How does wood hardness affect the sound of a TT on a wood TT platform?


I'm interested in purchasing a Butcher Block Acoustic TT platform for my Luxman PD-171A TT. The Maple Block has a Janka Wood Hardness Scale of 1450 while the Walnut is rated at 1010. How does the hardness of wood affect the sound ? Trying to decide which way to go.
luxmancl38

Do a search on “damping factor wood types”, there are some studies on the subject. 

One does not need to search too hard to discover a Board produced as a

'Phenolic Resin Impregnated Densified Wood'  

is the material where the the Damping and Dissipation Properties are very attractive to be used in a Audio Set Up.

Today it is quite easy to find, TT Plinths, Sub Plinths, Tonearm Wands, Headshells, Speaker Baffles or Full Cabinets and even Chassis and Bespoke Component Casings are being produced from material with the properties of Branded Board Material.

Most of the annual volume of Phenolic Resin Impregnated Densified Wood on the market consists of resin-impregnated densified veneer products, while solid resinimpregnated timber boards are rare. Some example of names or tradenames of densified material, some of them not existing anymore, are: Bakelisiertes Holz, Carbonwood, Compreg, Delignit, Delignit-Feinholz, Dehonit, Hydulignum, Insulam, Insulcul, Jablo, Jabroc, jicwood, Kunstharzschichtholz, Lignofol (Preβschichtholz), Lignostone (Preβvollholz), MyWood2, obo-Festholz, Panzerholz (Delignit), Permawood, Permali, Pregwood, Ranprex, Sonowood, Staypak, Surendra, Transformerwood, and VANyCARE.

Typical products made from this type of densified wood are storage containers for liquid natural gas and associated support structures, wear plates for machinery and transportation vehicles, machine-pattern moulds, tooling, jigs, bulletproof barriers, security panels, transformer parts, neutron shielding, audio.

Picawood is not in the above list, this is a board produced with increased plies of veneer to the typical production methods where up to 25 Boards are compressed to produce a 1" (25mm) board.

It is typically a guidance to use Cross Grain Ply Board  @ 25 Plies per 1" (25mm).  

I would really like to see a Three x Orientation for the Plies, but when discussing with an individual has a direct communication with a manufacturer, the batch to be produced was quite substantial, way beyond a Group Buy quantity and the Wastage as a result of the orientation laminations was to be quite substantial as well.  

Kaiser Speakers has a bespoke board produced using similar to the Three Orientation design, to improve on the already impressive Dissipation properties of Cross Grain.

After nearly 4 years, the OP probably gave up and got real a real isolation platform-Minus K.

Since no self-respecting, audiophile, least of all any of us, places a component in direct contact with a shelf, with no intervening exotic footer designed to isolate the component from the shelf, I think it makes very little difference what kind of wood is used for the support system, so long as it is very stiff and rigid. The issue of transmitting energy into the structure and dissipating that energy is moot, if you have a good footer, which all of us do I am sure. Also, I think we all broach subjects like this on the premise that there are vast amounts of energy to be dealt with when in reality the magnitude is relatively tiny to begin with.