Paradigm Persona series

Anyone know where I could audition the 9H in the SF Bay Area? The local dealers won't stock it. Too expensive, they say. In SF? Really?

@contuzzi, Classical music has alot of metallic shrill sustained high frequency information particularly during loud complex orchestral crescendos that I don’t find present to the same degree in the tiny bit of jazz I listen to. Those are the only two "types" of music I listen to. Those instruments in classical music actually should sound shrill normally but when the speakers overemphasize that part of the frequency spectrum it becomes a problem with that music. I don’t notice it that much with other music I listen to, i.e. various types of jazz but jazz makes maybe 10% of what listen to, and classical 90%. With regard to my "positioning ability" I did and do find them a bit tricky and requiring nowhere near Paradigm's recommended toe-in in my room to get good focus on individual instruments and voices. I would guess less toe-in also helps mitigate the brightness.  When I run the ARC room correction on these speakers I also set the high pass filter at the 350 hz setting and increase the overall level of the bass 1.5db and that helps warm them up a little bit. There’s no question that the speakers in my space are incredibly holographic. Still there’s an aspect of the sound on classical that I would say is more clinical than romantic/involving. And can we give ad hominem criticism a rest folks and just talk about our experience with the speakers? Your experience may be different than mine...that’s not only fine, it’s why I started the thread.

Can anyone expound a bit on what the "vibration-cancelling" rear bass drivers are doing beside working for an inert cabinet which doesn't resonate and color the sound?  Is that all they're doing?

My dealer, i've probably said this already, could probably make my logitech speakers sound stunning so i'm not surprised I didn't find the 3f or 7f bright. detailed and extended for sure. I also wonder about the credibility of reviewers and if their reviews deserve all the respect they're givin. The lenses might be nothing more than liability protection from children licking the BE drivers? they don't seem to harm the sound and if I had an extra $10k laying around I would have already bought my pair. anybody 

I disagree.  In the concert hall I've never heard massed violins playing fortissimo sound shrill.
But I do hear that on a number of recordings and through a number of speakers.
Early DGG digital recordings are particularly guilty of this.  I've never found a metal domed tweeter that completely avoided this--the beryllium that Salk uses came close, the different one used by Fritz even closer.
Needless to say, recording+speaker effects can be cumultative.
Long live soft domes!