with an external x-over? As for "soft annealed" copper, hey, what do I know? If it improves the sound, I'm for it!

Regardless, the Dueland Cast inductors interest me and I'd like to hear them in an all Dueland Cast x-over. As mentioned, with one cap and two coils in series, everything matters and I'm inclined to go all out on this one. going all out I'm surprised too though, that you think the coils make more of a sonic difference than the caps. I would've thought the reverse.

Sorry mine is a parallel inductor.

That is why I did not change it months ago. Just having a brain fart!

I am still curious as to what the effect will be? or just a waste of money? I think not a waste as Klipsch even then took steps in the inductor to reduce resonance. (wax paper)
Tom

I am not sure as to why I liked the Duelund over the North Creek in the woofer inductor. (foil vs. wire or resonant reasons or silk and wax paper) The Duelund by the way was VERY close to the original that was Iron core in DCR. (wax paper) So the speaker did not change character.

Now going to the tweeter inductor I am going to get a lower DCR with the Duelund. Simply a much bigger guage of wire.

I am not to sure though how the North Creek deals with resonant vibrations? (electronic) I know it is not vibration for mechanical reasons as it weighs a ton!

As much as I have said many times about really liking Duelund products there is one I did not care for and that was there old solid copper hook up wire. (no longer in production)

Tempo Electric posted here a long time ago that they did not care for the old Duelund wire wound inductor? So it does lead me to believe there is something with foil???
Irish65

How much Duelund Silver 2.0 do you have? Is it generation 1 or 2?

I have partsconnexion contacting Duelund now on the inductor. I am curious of the Q.

I know the DCR is going to be much less with Duelund.

My current one is .37DCR. Just not sure what this means, sound wise?

http://forums.klipsch.com/forums/t/47.aspx

This thread talks about the various parts in the same network. North Creek actually had the lowest Q. I found them to be noisy so can not argue with this thread.

In fact it says what I have said many times the original parts used decades ago like the wax paper inductors (foil capacitors) were not that bad. Consistently it has been Duelund (and sometimes Jensen) that has bettered the vintage parts but this makes more sense than one would think. Similiar construction but to tighter tolerances.

I am going to have to go back and read my inductor tests. I know when I got the Duelund WPIO woofer inductor in 10 seconds I knew it was a keeper. (wished I got the CAST at the time)
All this DCR stuff I feel is very critical especially in highly damped speaker enclosures with a Q of between .5 an .7...It has been my experience that when you lower the DCR by changing inductor wire guage you also lower the Q of the speaker system. So someone purchased a North Creek 8 guage inductor and it did not sound as good in their speaker system as a foil type. The difference they were probably hearing was the retuning of the bass with the influence of the much lower DCR on the bass and not the actual material or geometric difference in wire or winding methods. There is a definite influence of all things mentioned but the major personality change in the speaker is the retuning of the bass mostly by the reduction of DCR. On my current speaker system there is a external method that allows for the listener to adjust via hex head the tuning of the bass. Variation of DCR values and inductor Q values can be recompensated for within the speaker system I have. Lower DCR values would I think change the time alignment compensation of a speaker so designed. Tom
Volleyguy,

Please keep us posted with your progress regarding the inductors.

The Duelund silver wire I am selling is left over from all the projects I was doing. When I bought it I purchased 50 meters. I have used around 35 meters of it and have done three pairs of speakers and crossovers, and some internal wiring for electronics. I am keeping some in reserve for any future projects but decided to sell some here.

If you are asking if I like the silver wire then my response is most definitely. I just bought more than I need.

Also I will be selling some of the numerous crossover parts I have. Caps/inductors/resistors. I have enough to compete with Parts Connexion :-)
I am ordering just one WPIO. That way if it is not good DCR wise then a CAST would not help either same 12 guage. If it is a huge improvement then hmmmmm? Maybe a CAST? I have a friend with a set of Khorns who would take any of my used Duelund parts.

My current tweeter inductor is a high guage. I would guess more like around 30?

My guess is the Duelund again being foil will sound better.

I have heard much talk about North Creek inductors and they are wire wound. I found them not to be in the same league at all. (woofer inductor) I have a 2.5mh 10 guage if anyone is interested?

I for sure do not doubt you Irish. I could not believe how much high freq noise was coming out of my woofer before the Duelund WPIO went in.

