Millercarbon's Mega Vibration Control Journey


Vibration control is such a huge, and hugely important, topic it deserves a thread of its own. There was a time I thought it nuts to say such a thing. In fact I wrote a letter to the editor excoriating them for wasting my time on the goofy idea that clamping components between shelves could have any effect on sound at all, let alone be worth spending good money on a rack designed to do just that. This was the Michael Green rack, and thanks to my closed mind and dismissive attitude I never did bother to try and find out for myself if there was anything to it.  

Important Lesson Number One: Don't be so quick to dismiss things just because you can't understand how they could work. 

Couple years later unpacking a McCormack DNA1 amp the Owner's Manual says the included spike can be used to improve sound quality. Well now. As crazy as it still sounded this time its Steve McCormack, and he's already given me the spike, so what do I have to lose? Much to my surprise it did indeed improve the sound. Not a lot. But definitely more detail, clarity.  

This is very early 1990's. There is no internet. I know precisely zero audiophiles. Until stumbling upon this one guy at work who says oh yeah and put your CDP on a phone book, and another one on top. Which sounded even crazier but the guy was serious and this being the 90's we all had phone books laying around so I gave it a shot. This time it was only the most barely perceptible improvement, but it was there. If you really listened for it. So not much. Then again, free. Wrapped some fabric around it, ran the CDP like this for quite some time. 

Around this time I'm shopping for components for my new listening room when this guy is more excited about something called Black Diamond Racing Cones than the amp or whatever he was trying to sell me. So I get 3 of these things and they're so much better than the phone book its hard to believe! Well, okay, it was a phone book. Got to compare against something, right? 

These Cones are so good I take them to this Seattle audiophile club and show them around all excited and.... nobody cares. Except this one guy who goes on and on about how he has tried phone books, tennis balls, racquet balls, styrofoam, cones, spikes, on and on everything under the sun, he's tried it all there's just no way he's gonna be impressed- he makes this very clear to me- but okay you're the new guy let me borrow em why not. But they're not gonna work. No way. 

Next day this guy calls me up gushing going on and on how great these are what are they again where did you find em how many can I get? I actually wind up becoming the Washington State distributor for Black Diamond Racing selling Cones, Shelf, all of it. This guy winds up like me, pretty much everything on BDR.  https://systems.audiogon.com/systems/8367  

A lot of what I knew about vibration control back then was based on my own experience with BDR, and learning from owner DJ Casser. This resulted in what became my guiding principles of vibration control: Mass, Stiffness, and Damping.
128x128millercarbon
The early bird reads the good post. Got to be fast to beat the snowflakes and censors around here. oldhvymec triggered someone with his edifying and entertaining post, now removed, leaving us all the poorer. Such are the times these sad dark days.

Why don’t you just move along if it bothers you so much? Not like anyone is forcing you to read this. Far from it. If you’re not man enough to handle diverse points of view why bully your intolerant narrow mindedness on everyone else? Why not just move along? Please?



The prevailing wisdom back then was vibration flows, and you can "drain" vibrations with sharp spikes that are like diodes, allowing vibrations to flow out but not back in. Huge amount of guys bought into this.

This never made any sense to me. On the one hand we were supposed to believe the spikes had to be sharp to cut through carpet and stuff and go into the floor, the better to rigidly couple or anchor the speakers. But on the other hand these same spikes were supposed to somehow drain energy from other components, or prevent room vibrations from getting into the components. Or something like that. The story changes every telling, no one ever bothering to point out the logical inconsistencies.

To me it seemed most of the vibrations were coming from the components themselves. That would explain why a phone book or other mass placed on top affected the sound. It changed the vibrations of the component itself.

One totally unexpected experience seemed to prove this. Doing a Cone demo one time for a friend, instead of stopping and starting I lifted the CD player to remove the Cones with the music still playing. My friend said he heard the sound change- and become worse- the instant it was lifted off the Cones!

If isolation was so important then surely my hands are more isolation than Cones. It should have sounded better not worse. If sharp spikes was the answer then it should sound better on them instead of being better on the rounded off BDR Cones. Just one of many observations that had me pretty well convinced the key to vibration control was control. As in stopping it. With stiff and highly damped mass.

millercarbon
 OP
6,455 posts
11-07-2020 11:35am
The early bird reads the good post. Got to be fast to beat the snowflakes and censors around here. oldhvymec triggered someone with his edifying and entertaining post, now removed, leaving us all the poorer. Such are the times these sad dark days.

<<<<<<<<<<<<<<<<<>>>>>>>>>>>>>>>>>>>>

I must apologize. LOL If you could have seen it it was pretty dramatic.
I guess it was not for everyone... Was off subject a bit.. But Dads vary.... LOL War Dogs are War dogs.. We get to enjoy EVEN the the right to delete..


Vibrate on good fellows, vibrate on... I'm good for one every now and then for sure... The dog is giving me the look...  She hates to give up.. LOL. terriers...

Regards..
oldhvymec1,347 posts11-07-2020 12:15pm"I must apologize. LOL If you could have seen it it was pretty dramatic.
I guess it was not for everyone... Was off subject a bit.. But Dads vary.... LOL War Dogs are War dogs.. We get to enjoy EVEN the the right to delete.."

I read your post before it disappeared and saw nothing wrong with it, but apparently someone thought differently. In these chaotic times, I guess that any mention of violence or guns is frowned upon.
Around this time another experiment that might seem unrelated was going on: cable elevators. They work. No doubt about it. But, why? One theory was that insulation quality makes a big difference, carpets and flooring aren't quality insulators, and so the improvement was in being further from them. Another idea was elevating them somehow reduces harmful static electricity. I don't recall anyone then - or now, for that matter - thinking it had anything to do with vibration control.

Spoiler alert: I do now!


I'm a bit late to the game with isolation having only tried Herbie's products. They used to work for me and after a few rounds of component changes, the magic just wasn't there. In fact, those footers were having a negative effect so I stopped completely with isolation and relied on my solid maple media stand and rack, allowing the mass of it to do the trick.

After reading about Isocacoustic's Oreas, I gave them a try and boy did they make a difference. With just my integrated, everything came into shaper focus. Then with my SACD player, the sounds now went out in all directions, kind of like the reverse of what and how a microphone picks up the sound. It wasn't quite holographic as the layering remained the same but the sounds that emanate from their sources are much more convincing.

Now being a convert, I tried what I had on my power conditioner and using just one Les Davis constrained layer damping pad at each end of my conditioner, as it stands on its side, was all that was needed to change what sounded like a tonal shift, more than anything else, for the better. Any added layer lowered the dominant tone and using none increased it. Kind of like finding the right key to play the music.

To a lessor extent, but still an extent, my cables are all elevated on 49¢ glass candle holders from Ikea. They were cheap enough to try and do the job.

No one's system needs any negative waves to ruin the day.
https://www.youtube.com/watch?v=aT9Lm4Y886k

All the best,
Nonoise