Comparison of sonic qualities of some tonearms


I’m relatively new to the world of vinyl, listening seriously for probably only 2 years.  Of course, many big picture items (e.g. turntable, phono stage, cartridges) are discussed extensively on this forum, but I haven’t seen much discussion comparing different tonearms.  I would be interested to hear about different people’s experiences with different tonearms, mentioning the audible advantages and disadvantages of each tonearm, realizing that there is no perfect sound, although from what I read about others’ experiences, SAT tonearms may come closest, albeit at a very high price.  

drbond

@lewm  Don't want an argument - rather, I value your views. But you did say,

"I agree with Mijostyn on azimuth adjustment."

Mijostyn said,

The sonic difference between +- a few degrees is essentially inaudible ...

I was responding to that. Glad to know that does not represent your views. I think that azimuth can be optimized for most LP's if you make sure that they (LP's) are absolutely flat, like with a reflex clamp and a record flattener.

 

@sokogear

I believe some of you have gone way past the point of obsession.

Yeah, guilty, Your Honour. Fair cop. Still, it beats a smart phone.

 

@jollytinker @sokogear 

Thanks for sharing your experience with your various tonearms.  I, too, have found that tonearms can make a marked difference in the sound quality when playing vinyl records.  It would be interesting to continue hearing from others who have experience with various tonearms. 

BTW, I had a linear arm back in college on a Phase Linear 8000 that I thought was so cool. I assumed that was the best design since there is no anti-skate to worry about and the arm is perfectly tangential to the record groove at all points. I didn't realize how bad it sounded (or maybe wasn't set up right) until it broke and I got a lower end Music Hall that completely blew it away. They Phase Linear was totally automatic (direct drive) with some kine of control wheel to position the arm. SO complicated. Simple is best. A to B.

After that I realized that how a piece of audio equipment looks is by far a secondary consideration, unless you never want to play it. In fact, you probably are paying heavily for the cool look factor. I'd stay away from red floor standing speakers though....or ones that make a den look like a physics lab.

In the business i was in, understanding that tolerance stack is a two edge sword… there are so very many variables to consider…. chasing the dragon , catching a fleeting glimpse and then codification of whatever ritual of the hunt that got you  “ there “… is always risky…

I have stopped obsession w LP unique VTA….

I also am glad products like Safir exist…