Balanced vs RCA between amp/preamp


Well I'm taking my first step into separate components with a Marantz SC-11s1 and SM-11s1. Would like to know about the +/-'s of using RCA vs balanced interconnects between the two. All my input sources are single ended.

I understand the Marantz components balanced connections have pin 2 wired cold and pin 3 wired hot. Does this mean I need to reverse the cables going to my speakers (if I decide to use balanced connections between amp/preamp).

I also understand the RCA connections conserve absolute polarity. But is there a performance "hit" taken by using singled ended connections between amp/preamp?

Thank you in advance......
wec56
My home system was dramatically improved by 2 instances of changing to XLR cables: the tube preamp (ARC) to SS amp (McIntosh) connection eliminated noise that was present with unbalanced cables (cables were about 7 feet long) & my Marantz SACD (SA-11S3) to the pre made a huge difference, whether only because the balanced connection was louder (as some attest) or the cable was of far better quality than the previous unbalanced one, I don't know.
Sorry, but posts like the above are just fanboy prattle, equivalent to
      "I changed everything and it sounded different."

Many balanced devices are bodged to accommodate unbalanced operation and coupled with generally incorrect balanced wiring, they don't stand a snowballs chance of optimum operation in unbalanced mode.

If 4+ decades in electronics has taught me anything, it's that if it can be screwed up it will be: 
  • inexperienced engineers
  • incompetent sales staff
  • ignorant consumers

Regarding ground connection being connected first and disconnected last  IS true if one wire the balanced connections as perhaps intended. The shell which has the 4th terminal on a 3 prong XLR connector is intended for Chassis ground.  XLR connectors are available with up to 6 (7) termination points.  

Most however don't use this 4th connection point, including me.  Pin 1 Chassis Ground, Pin2 Positive Node Pin3 Negative node.  So to refer to the OP since your Marantz gear have the same termination on both pre and power amp - your in electrical phase and don't need to do anything else.

As far as balanced operation which in my opinion offer vastly improved performance dynamics for an example and noise rejection and that the interactions of the cable is practically eliminated the list goes on.  All the equipment we make is fully balanced form input to output. Even on our economy line Liberty Audio the gear is fully balanced.

Good Listening

Peter

https://pbnaudio.com

Thanks for your input, Peter (Pbnaudio). Yes, depending on the specific designs what could be connected first and disconnected last when XLR cables are connected and disconnected may be either chassis ground or circuit ground. As you are doing in your designs and as explained in this Rane application note, connection of pin 1 to chassis ground in both components is proper practice (although unfortunately far from universal practice), with connection of chassis to the shell being optional.

On another note, regarding whether or not the OP’s specific components are fully balanced and whether or not they use inexpensive op amps to generate or receive one or both signals in the balanced signal pairs, I see that service manuals for these components, presumably including schematics, can be downloaded at hifiengine.com if one is registered there. I’ll try to take a look at them tomorrow, as that site imposes a limit of three downloads per day and I’ve already reached that limit today.

Best regards,
-- Al

I own balanced equipment, before I had SS unbalanced amps, on my rig and judging with my ears and a professional pianist ears as well I have replaced the balanced cables with mogami 2534 shielded, mogami 2549 unshielded, wireworld eclipse and in all three instances we weren't able to notice any difference in sound. Additionally to all these, replacing other components like dac, USB cables etc. Haven't made too much of a difference, as a matter of fact there have been a small difference in instrument presentation and Soundstage when changing things at the source but almost not noticeable not like others report on similar rigs with unbalanced connextions. Some people have recommended not using balanced shielded cables as they state sounds worse, I don't doubt it I just can't tell the difference on my rig.

My point is I truly suspect by empirical experience that balanced well designed equipment could be impervious, or maybe I should say apparently more resistant to changes on interconnects. 

Just my thoughts, 

Oh one more thing, there is unbalanced only equipment that price wise I seen it to be more expensive that their balanced counterpart, it might not be a general rule but it happens so cost IME is not so much of an issue. 

So back at wec56, yes using balanced vs unbalance there could be a difference IMO. You should experience more of a difference using different equipment manufacturers than cables anyways. 

Enjoy your system