Irish how much Duelund Silver wire do you have for sale? (and why?)
Volleyguy,

I am not sure what gauge inductor you currently use but the Duelunds are 12 awg. So the DCR should be close to what you are using if it is a 14-12 awg inductor.

I have not compared the WPIO inductors to the Cast. I have compared numerous VSF caps to Cast. From my experience the inductor is the most critical. Once you hear the noise other inductors introduce compared to the Cast it makes it easier to reach for the checkbook.

I would like to hear from any other member who has experience with the Duelund Cast inductors. It can be silver or copper.
Bob,

If a .665mH inductor works best then I would get that value. You mentioned Alpha Core being able to manufacture that specific value. Duelund will also be able to.

Even if your xovers are external you still are going to have mechanical vibration. Electric current passing thru caps/inductors/resistors will create some degree of this. Taking your xovers out of a speaker cabinet is no doubt a better way to go than internal. However, you will, to a lesser degree, have mechanical vibration.

Is all copper created equal if you are using alloy 101 or 99.99 copper? Most of the copper I have used in audio is not soft annealed. If it isn't then it will act more like an antenna and produce microphonics more than soft annealed.
Secondly the geometry of the copper is as important as the quality of the copper itself. With Duelund using soft annealed copper and the geometry being foil maybe this is what makes them a cut above other caps I have tried.

The same applies to silver. Try a copper inductor against the silver. Only you can decide what is best. If I was a betting man I know what horse I would lay my money down on.

Regarding the wiring I will leave that question alone. But will say it does pay great dividends to use a high quality wire for inside the cabinets and the xovers themselves.
Irish65

I am going to order a Duelund tweeter inductor. After reading your post on the tweeter inductor and the difference I have to see.

I am going to start with WPIO Duelund. I did not change the series tweeter inductor thinking how much difference can it make?

That has been one great thing about this thread what you often think does not matter does.

Only one question what about changing the DCR? I did not find the North Creek 10 guage woofer inductor to my liking. I am not sure how much was caused by the DCR change or it not being a wax paper inductor as the original was and the Duelund I ended up using.

Have you compared WPIO and CAST as tweeter inductors?
Irish65,

Yep, I'm using a .22mH inductor on the tweeter, the other is a .665. I know, everybody makes a .668 but a friend(he too rolls his own) and I decided after much listening, that we slightly preferred a value of .665 on the ScanSpeak. Alpha Core was more than willing to make them for us. If I went with Dueland CAST, I could live with .668 and in the end, the sound would be ever so slightly more laid back; not necessarily a bad thing.

I always make my crossovers external; hate those vibrations! So... how much am I really going to gain by using Dueland's potted coils? I know, it's probably more than just their compression/potting technique? On the other hand, copper is copper and once you get past 99.99% pure, blah, blah, blah, what's the difference?

Another question; I have a pair of Goertz silver foil inductors lying around here collecting dust. I forget the values(definitely higher than .22mH) but my buddy has the capability to measure them so we could easily trim them down to .22mH. Would I be better off using the silver Goertz on the tweeters and Dueland copper on the mids or do you think Dueland copper throughout would be the better way to go? I've been looking for a home for those Goertz!

How 'bout internal hook-up wire? Basically, from tweeters and mids to external crossover, approx. 23" x 4 for each satellite; total 184". I've been using multi strand silver from Purist Audio and once again, don't hear any problems.

Thanks in advance for your thoughts.

Regards, Bob
Irish,

Thank you for your reply. I did not take your suggestions as your trying to pound across your point. I am keenly aware that you and the other members are genuinely trying to help. Your sincerity has never been lost on me, and the time you have taken to help me has always been appreciated.

I was feeling bad that you and several others were spending more of your time trying to provide guidance when in fact I had reached a comfortable launching point for the project based not only on your advice but for reasons I had not communicated – based on the merits of the MR cap as well as through a process of elimination of other options that I just didn't want to try. I wanted to acknowledge your replies - I certainly did not want to come across as ignoring your suggestions or as being unappreciative. The only considerate thing I could think to do was to explain my thoughts more completely. I am glad that you received my explanation in the friendly spirit in which it was intended.

