About surface noise, clicks and pops ... well, you can make the cleaning argument, the better TT/cart argument, the start-with-Mint-record argument. But that is a lot of labor, and skills and $ that Tidal/Oobuz are not willing to fork out. I would rather have the pops rather than have them digitally removed.
Like I said, a CD or file-set that uses decent vinyl source is a good thing. I often prefer them the same commercial CD that was poorly mastered. And in some cases, the master was lost , so the commercial media company "has" to use vinyl -- or not release at all. I recall a Buddy Rich 1983 album that was,decades later, put on cd. And whoever did that rip and transfer was very skilled. The xfer is: Very high-fidelity and no IDG. I believe this CD was from way-before-streaming days.
Buddy Rich – Rich And Famous
https://www.discogs.com/release/10700370-Buddy-Rich-Rich-And-Famous
So if a small company like Meteor (UK) can put out such a CD, the streaming companies need to do some better thinkin’.
In fact, given the fact that many LPs sound better because of MASTERING alone, this might be an untapped market for "audiophile streamers". Tidal and Spotify already own the rights to the music ... just contract out the HQ rips to entrepreneurs with good gear and ripping skills.