What Does Holographic Sound Like?


And how do you get there? This is an interesting question. I have finally arrived at a very satisfying level of holography in my system. But it has taken a lot of time, effort and money to get there. I wish there had been a faster, easier and less expensive way to get there. But I never found one.

Can you get to a high level of holography in your system with one pair of interconnects and one pair of speaker wires? I don't believe so. I run cables in series. I never found one pair of interconnects and speaker wires that would achieve what has taken a heck of a lot of wires and "tweaks" to achieve. Let alone all the power cords that I run in series. Although I have found one special cable that has enabled the system to reach a very high level of holography -- HiDiamond -- I still need to run cables in series for the sound to be at its holographic best.

There are many levels of holography. Each level is built incrementally with the addition of one more wire and one more "tweak". I have a lot of wires and "tweaks" in my system. Each cable and each "tweak" has added another level to the holography. Just when I thought things could not get any better -- which has happened many times -- the addition of one more cable or "tweak" enabled the system to reach a higher level yet.

Will one "loom" do the job. I never found that special "loom". To achieve the best effects I have combined cables from Synergistic Research, Bybee, ASI Liveline, Cardas, Supra and HiDiamond -- with "tweaks" too numerous to mention but featuring Bybee products and a variety of other products, many of which have the word "quantum" in their description.

The effort to arrive at this point with my system has been two-fold. Firstly, finding the right cables and "tweaks" for the system. Secondly, finding where to place them in the system for the best effects -- a process of trial and error. A lot of cables and "tweaks" had to be sold off in the process. I put "tweaks" in quotation marks because the best "tweaks" in my system have had as profound effect as the components on the sound. The same for the best of the cables, as well. For me, cables and "tweaks" are components.

Have I finally "arrived"? I have just about arrived at the best level that I can expect within my budget -- there are a couple of items on the way. In any case, I assume there are many levels beyond what my system has arrived at. But since I'll never get there I am sitting back and enjoying the music in the blissful recognition that I don't know what I am missing.

I should mention that there are many elements that are as important as holography for the sound to be satisfying, IMO. They include detail, transparency, coherence, tonality, and dynamics, among others. My system has all of these elements in good measure.

Have you had success with holographic sound in your system? If so, how did you get there?
sabai
If I remember Carver's scheme...

Your left ear hears the right speaker slightly delayed because your left ear is further from the right speaker.
So, add to the left signal a delayed and inverted right signal to cancel out right speaker sound to the left ear. Similar for the right ear.
Anybody here heard of the Bedini Analog Vector Spacial Processor? Unlike Carver's effort, this thing maintains a 3D image while while you walk around the room. I've never listened to one. But I just acquired one. They are very rare but I believe Bedini is back into manufacturing and has refurbished ones available and maybe new ones as well. Trademark logo is Bedini B.A.S.E.. They were mainly used in recording studios. The one I have seems to be a second iteration as it looks a little different from the photos I've seen. But I don't know how to hook it up. 3 unlabeled sets of RCAs close together and one unlabeled set on the far right. I've been in contact with Bedini but no response as yet.
09-14-12: Rcprince
I'm sorry, but you lost me. How do you run interconnects and power cords in series?

I think he means that he is using power strips.
The problem with the plug-and-play approach -- one power cord at each stage, one set of interconnects, one pair of speaker wires -- is that this approach will only get you to an initial stage of of holography, at best -- even if you add special "effects" with Synergistic Research Galileo interconnect and speaker cells -- all the advertising hype notwithstanding (turning ordinary cables into state-of-the-art, blacker yet backgrounds, etc.).

It is only when you experiment in novel ways, and come up with a significant incremental improvement in the sound, that you realize there is more that can be done to improve the sound and that greater improvements come with each successful incremental improvement. This approach impelled me to keep going to reach the highest possible level within my budget. I could not be happier with the results. The sound of my system far exceeds what I could have imagined when I began the journey.
Ivan_nosnibor,
You stated, "Should they ever wish for more, they have only to return to meaningfully removing yet more of the distortions, wherever in the system that may turn out to be."

I think this is the key to the problem. You have hit the nail on the head, IMO. One has to reduce distortions in the system, little by little. I have been doing this incrementally with my system. One cannot expect a quantum leap with any single improvement -- even if the improvement has the word "quantum" in its description. I have made upwards of 40 incremental improvements to my system. Some of these improvements made a surprising difference. I can count perhaps 20 improvements that were quite remarkable on an individual basis. Others were more modest. When you add them all up this amounts to a staggering result -- a stunning improvement in the sound. This does not include the addition of the isolation transformer and power regenerator which were a quantum leap for my system.