Undertow and Irish,

I finished writing the above note and just found your comments about the Jupiter HT cap. There's certainly no problem with throwing a monkey in the wrench! I'm going to dig around a little and come back with a few questions if you both don't mind. As always, I appreciate your help!
Undertow,

I have used the Jupiter HT and think they are a very good cap. They don't have the tonal balance or naturalness of the Duelunds. They are no doubt warmer. The Clarity MR and Jupiters pair well together. This would help prevent tilting the sonics in one direction.

Jeff over @ Sonic Craft has them and usually can get them to you the same week you order.
By the way I have a pair of 1.0 uF Clarity CAP MR's in excellent shape left over from a project if anybody needs them for a good price. Probably less than 50% for the pair shipped, email me if interested.
Reynolds853
Not to throw a monkey in the wrench or is it the other way around?

But, I will say this the Jupiter new beeswax "HT" cap is REALLY killer. And I have used this in electronics now as a coupling cap not speakers, it is virtually equal to the Duelund VSF. It is a bit softer than the Clarity MR, and a little warmer than the Duelund, so its somewhere between, they are reasonably priced about what the MR's are at this point I believe.

Not to much info on them, they came out about a year ago I believe. NOT the standard Jupiters, they are HT's for High temperature. They seem to be sold out everywhere I ordered them at the time.

This is another option I can endorse, whether it would provide the absolute resolution of the Clarity MR, or the full organic sense of the Duelund in every case I don't know, but for a fact I can tell you that this cap is very ORGANIC and smooth, with good detail, and even more Robust bass than I have heard from most other caps in electronic full range applications.

Might be worth trying one in your tweeter or something and compare to a MR' of equal value and see where it takes you for small upfront test fee to see the direction, they do take some hours to burn in, at least 25 hours before they open up...

Currently I use all MR's bypassed by the Mundorf Silver oils and have no desire to change this but the SINGLE value Jupiters I feel would be about equal for less money and space needed. Just an option I felt was necessary to throw out there, as I did mention this way back in the thread somewhere and it got lost. Good luck
Rfog18,

Because your inductors are in series with the tweeter I am assuming they are a small value. Under 1.0 mH perhaps.

You may have already mentioned this but are your xovers internal or external?

Look at the Cast this way. With the dollar losing value and the threat of losing the privilege as the worlds currency, having some commodities such as copper might prove a wise investment :-)
John,

I understand more clearly now that you have explained where you are coming from. The Clarity MR is a well balance cap.

My intent was not to pound my point across but to let you be aware of the pitfalls. I have dealt with people who said what you are only to jump on the upgrade wagon. This is audio after all. That was why I wanted you to be aware of what could happen.

I feel you have set your coarse and I wish you well on the journey you are to embark upon.
I want to thank each of you again for the help you have given me and for sharing your thoughts and experiences. You have all been very thoughtful with your responses, and very generous with your time that it took to write them, and I again wanted to express my appreciation. Given the philosophical nature of some of the recent responses, I wanted to explain the reasoning behind the course I have decided to take so as to avoid giving the impression with any future questions that I had not appreciated or recognized the wisdom of your suggestions.

I have speakers that I intend to own for a long time and I could live with them as-is very happily. I would not have bought them otherwise. I believe that Duelund CAST would be the best way to extract their full potential, but as I have mentioned previously my goal with this project is to extract as much from them as I can on a smaller budget.

When I decided to undertake this project the caps that immediately came to mind were Mundorf Supreme, Mundorf S/O, Mundorf S/G/O, Clarity MR, and Deulund VSF. I arrived at the decision to try the Clarity MR was based on the following:

- As I read this thread, and I have read it in its entirety, the MR was for one of you the last cap standing, so-to-speak, before the full transition into Duelund, so I figured that was a good place to start.

- My experience with the Mundorf S/G/O was with a Dynaudio Esotec tweeter. This project involves a Dynaudio Esotar tweeter. The fact that I am already making such a big change from my previous speaker makes me willing to establish a new baseline with the MR, Tony Gee's comments about its sonic nature notwithstanding.

- Neither the S/O and S/G/O are available in a 15mF value and I'd rather just try a single MR.

- While the MR is certainly a compromise compared to the Duelund, several of its attributes described on this thread are appealing.

- I do not foresee to changing my preamp, amp or cablin. I have access to quite a lot of tubes that I can use to make further refinements as long as the MR gets me close to where I want to be.

- Duelund CAST resistors are a no-brainer.

