It remains a little odd to me that Phonograph cartridges which are inherently balanced devices, don't have XLR outputs.Some do (well, some **arms** do anyway). Most tone arms have a balanced connection somewhere (even a lowly BSR or Garrard); its just not got the XLR connector.
Can I convert stereo to mono for a phono input
My preamp doesn't have a switch to convert stereo to mono. I would like to switch a stereo signal to mono to set my cartridge azimuth (when using two channels out of phase, this method allows accurate balancing of the channels). Is there a way to build a simple converter: two RCA female plugs taking a stereo signal and mixing it to mono, output as two RCA male plugs (mono signal)?
I have a test LP that provides a stereo track (test signal) with the two sides out of phase. All I would need to do is feed that through the mono converter to set my azimuth.
Thanks for any advice. Peter
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Just play a mono LP with your stereo cartridge. For a long time, I used a stereo cartridge for everything. One time I was playing a mono Prestige repress of a Miles Davis album. I was sitting in the sweet spot, and the soundstage was emerging from the left wall, 90 deg. left of the speakers. My headshell has azimuth alignment, so I got out a bubble level and set it. Sure enough, the mono image returned to the phantom center channel where it belonged. I also used a mono version of Sgt Pepper's "A Little Help from my Friends" to adjust the phase and crossover settings on my dual subwoofers. Paul's melodic bass line on that song dances back and forth above and below my 50 Hz crossover point, and having the same signal go to each subwoofer (one at a time) dialed in a seamless response that also eliminated a 100-200 Hz "hump". Mono albums played w/stereo carts can be great tools for dialing in stereo image and phase issues. |
A decent cartridge should have inherent channel balance within less than 2db, In my system a 0.25dB imbalance moves the center of the sound stage by about a foot. Read manufacturers specs on their cart. channel balance. Like Lew wrote, most only guarantee ~2dB or better. If your system is all tube with no feedback like mine, there's another "can of worms". As tubes age their gain will change and without feedback to "steady" things balance can drift around a bit. Can be annoying. One of the easiest ways to measure crosstalk with a test record like the Analog Productions record is with a calibrated 2-channel 'scope. A DMM will also be responding to noise and the reading will be bouncing around making an accurate reading more difficult. With a 'scope it's easy to see and compare the heights of the crosstalk peaks. |
Adding on to johnnyb53’s comment I always found this to be a great explanation of how to set azimuth using a stereo cartridge on mono material -- certainly works for me (much better than using my Fozgometer) http://www.durand-tonearms.com/Support/Support/azimuth.html (click on the "tips to set azimuth" tab) |
Thanks again everyone. I apologize for being away from this thread for a while... Lew - I also have a channel imbalance in my room, and a preamp (VAC) that has no balance control. I've been struggling with that for a while. I think it could be my hearing (weaker L ear hearing), as some people don't notice it, but others do. I would love to resolve this. Anyhow, that is why I don't "hear" the imbalance effect of the cartridge, as the overall system already has the same issue! But the meters, on multiple recordings, are all telling me the same thing. Al - is switching the leads to one channel on the cartridge the same as me attaching a multimeter to the center pin on one channel and the ground sleeve on the other? Or is the ground blended by the phono preamp? I still haven't heard back from Einstein about my question. But this pertains to your statement: keep in mind, though, that with the meter connected as you described it would read the difference between the two channels, not the sum. Your suggestion would work, when playing an out of phase track, if the connections to the two cartridge pins for one channel were interchanged. Although if that were done I would wonder if the proper connections could subsequently be restored without physically affecting the adjustment to some degree. Johnny and Folkfreak - I will try working with a mono LP. John_Tracy, that is a small difference in output for a significant difference in sweet spot. Mine is around 2 feet to the left, in my estimation. I'm curious whether most balance/volume controls provide that high resolution of an adjustment. I would guess 0.5 db is the lowest. |
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