If I can't name a tonal balance outside of the default "neutral", then the TB is good. Extending that to each component would be a little bit better because counterbalancing component tonal balances is an unnecessary exercise of estimation, which will take forever to get right, and counterbalancing makes individual component evaluation more difficult. I see it as sometimes more of necessary evil than something to aim to do, but no big deal - I am just thinking.
Picking components -warm / bright which is righ?
When you choose components in a system how do you choose? Do you offset one type of component with the oppposite in another? For example, lively, bright speakers with a warm tube preamp? Or all components of the same type?
With the low cost of digital amps, I'm leaning towards mellow, forgiving speakers which will add some body to the lean, detailed sound of digital.
As recorded music gets to be better quality, the trend seems to be stereos designed to be less forgiving of any faults in the chain. Which is great for perefect recordings but renders a lot of music unlistenable.
With the low cost of digital amps, I'm leaning towards mellow, forgiving speakers which will add some body to the lean, detailed sound of digital.
As recorded music gets to be better quality, the trend seems to be stereos designed to be less forgiving of any faults in the chain. Which is great for perefect recordings but renders a lot of music unlistenable.
8 responses Add your response