- From my prior project I know I want to try larger inductors, but which ones, that is the question. That's where the most recent responses have been so helpful. I haven't decided which way to go yet. A potted North Creek is attractive because I could just send the stock inductors to North Creek, have them measure their values, and then build the new ones. On the other hand, there's a chart on the Mundorf website showing how quiet the 10awg foil inductor is already, and maybe I could pot one of those. I'd just get my stock inductors measured elsewhwere. I'm still digging around trying to figure this one out, but the fact that you guys told me about doing this is really great and I am truly thankful to you.

John
Irish65,

Thanks for your response. It was pretty much what I expected and as you say, one cap and a couple inductors in series, everything makes a difference and every change can be heard.

I shudder to think what you spent on the Dueland silver pieces but I understand your thinking. If your speakers are keepers, as mine are, then you might as well get the very best out of them. I know from experience, silver(done right) can take things up to another level.

I recently dropped some serious change on new Siltech G7 Series silver/gold interconnects and speaker cables and all I can say is, WOW! Like making a major component upgrade. I had a similar but less dramatic experience some years ago switching from Kimber's copper phono cable to their silver TAK cable; big improvement.

Though I'm "married with children" and quite happy with the Mundorf Silver/Oil, Goertz mix, I may look into the CAST copper inductors too. Since I already have the CAST copper caps coming, now might be a good time to do a total Dueland "makeover"?

May Duelund comment here on the possible benefit of doping a speaker inductor and the reduction/lowering of its Q ? Tom
Roger,

As you know there is a big benefit in hard coupling any power transformer to the chassis with brass instead of the ferrous steel and rubber materials usually the defaults in audio. With the inductors coated in Cascade I plan on the outboard crossover components hard mounted with insulating washers made of mypingo the same wood that clarinets are made and then direct coupled with brass fasteners and audiopoints to either a panel of mypingo or brass. I plan on using the same method with the Clarity D Tact caps which maybe by accidental design are perfect for the same mechanical grounding methods as will be applied to the inductors. The same mechanical tuning methods that you and I know work so well with speaker drivers and cabinets can also be applied and tuned easily to the components of an outboard speaker crossover or power supply. Perhaps non potted components will react more musically to outboard tuning than ones that are damped or overdamped by potting methods alone? Tom

Tom,

I've been meaning to get up with you. I have used the Cascade on inductors but in an inductor power supply for my Wadia. In this case I did not hear the before so as you I cannot comment.

As you know I have used it and it does work well with coating the inside of a speaker cabinet as you have mentioned. I have used it on expensive drivers and in the end I threw the drivers away.

The potting compound was designed for the application that is mentioned with the inductors. Look at Tweek Geek and click the new Bybee conditioner. They have the lid off and you will see they have potted everything. So potting a transformer in an amp or CDP is possible.

Potting a North Creek inductor allows you to fill the center and put a 1/4x20 brass spacer while wet. Once dry run a 1/4x20 brass bolt thru it to the bottom of the xover into a brass 1/4x20 insert. It will act as an Audiopoint. Just keep the inductor 1/4 inch of the bottom of the xover.

From my experience there is no silver bullet with this stuff. If the drivers have excessive resonance then I am sure the Cascade would work great. In the application I was applying it, as you are familiar with, it was counter productive.
Roger

Have you doped any inductors with Cascade Audio V-Bloc? I know you have used this paint or compound for other uses. I did paint 2 North Creek inductors with this rock hard drying paint and it did reduce the Q by about 30%. I did not however make a before and after listening comparison...like I usually do for reference purposes. I will be sure to listen first before any application to the next pair. Tom
Volleyguy,

You are a perfect example of what I was saying to John. You and I have talked and you were reluctant to put out more cash for parts but in the end look what you learned and look where your system is because of it.

The important thing to note is when you said " The key thing in this thread is start with a set of speakers you REALLY like to begin with. I think you may find you are in essence done with trading speakers after that. (so likely your last speakers)"

If the speakers you have do not fit that criteria then do not bother or go the cheapest route with parts. However, if your speakers are keepers then investing in the filter is a wise investment.

You can spend more and more money on an expensive amp but in the end it will only amplify the noise from the crossover. A cheaper amp with speakers having better crossover parts will yield better results.
John

I agree with Irish65 in a big way. I have been away awhile and have not read everything but the Duelund inductor shocked me at how much better it was than stock or the North Creek I was comparing as well. (the stock was a wax paper thin wire inductor)

Most speaker use a VERY cheap inductor that has no way to deal the resonance.

