"Original Jazz Classics"

Agree on the merit of OJCs.  About 20 years ago, I purchased a slew of them because there was "a guy" who could get them cheap. Every one of those LPs has proven to be excellent.  I also place the Milestone and Fantasy label even a bit above the OJCs, but that may be because they are often re-issues of Riverside and Contemporary LPs, which were fantastic in their day.  I have all the Art Pepper on Contemporary and love those LPs.  I also have some OJCs that seem to be from Scorpio, and they are decidedly inferior to the ones I purchased en masse 20 years ago, but most are tolerable.  I don't quite agree that Atlantic and Blue Notes (real, original BN) are so superb. I find the bass to be muffled or muddy in some cases and the mids and treble can lack ultimate clarity, but the artists and the music on ATL and BN are so excellent that the SQ is secondary.  I hauled out all my Yusef Lateef on ATL, a few weeks ago when he passed. The MJQ stuff on ATL is good maybe because there isn't much extreme low bass needed. Best jazz LPs ever, IMO, are from ECM.  Verve/Contemporary/Riverside second.

I purchased a copy of Tedeschi Trucks Band on Fantasy label.  It seems to sound okay, but I can't get past the care they took in pressing the record as far as the quality of the record rather than the sound.  The starting track and one of the four sites feels more like rough sandpaper that goes in approximately quarter of an inch in one spot, I would say half of this record has this going from zero to a quarter of an inch.  I've had a couple records that have had a rough edge and I mean the edge not going into the starting track which was not a problem I just touched it up with little emery cloth to take the sharp edge off, but in this case there's nothing I can do.  I'm not willing to put my cartridge down on the starting track for fear of damage the diamond.I bought this at a small record shop and I'm curious if they're going to return it, I've had problems with records from larger stores Music Direct being one that exchange the record without a problem.
Any suggestions?

I do know that the Concord Music Group laid off (or otherwise dispensed of the services of) Stuart Kremsky as tape archivist and re-issue producer at Fantasy. Stuart is a big time record collector and self-described "jazz nut" (as well as reviewer for Cadence and other jazz magazines.) Exactly the kind of guy fellow music lovers would like to have working in the trenches of a huge and rich back catalog. But serving the music community is not part of the corporate agenda, apparently.

FYI Mosaic Records' True Blue Music is selling a handful of OJC's for $5.98 . These are limited, but there are some pretty swell titles some of which are "Bud Freeman - All Stars ", "Tommy Flanagan - Something Borrowed, Something Blue " "Hampton Hawes - The Séance" and "Howard Rumsey's Lighthouse All Stars - In The Solo Spotlight ".

Really can't go wrong for that price.

http://www.truebluemusic.com

Yep Vinylrowe hit it right on the head. Pick up as many of those OJC pressings as you can. They are a steal for both the performances offered and in many cases the sound quality. The originals are not as quiet and would cost much much more than the OJCs.

the 'performances' are the reward, not the sonics, when it comes to collecting old or reissued recordings. even audiophile pressings(which the ojc's are not), are all over the place in terms on sound. many of the analogue releases use the most updated digital masters....the ones from the late 80's and early 90's aren't the greatest.....referencing the last or latest cd release sometimes offers clues to the quality of the most recent lp. not always...but often.

Without a doubt the OJC catalog was the bargain of the century. Hundreds of great performances and a great price to boot. Ah the good old days (2 years ago) when they could be purchased for less than ten bucks. Then along comes Concorde Music Group who buys the total catalog. Now we have no more cheap OJC's as the powers that be don't want to dabble with the lunatic fringe and waste money on what must have been a break even endeavor for Fantasy. More money to be made by reissuing "remastered" compilation CD's. Ah but wait. Why not address the needs of the lunatic fringe by having an audiophile label pay big $$ to manufacture heavyweight remastered virgin vinyl blessed by angels? Make it a limited numbered production run with certificates and make it expensive (if you don't they will think its CRAP!!).

Then have a shrill at one of the magazines ramble on about sound stage depth and height and before you can say audiophile--- another remaster of a 40 year old album enters the sales charts at you know where.... as number 1.

Consider yourself lucky to have found some OJC's. Some dealers still have a few but the really good ones are long gone.

To witness Evans & LaFaro 'dancing', as they did, seemingly reading each others' minds, mesmerizes me every time.

But I have not heard the latter recording you mention and will make it a note to check that out - thanks for the tip!

I sure agree about cutting from digital - ugh!

Yes, it's true, at $10/each you can afford to risk and 3 out of 5 good recordings is not bad at all. I don't know if I should send back the other two or not. Hardly worth the shipping.

My copy of Waltz for Deb is Riverside and boy is it just a great recording, just like Village Vanguard. Quiet, dynamic, extended, lovely. Also a $10 record. When I listen to something like that, I always ask myself why the hell we need $50 heavy vinyl/45s.

I am quite sure if these are in fact licensed (and that's a big if), Scorpio is sourcing the material from digital DATs or cds. Clearly, these are not from the master tapes. Seems to undermine the entire purpose of buying LPs in the first place.

The OJC's are kid of a crap shoot but they are generally about $10.00 so even if you have a dud its not a huge loss. I have quite a few of them and most are very listenable. If its something I really love (waltz for debbie) Then Im also on the lookout for a better copy (ap fantasy 45 ) but the OJC serves me fine in the meantime and gives me a copy I can play on my "B" system when Im not listening critically. Ive never heard of the scorpio bootlegs, how do you identify them? I buy many "audiophile" pressings and find the reject ratio about the same with the difference being that at $30 to $50 bucks I return those.

In regards to this issue, a friend and I who trade great jazz and blues all of the time say to each other "it's the music stupid". So while I appreciate your pain when trying to listen through bad recordings as we all suffer, sometimes one does have to look beyond.

Many of the great performers had little or no financial means to control recording quality, mastering and final pressing. Many died near penniless. These circumstances framed many legends.

Nobody appreciates a great performance, recording and mastering than myself, however the reality is oft less than optimal.

Viridian - I see your point, but at this point, for me, there's so much great art still being discovered (by me) that's also well-recorded that I prefer to play in that camp. :)

I guess I do have to call myself 'audiophile', then, as opposed to 'music-lover', which does depress me! :(

Unfortunately, it sounds like you bought Scorpio bootleg copies of the OJCs. I've swore off anything thats not used and which I can audition or otherwise confirm the authenticity.