2020 update : JC Verdier La Platine


A recent encounter with a JC Verdier dealer as well as a recent Audiogon discussion thread led to the start of this thread. He was in my house updating my La Platine which had been in storage for ten years with thread and oil. While he has high regards for the deck, his newer clients nevertheless prefer a Techdas iii than an 'old' La Platine. Given the proliferation of expensive decks in the past dozen years, La Platine has become very much under-appreciated. 

It's clear to me that the influence of the La Platine is everywhere to be found. Specifically, the magnetic suspension system that was employed 30+ years ago. Even SOTA offers their newer decks with mag. lev. features. And if you read this review: https://www.callas-audio.nl/Callas%20Platine%20Mod%20Kit%20Review.pdf, the Continuum Caliburn uses the same concept, which was not acknowledged in Fremer's review, albeit with more sophisticated , and expensive, execution.

It is also clear to me that there is much misunderstanding of the workings of the La Platine. I for one have contributed to this. The motor of the La Platine, for example, has been much maligned. The thread drive is another aspect of the turntable that have been described as inferior. With regard to the motor and thread drive, I have been set straight by Chris @ct0517 and Lyubomir @lbelchev. Experimenting with the different types of silk threads, the tightness to the platter  and a renewed understanding of the soundness of the Philips motor have been rewarded with better dynamics and transparency. 

The funny thing is that during the past two years of re-engagement with audio, I have questioned ownership of every components in my arsenal except the La Platine. It has always been a keeper. I wonder if La Platine owners would contribute to celebrating this 'old' deck with tales, advice, and insights?

Cheers!
ledoux1238

@phantom_av May I ask the reason for keeping the Verdier and selling the SP10R? The SP10R should have no problem keeping speed. 

I actually like the SP10R allot and debated with my self constantly on selling the verdier and keeping the SP10R as the speed stability and overall SQ

once the SP10R is setup properly it excell in almost all aspect the bass on the SP10R is the best iv heard and best the verdier many times over.

. However the Verdier has been my oldest table, I have already put on order for the motor, spent allot on the Armboards which is made from copper and stainless steel and already spent allot on the platform and the Solid Wooden blocks made from burl to fit the the whole design interor of my new room.

 

I cant keep them all otherwise i need more arms and more carts and another phono stage and the cost keeps mounting up. I put in a order for the SP10R after i spent time at a friends house over a long period of getting familer with it so i love the table allot but Technics took so long in the delivery with maltitude of excuses on the production and since its limited it has a better chance of selling than the  verdier hence i let this one go to fund another Hobby of mine in Diving.

 

The SP10R is a absolute monster, With the right arm, right cart and right armboard and platter Mat it can compete with much higher costing table at a fraction of the price without the hassle of speed stability issues. Its plug and play.

@phantom_av Your description of the SP10R is much appropriated, a world class table that is ‘ plug and play’, not the tweaking Verdier. Fortunately for me, I am a boring person with really only one expensive hobby, so no other endeavors require funding. However, I have a self imposed moratorium on audio purchase this year ( tweaks no included ), the sale of your SP10R is really bad timing for me. 

I do want to mention that I have the habit of keeping the Verdier on the entire duration of the listening session, several hours at a time. I start by using a strobe, and letting the Verdier run faster than 33.3rpm, drop the needle and make the necessary adjustments. Granted every record affect speed differently, but I hear less speed fluctuations, or so it seems.

Interesting discussion on adding heavy mat and record weight on the SP10R! While I have not auditioned the the SP10R, I do have experience with the older SP10MK3. Personally, I find the SP10MK3 score hi on the "HIFI" criterion, but I start to develop listening fatigue about an hour into the listening session. Many audiophiles would attribute this to the rapid speed correction, so call hunting, of the SP10MK3.

 

I don't know whether the SP10R is in a similar situation, but can't help to wonder if the added weight actually smooth out the speed hunting by making it harder for the  motor to adjust the speed rapidly!