Okay here you go, first listening notes from 3 days of listening to the Clayton Shaw Caladans. I am not very good at describing what I hear, so don't fry me on that.
- I warmed the speakers up just for a couple of hours by connecting to my system in my office, and let maybe 4 CDs play through them without any listening. Moved them to my current listening space, and connected to my equipment. It was all left on for 24 hours previously to be warmed up sufficiently. I did two listening passes through each CD, over 3 days
- I must also say that my current listening room is in no way optimal, I’d say it’s below average. My wife decided she wanted to swap the living room with the family room, and my gear now resides in the living room which has minimal treatment (curtains and wool area rug; open concept to two other rooms. I can definitely tell the negative difference in rooms, both with my existing Thiel CS2.3 and Buchardt Audio S400 MKII speakers. I am constructing a listening room, but that is a bunch of months out
- Having never owned open baffle speakers before, I did not know what to expect. I will certainly say that they are much more workable compared to my traditional speakers, in their current room
- Each time I sat down with the intention to listen for a few hours, the next thing I knew it was many hours later, and I had done no work for the afternoon. It eventually piled up, and had to spend a couple of days catching up. These are really fun speakers
- Gear used: Audiolab 6000 CDT transport > Morrow Audio DIG4 digital coax cable > Denafrips Pontus II DAC > Morrow Audio MA4 XLR cables > Denafrips Hades preamp > Morrow Audio MA4 XLR cables > Denafrips Thallo amplifier (120 watts 8 ohm/220 watts 4 ohm) > Anti-Cables Level 3.1 speaker cables > Clayton Shaw Caladan speakers
- Music used (all CD, whole album listened to): Poi Dog Pondering “Wishing Like a Mountain and Thinking Like a Sea” & “Pomegranate” – Eagles “One of These Nights” – Nirvana “MTV Unplugged” – Chris Isaak “Heart Shaped World” – Gorillaz “Demon Days” – The Talking Heads “Stop Making Sense Remastered” – Chris Stapleton “Traveler” – 10,000 Maniacs “MTV Unplugged” – Johnny Cash American IV - Supertramp “Crime of the Century” – Dire Straits “Brothers in Arms” – Memoirs of a Geisha “Soundtrack” – The Civil Wars “Barton Hollow” – Atlanta Rhythm Section “Champagne Jam” – Amy Winehouse “Back to Black”
- Several of the albums I chose for their difficulty. Some can be bright, some can be congested (Poi Dog sometimes up to 16 musicians and vocalists on stage), some to get a variety of genres, and some because I just love the album.
- Take my listening notes with a grain of salt, if your musical tastes vary from mine. I do not listen to classical, chamber music, opera, jazz, fusion jazz, electronical (mostly), Norah Jones (or the like), or too much country
- Speakers about 2 feet into the room, seating position 8 feet from speakers, and speakers about 8’ between the tweeters. Speakers toed in so they were each aimed just outside of my ears, maybe 12”…..I did not try playing with positioning beyond that
- Initial thoughts –
- These are the best speakers I have ever owned.
- Bass is a little laid back, but slowly improved throughout the next few days, was never muddy…..quick, punchy, detailed, not overly deep. I’m not sure if that is just the OB design, or improper placement, or needing to break in the woofers
- Voices are incredible, male and female. Clear, articulate, great tone and full of body, I was able to understand words in songs that I know the words to but couldn’t clearly make out otherwise. I could pick out different vocalists when they were singing at the same time. Vocals were natural and without any harshness, showed all the nuances and grit and vibrato and breath and failings (Chris Stapleton, Natalie Merchant, David Byrne, Johnny Cash), almost like a live performance, dynamic changes from soft to crescendos were effortless. Vocals kept between speakers and could place where vocalists were on the stage even with multiple vocalists, great emotion. Chris Issak’s voice was brilliant, hypnotic
- Complicated songs and music where there were a lot of musicians and vocalists (Talking Heads, Poi Dog Pondering, Gorillaz), were rendered more like a live setting where you can place and distinguish each, articulate and detailed without being jumbled or confused
- Some songs that can be bright and brittle with intertwined detail (Poi Dog Pondering, Supertramp, Gorillaz) were delivered much more clearly and individually and smoothly, with no sense of being overwhelmed, I could separate an electric violin from a cello from saxophone from a mandolin from bells from recorder from synth from horns while they were all being played simultaneously, multiple percussion instruments from each other, and multiple vocalists. They all had their own space and somewhat their own location
- Imaging and soundstage and presentation – For now the soundstage is limited to the outer edges of the speakers, a little beyond……soundstage height is very good, depth is there more than my current Buchardt Audio S400 MKIIs, but at this point the soundstage is not “magical” like I’ve heard on some systems. The sound does not seem to come from the speakers, it is more presented from a stage of sound. I certainly need to play around positioning more, but for now this is where I am
- So far so good. I am ecstatic with the speakers, I suspect there is a lot of testing with speaker placement and just getting used to open baffle. I also suspect that my current electronics, while good, are not going to really allow the Caladans to reach their full potential. My new Aric Audio Motherlode XL preamp will be here in a couple of months, and CODA S5.5 amp in a couple of weeks