Great Recordings, Sonically Speaking - and Why.


I think many of us would accept that artists such as Pink Floyd, Steely Dan, and Dire Straits have consistently put out music that was at least originally recorded to a high technical standard. [I'm not too sure what the loudness wars may have done to subsequent reissues, but even so, the tone and timbre thankfully tends to remain intact.]

However there must be plenty of lesser known recordings out there that could be said to be of a high sonic standard.

One such recording that I like to put on in the background whilst I'm doing other things is a piano recording that features wonderfully lush timbre and some delightful tunes.

This one is The Disney Piano Collection by Hirohashi Makiko and to me it makes a lot of other piano recordings sound a little washed out.
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@tostadosunidos: Yes! That album sounds almost like a direct-to-disc, so alive and immediate. Produced by Richard Gottehrer, who didn’t make Blondie sound nearly as good.

Gordon did the first version I ever heard of "My Gal Is Red Hot", a killer Rockabilly song originally by Billy Lee Riley. I didn’t yet know it, but Ronnie Hawkins recorded the song in 1959, before his band The Hawks included future members of THE Band.

Gordon had a number of superb guitarists after Link Wray, including Chris Spedding and Danny Gatton. I saw Link live on his last trip through Los Angeles. He needed help getting onto the stage, but could still play great!
I often go by labels.
50’s and 60’s RCA records, especially Chet Atkins, sound great.
60’s and 70’s Electra Records sounds pretty good, too.
And Rounder Records stuff sounds excellent as well.
I would also add that legacy artists like Dylan, Young, Petty, and Mellencamp care a lot about sound quality, and virtually everything they put out has great sound; I wish the same could be said of Springsteen.
@jrw1971. I enthusiastically second your mention of David Crosby's "If Only I Could Remember My Name".  I was fortunate enough to hear it the year it was released and then the reissue in 2006, which is an amazing remastered recording.  I recently played it for my brother and he was astounded as to its content and quality, now 50 years from its debut. 
For live music, Little Feat’s Waiting for Columbus has always ranked high, along with the epic Jazz at the Pawnshop.

I’ve always considered the 2002 Verve SACD release of Getz/Gilberto to be a good recording.

Norah Jones' Come Away With Me is a very well-recorded piece.

And speaking of Crosby, there’s a version of Lee Shore on the 4-CD CSNY box set that is just..............quintessential Crosby. Certainly a beautiful song to begin with, but this version is stellar. I would dare say the best ever recorded.
+1 David Crosby; that LP is on the TAS Super Disc list which fueled the vinyl resurgence and early heavy vinyl reissues. One of my favorite albums but mostly for content; the great sound quality is icing on the cake.

In Jim Smith's Get Better Sound book. he lists his favorite well recorded CDs (around 180) including the one he uses the most (he also likes LPs but not for system set up which this book is about). Very few are "audiophile" releases.