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Soundsmith Straingauge SG-200 cartridge system

Hi everyone, haven't heard much discussion of this one in a while. I'm just starting to run a direct rim drive Trans Fi Salvation tt sporting a Trans Fi Terminator air bearing linear tracking arm. It's a total game changer imho, but I fear the Zu modded Denon 103 cart on it, excellent as it is, may have performance bettered by something more SOTA. I'm looking for something to match the tt/arm's neutrality, solidity and eveness, and am drawn to the Straingauge. Reviews praise it's speed and naturalness, but some comments are more guarded commenting on tonal thinness, edginess and overanalytic quality.
If it helps I hate over sharp carts like Lyra Skala, are more comfortable with neutral carts like the Transfiguration Orpheus, and feel the humble Zu 103 is a giant killer in the rhythmn/timing/involvment stakes.
So comments please from those who have experience of the Straingauge, thank you.
spiritofmusic
tobes's avatar
tobes
436 posts
 
Spiritofmusic, to be honest I haven't played the Garrott for some time because the results I'm getting with the SS/103R have been so impressive.
If fact I haven't even heard the Garrott with the Cary phono - which is something I really should do.
I can say that with my previous Plinius M14 phono stage I preferred the 103R to the Garrott, in most ways, and over a wide selection of music. Both cartridges have a special quality of musical engagement and expression.
That said, I think the SS/103R is on a different level.
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rauliruegas
13,091 posts
 
Dear Spiritofmusic: I respect every single advise you already received but I can see that you realy cares about music because you are asking for neutrality and this characteristic is a main target to achieve on music reproduction along natural tone balance and accuracy.

I already heard almost all the cartridges named here ( including de SG. ) and IMHO many of them are far away from what you are asking for.

One cartridge that meets your targets and that IMHO is a great performer is the vintage Astatic MF-200 that you could get asking to this person that has some samples on sale:
usedhifi@mail2lawrence.com

Well, the Astatic is an alternative for you.

Regards and enjoy the music,
R.
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arran
2 posts
 
I have the Soundsmith SG-200 and I like it. While I don't think I am qualified to review it, in general I would say that my experience agrees with Michael Fremers -- which I would paraphrase as follows.

Less "romantic" than many moving magnet/moving coil cartridges but without their frequency response anomalies (e.g., rising top end). Very fast, clean sound; kind of like the differences between McIntosh tube amps (fast, clean) and other tube amps that are very good but which are "warmer" and not as neutral. The strain gauge has many of the advantages of the best digital sources but without the almost inevitable digital artifacts.

I really like the strain gauge and will keep it in my system for a long time to come.

Regards, James
spiritofmusic OP
828 posts
 
Hi James, your input invaluable. I have to say I love the Zu modded Denon 103 because it is neutral but has great warmth as well. I'm just unsure it is giving me as good tonality and dimensionality as some thing a little more exotic.
My main concern with the Straingauge is that it's attributes are already demonstrated by the tt/arm combo I have, and this in total may be "too much of a good thing". I know a lot of audiophiles with very neutral tt/arm sounds often choose a slightly sweeter cart to even the sound out. But in the case of my Salvation tt/Terminator arm, the sound although neutral and incisive is very warm in the best sense (ie accurate as well) and a fast neutral cart may synergise v. well.
Can you specify the rest of your equipment?
lewm
13,108 posts
 
The Astatic vs the Strain Gauge. One costs a few hundred bucks, and the other will cost several thousand bucks. So there's that to think about. If you are disappointed in the Astatic, you would lose maybe $100 on the re-sale; maybe less.
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