So YOU can't hear a difference in cables


I do.

I have a set of Van Den Hul the Seconds They get rid of the digtal glare and edge. They are non fatiguing to listen to.
They sound full and lush but give up some detail and soundstage. I can listen to them indefinitely.

My Au24's are more holographic, have better soundstage, detail in spades, but there is that digital edge and glare.

My silver interconnects sound good but tizzy on the top end. They are out.

Day in and day out give me the Van Den Hul the Seconds, no fatigue, but oh I want the detail and soundstage of the AU24's.

If you suffer from that digital glare or edge get the vandys.

I find that the louder the music the more that the cables matter. I find that cables "tune the sound".

Anyone have a suggestion for an interconnect that fits my bill at a reasonable price?
zilla
Actually, Dean, the Furutech doesn't have any effects on mechanical vibration. It does passively filter our emi/rfi though. I have the Eichmann feeding the Furutech, and it's the Eichmann that takes care of the mechanical vibrations.
40 hours break in and the glare and edge are gone. As for the monster cable power filter I have listened with it in and out of the system and don't believe that I hear any significant difference. I have it there to prevent damage should I have a lightning strike. If pressed I would say the bass is very slightly stronger without the filter, and with it the treble is ever so slightly smoother. These are slight differences.

The AU24 interconnects move you up a few rows compared to the Van Den Hul interconnects. The Vandys are smoother, fuller and allow me to turn the volume higher. The AU's are cleaner and clearer with more detail. I really like them both.
Zilla, the increased dynamics you noticed when removing the Monster from the chain is something many people notice when running their power amp directly to the wall without power conditioning.

In my case with the Monster gone, I noticed an improvement in focus and everything seemed to open up more so than the increased bass dynamics. Everything just became much clearer. This may be manifesting itself as the smoother treble you notice when using the Monster.
When I auditioned the BAT 300se I noticed a hollow metalic glare that kept me from purchasing the unit. I use nht 2.9 and they are revealing, at the time I used AQ granites (now Nord blue heaven) and the AQ reduce glare. I really liked the BAT, especially the way it controlled the bass drivers. The glare was more pronounced in the right channel and I think the current 6h30 is inferior to the nos version. There is no 6h30 sub but maybe try a new pair-I tried unsucessfully to get nos. I was sold on the BAT except for that ever so slight issue but for that much money i wanted my needs matched perfectly and ended up spending more as a result.