My feeling before I heard it was the inductor was not that important after all how much high freq noise could be caused by the inductor?? Boy was I wrong! Lots!

I believe the reason for this is that most inductors are just garbage! Everyone seems to treat this part as an after thought. So a massive improvement from top quality and junk.

I do not have CAST inductors like Irish but if I had the $$$ I would. I have Duelund WPIO. There is no reason not to have CAST inuctors except $$$. In the case of the inductor CAST is just awesome at blocking noise. I have not heard CAST as an inductor just a CAST cap so base that comment on that.

I also agree with Irish on you really go on a thread like this and you can narrow your list but I would buy a few choices till I heard the differnce. Only you can tell what is worth it and what is better.

One thing I did to save money was always buy one cap or inductor first. That is how this started comparing just one Duelund VSF and Mundorf parts. I order the VSF with the idea I am just throwing some money away but let's hear the fuss.

Not sure how much Frederik liked this buying one at time but they are expensive.

You really can not know what you will end with till you hear them.

The key thing in this thread is start with a set of speakers you REALLY like to begin with. I think you may find you are in essence done with trading speakers after that. (so likely your last speakers)

I bought Sonicaps, Mundorf Supreme's and Silver and Oil, North Creek inductors, Jensen Paper in Oil and of course the Duelund VSF, CAST and Duleund WPIO inductors.

What sounds like budget saving idea buying cheaper parts ends up costing more. All of the parts are gone or not used except the Jensen and Duelund parts. All at a loss of course.

When this thread started I was not thinking of blowing a wad on parts!

For example I expect there will be wayyyy more difference in a Duelund inductor and stock inductor than Jensen Copper Paper tube and Duelund VSF.

Tweeter caps is another good area to test as this part really matters as well.

Irish65 I am going to reread you part about series tweeter inductors. I have not replaced mine yet. You have got me thinking about that part???
I have used a kitchen pressure cooker hooked to a reasonable priced vacuum pump from McMaster Carr to evacuate air and remove bubbles from exoxy and potting varnish. Seems to work very well. Good luck.
John,

Ait gives good advice with sourcing out the vacuum pump for the compound.
Rfogel8,

The Mundorf Silver/Oil caps and Goertz 12AWG copper foil inductors are a very good combination. Unfortunately for you to take a step forward in sonics you will have to spend more.

The Cast Duelund cap you purchased will do it. You will know what the buzz is all about when you hear them.

I have built my own speakers, having access to a manufacturing facility, and have tried more caps and inductors than I care to mention. In the end I chose the Duelund Cast Silver for my Xover. I also use a Scan Speak for the mids.

If you have an inductor in series with the tweeter than I cannot recommend the Cast inductor enough. They are dead quiet, you will hear more ambient info, and they sound so natural.

Yes they are pricey.
John,

The potting compound I was referring to was the 3M DP270. So yes you mentioned the product that I have used. As I am sure you saw it is a relatively small tube so it will take a few to do the job.

I am sure Ait will be able to provide you a contact for the ABS but TDL Plastics has what you are looking for.

I have potted inductors and it does benefit the North Creek inductors as they do have some noise.

You may benefit more from some of the DIY sites as they have more info for what you are doing.

I will add, and this is not intended to offend, that when a project of this undertaking is in it's conceptual phase it is a mistake to say what brand of caps, resistor, and inductors you will use. Having a few caps by different manufacturer's, of the same value to evaluate, would be better than going in blind saying I am using this brand of cap.
Yes you solder it in and it may sound better but it only sounds better than the cheap cap that was already in there.

I understand you have a budget. However, it would be wise to do the xover in stages so you can get the best bang for your buck. If you want to try the the Clarity MR cap then compare it to a Mundorf Silver/oil. Keep the winner and sell the loser. This way your comparing caps that are more equal with each other than the extremes of going from a cheap cap to a very good cap. I also mention this because you stated your concern about the Clarity MR having a "slight focus on the lower treble". How do you know if you can live with this possibility long term? And if not how much will you have to spend later to try and fix it with cables or an amp?

In the end you want your system to cause you to go out and buy more music.