Should I buy a Class A Amp.


I would Love to buy a Class A Amp. I have a Sony Tan-80ES Amp right now and I have had it for 19 yrs. To me it sounds Great but I am curious about Class A Amps. Do they really sound better? I am looking at a Krell KSA 200 Amp right now for $2000.00. It is older then my Sony. Is this too much for such an old Amp? Would Love to hear members thoughts on this.  

Blessings, ..........Don.
donplatt
Once you've lived with a "good" pure Class A solid state amp it's hard to go back even to a highly biased Class A a/b amp.
The sound just seems to envelop you from speakers with an ease, without being drawn to them, that the sound is coming from elsewhere in the sound stage rather than emanating from them.

Cheers George  
Don't be fooled by different amp designs.  Some Class A amps sound terrible, some Class AB sound wonderful.  Those are not the only designs out there.  And there are a lot of variations to those designs.  You need to listen to specific amps in your system to determine what you like. 

What is very important is the matching of the amp to the upstream and downstream components.  The amp MUST have a sufficiently high input impedance to allow the preamp to drive it.  Give yourself a chance to upgrade to a high output impedance tube preamp if you want. 

The amp must be stable into the bizarre loads presented to it by the speakers.  Give yourself a chance to change speakers without creating an issue with speaker matching.

Good amps will have high input impedance and run stable into a very wide range of resistive, inductive and capacitative loads. 

Not trying to start a flame war, but I personally don't think the Krell is a particularly good amp, certainly nothing to write home about.  IMO, certain speakers might sound OK, but the speakers have to cover the Krell's shortcomings.  Just my opinion.  YMMV. 



Hi Mitch!

I don’t think we’re saying anything differently, but there was a minor miscommunication.

I don’t mean that Class-A has gotten worse, but rather, the gap between Class A and other amplifier technology has gotten smaller thanks to non-pure Class A amplifiers getting better.  As a result some of the sheen has rubbed off the "Class-A" brand.

Sorry for the misunderstanding.

Best,


Erik

I agree with earlier posters that there are a number of factors affecting the sound of amps, including the speaker load, how loud you listen, and a vast number of factors in the amp design itself.  And you have to remember that most Class AB amps run full Class A until they reach a certain output level when they begin switching into Class AB, and then further up the output curve they switch into Class B.  If you have sensitive speakers and/or easy loads, your current amp (no pun intended) may already be running in Class A.

The old Class A dreadnaughts of which the Krell KSA series is one, along with Mark Levinson, Threshold, NRG Control, and others were primarily designed to run Class A into low sensitivity speakers with difficult loads like some Thiels and planar and ribbon speakers like Apogees and SoundLabs.  Nelson Pass of Threshold and now Pass Labs says you can really tell whether an amp is running true Class A by its weight as the required massive transformers and heatsinks weigh a lot.  As previously stated, Class A amps have all of their output devices running full-out all the time and divert all output into heat and the speaker load.  As the volume output increases they divert more of the current into the speaker load and less into heat.  However, these monster amps may not have necessarily sounded the best, especially when they were only outputting small amounts into the speaker load and mostly into heat.

IMO, the use of Class A does not always guarantee the best sound, especially since "sound" is largely subjective.  Perhaps if you have a difficult load this might be true more times than not, but if it were me I would listen to some different designs with good reputations like those mentioned previously.  I use some esoteric equipment by Essence that came in Class A and Class AB designs and I liked the Class AB presentation better.  The Class A monoblocks used a more massive power supply and the sound was more robust and had more bass weight.  The Class AB stereo amp was much faster, transparent, and had a more prominent and extended treble, which was a better match with my speakers.

Good luck.

I have heard great AB amps and great A amps.  From my understanding a class A is an inherently better circuit but the implementation is what also makes a difference.

i currently run a Boulder 2060 amp.  If you look it up, it's a class A beast and I have not had anything as good.  I had a class AB Classe m600 and also heard a class AB rotel 1590... Nowhere close.