Why go out???

I saw lots of first-rate projection and sound quality when I lived in L.A. Of course it depended on where you went but still...it still can exist. To me, though, the problem with the way the movie business now works is that, eighty percent of the time, the theaters only show big commercial super-hero type features.  All the smaller, more interesting stuff is now shipped directly to the premium television channels.  It doesn't help that the new, premium channel television series not only feature the best writing, they possess the best production values.  If you want to see something really good, watch The Marvelous Mrs. Maisel. Plotting can sometimes be a bit tentative but the acting & dialogue are wonderful. Still better, the physical production values can only be called magnificent.  Colors are 1950's-1960's rich and vivid. Backgrounds swirl with action and people-on-the-move.  They're essentially choreographed.  The camera is ever on-the-move, as well.

I went to see the latest Star Wars movie tonight at the local multiplex in Lacey. As good as my home theater system is and as much as I enjoy the comfort of watching a movie in my own home, there are some movies that just seem to demand being seen on a big screen. The image quality and sound was excellent and the seats were comfortable. 

It took me back to when I was 15 and rode the bus to Seattle with some friends to watch the first Star Wars movie (Episode IV) at the UA150. We stood in line around the block to get our tickets and were so blown away that we stayed and watched the next showing. It was shown in 70MM on a huge curved screen. I remember seeing Apocalypse Now and hearing "surround sound" for the first time. Movies have come a long way since then. Last night the grandkids were watching the new version of The Lion King and I was amazed by the quality of the CGI.

I've had a couple of experiences where there were technical difficulties and that's frustrating, but overall I enjoy going out to the movies. Some of my favorite places are small indy theaters like The Grand in Tacoma. No blockbusters, not the greatest sound systems, run by volunteers, hard to find parking, but a lot of cool small films played there. 

For me, it's more about the movie and the experience than technical aspects. I would have been disappointed if I had the kind of experience described, but no way I'm waiting for this last episode of Star Wars to come out for home rental. 

Your header triggered a tangential thought for me....why hear live music? It has struck me that there is a disconnect between the notion of the pursuit of obsessive audiophile perfection and the reality of live music. I have seldom heard live music where the audio is perfect. Even when I have been part of the band what you hear is nothing like what comes out of a decent set of home speakers. But, as others have noted eloquently above, you go for other reasons. It so happens I am not a big movie fan so I agree 100% with your original thesis. At least at home you can hit the pause control and go to the bathroom.

There's an interview with Schroeder, widely regarded as among the best tone arm builders around, and he's asked about the difference between live and reproduced music and practically the first words out of his mouth are its anti-social. Not how hopelessly difficult it is, nothing about dynamics or sound quality at all. Oh, he does get there, eventually. But only after talking about how fundamentally anti-social it is to be sitting in a room all by yourself in the dark playing music that only you can hear. 

For the longest time, many decades, it was rare to attend any concert and not walk around checking out the sound. Steeley Dan at the Gorge ranged from poor to atrocious depending on where you were. All except for dead center one row in front of the mixing board. There the sound was perfect. And I mean perfect. Imaging, depth, you name it, and it was hard not to believe it was even better ten feet up and back where the guys on the console were sitting.

So these audiophiles, they managed to make even a live concert anti-social, by creating good sound for the few of them and them alone. Schroeder, hate to say it, was right on.

When the audience is into it there's electricity in the air. The Seattle Symphony finally cuts the crap with their PC agenda and plays the Messiah. Daniel Craig starts putting the pieces together in Knives Out. Jordan B Peterson talking about... well, anything. The Eagles. Electrifying. Whatever it is, could be anything, could be anyone, when it starts channeling that, whatever it is, we have no name for it, yet we all know what I'm talking about, when the performers doing that and we all sense it there's a cascade and its just, well... whatever it is, its why we sit and listen in the dark- and also why we put up with the crowds and the noise and all the rest as well.

you need to get to either of the Benaroya halls, Triple Door, and Tacoma ( not the dome ) more often....