What is the “World’s Best Cartridge”?


I believe that a cartridge and a speaker, by far, contribute the most to SQ.

The two transducers in a system.

I bit the bulllet and bought a Lyra Atlas SL for $13K for my Woodsong Garrard 301 with Triplanar SE arm. I use a full function Atma-Sphere MP-1 preamp. My $60K front end. It is certainly, by far, the best I have owned. I read so many comments exclaiming that Lyra as among the best. I had to wait 6 months to get it. But the improvement over my excellent $3K Mayijima Shilabi was spectacular-putting it mildly.

I recently heard a demo of much more pricy system using a $25K cartridge. Seemed to be the most expensive cartridge made. Don’t recall the name.

For sure, the amount of detail was something I never heard. To hear a timpani sound like the real thing was incredible. And so much more! 
This got me thinking of what could be possible with a different kind of cartridge than a moving coil. That is, a moving iron.

I have heard so much about the late Decca London Reference. A MI and a very different take from a MC. Could it be better? The World’s Best? No longer made.

However Grado has been making MI cartridges for decades. Even though they hold the patent for the MC. Recently, Grado came out with their assault on “The World’s Best”. At least their best effort. At $12K the Epoch 3. I bought one and have been using it now for about two weeks replacing my Lyra. There is no question that the Atlas SL is a fabulous cartridge. But the Epoch is even better. Overall, it’s SQ is the closest to real I have heard. To begin, putting the stylus down on the run in grove there is dead silence. As well as the groves between cuts. This silence is indicative of the purity of the music content. Everything I have read about it is true. IME, the comment of one reviewer, “The World’s Best”, may be true.
 

 

mglik

@mglik : " putting the stylus down on the run in grove there is dead silence. As well as the groves between cuts. This silence is indicative of the purity of the music content. "

I already posted here about your statement but was till today that I fall in count that one of the main Grado characteristic in its Optimized transmission line cartridge design was to " disappears " the surface noise but not only in the unmodulated grooves but mainly in the modulated grooves and achieve that with out any single compromise/trade-off that could disturb the true MUSIC signal information and yes you can hearing it. It’s part of that high quality level performance you are in experience with your Epoch 3.

 

Again, congratulations for,

R.

Don’t know the difference in the Grado Epoch3 tip. Only know that the cart tracks, it is said, better than any cartridge. On the run in/out and between cuts, the silence is deafening. And, as I have said, the SQ is well beyond the Lyra Atlas SL. It is a new, amazing level of realism. I was lead to the Epoch3 by reading about the Decca London Reference. The Grado may be well beyond the Decca. 

BTW-I am also married to myTriplanar SE arm. It was quite involved and difficult ti mount it on my TT. And I would not second guess the Triplanar quality and compatibility.

Dear @mglik  : Yes, it's obvious that with a 20cu compliance it has to track very well. Maybe not better " than any cartridge " but at the ends a good tracker.

 

I own and owned several cartridges with different compliance spec and no one high compliance ( this is 20cu and up ) disappointed on that specific issue but certainly are better tracking cartridges but " unfortunatelly " not with the great cartridge motor of your sample.

I need to experience it and compare with the vintage signature Z series.

 

R.

 

Dear @lewm  : I just seen/aware of what you posted time before.

 

" Raul, in your own experience, what is the best sounding cartridge? . "

 

I already posted what has a close relationship with your question.

There is no best cartridge at all  because the quality level performance of any cartridge have several playing desired characteristics where you can't diminish any one of them and unfortunatelly no single cartridge model achieves all at the top:

you have to ask your self: the best tracking, the best HF/MF/LF, the best low noise, the best transient response, the best natural color, the best natural agresiveness or brigthness, the best rythm,...etc.

 

And that's why the best cartridges overall sounds alike and between that " sounds alike " we make our choices with the cartridges that are nearer to each one of us targets.

If $$$ is no issue then the best choice is to own 3-4 of those " alike " performers and stay away to married with one cartridge model. You can be sure that those cartridge choices will fulfill your targets.

 

lewm, we are talking of transducers where each one has a similar but " unique/signature " voice exactly as a speaker but obviously and normally we don't own 4 different speakers but 3-4 cartridges do not needs the speaker space to listen it.

R.