Ohm Walsh Micro Talls: who's actually heard 'em?


Hi,

I'd love to hear the impressions of people who've actually spent some time with these speakers to share their sense of their plusses and minuses. Mapman here on Audiogon is a big fan, and has shared lots on them, but I'm wondering who else might be familiar with them.
rebbi
Check out Ellingotn's live at Newport double CD. Amazing!!
The horns and the kick drum particularly come across on the Ohms...
Yeah, it's an old LP called “Chick, Donald, Walter and Woodrow.” A collection of Steely Dan and Chick Corea tunes done by the Woody Herman Big Band. :-)
" the Woody Herman Band playing songs by Steely Dan (I'm not kidding)"

That sounds awesome!

I'll have to look for that one!
Mapman,

Nice suggestion, thanks, I'll try it.

I was a trumpet player in my youth (alas!) and accumulated lots of big band jazz LP's, including “miles” of Maynard Ferguson in his heyday. I bet some of that stuff would sound sweet on the 100's. I also have some Buddy Rich, and an obscure but fun LP of the Woody Herman Band playing songs by Steely Dan (I'm not kidding)!

I'll report back....
Hey Rebbi,

While sitting here paying bills and listening to the 1983 CD "Fancy Pants" by the Count Basie ORchestra, I was reminded to mention to you to be sure to test out the bigger OHMS with some well recorded Big Band music.

Nothing separates the men from the boys in the world of larger high end speakers like how well they deliver well recorded Big BAnd music at realistic SPLs with some real "meat on the bones"!

The OHMs are champs at their price point with this genre in particular I have found.
Thanks. I am enjoying them, although I've had precious little time to listen due to my work schedule.
I'm still trying to get them voiced optimally... Tone, balance, imaging, soundstage... And things will surely shift as they break in.
Ome thing I can say so far is that orchestral recordings sound luscious!
More to come!...
I emailed John after the '07 RMAF, this was his response about Blue Circle:

Hi Neil,

Yes, we are going to be making them for Gilbert. I was at the show getting consumer feedback before gearing up for production. Several people said we had the most natural, accurate sound at the show and everyone was amazed at the imaging.

Good Listening!

John
Golly, it's awfully close. The mounting flange is different, and it appears bolted on with a greater number of screws (the MW can secures with 4 bolts) but still... the mesh cover and form factor look quite close. Hmmmm.....
HEy, check out the pics I found on the Blue Circle site.

http://www.bluecircle.com/index.php?page_id=8094

IS that a Micro Walsh can I see perched on top of the new $4000+ Penny's?
Of course I'm biased, but the Blue Circle gear is exceptional, and a great value given how it's made and how it performs. There's a brand new 150 watt integrated coming out, my guess is it would drive any Ohm speaker beautifully.
I'm actually an omni novice. It's the only kind of loudspeaker I've never owned, i.e. I've had electrostatics, planar magnetics, ribbons, horns, waveguides, conventional dynamic systems, etc. Very much looking forward to experiencing the omni approach. This thread has been very helpful on tips/experience in integrating these types of speakers into the room. If this thread is still alive, I'll report back after hearing the Pennys.
I myself am hoping that they do well with my Parasound HCA-2205. I know a lot of people here debate SS vs tube and all that, but for my money current is king when driving any speaker, let alone one with a sensitivity below 90 db.

Class D might best what I have, but I have no desire to change my amp. It's the only part of my system that I think is a 'for life' product. At 60 amps of current and 220 watts per channel, I see no reason to change it. Unless a Theta Dreadnaught were to fall in my lap, that is...

Oh- and before I get the fan-boy groans, I assure you all that I really am not one. I took the username out of enthusiasm and before I began lurking on forums. I had no idea how dumb it was until I read a few links :(
I think the 80 watts are fine for the 100s.

The 300s and 5s are the real beasts to drive where the high power, very high current amps can add a lot of value, I think.

When I bought the 120w/ch Musical Fidelity amp I'm using now, I did it not certain that it would have the guts to drive the 5's well at the time. My plan was to resell it and move up right away if not satisfied. But the A3CR has been an overachiever since its arrival and I am hard pressed to hear a reason to replace it.

Still, if I had money to burn, I think I do covet those Blue Circle amps based on John's superlative reaction to them. I think a 250 or even 500 w/ch Class D might do equally as well perhaps also, but those BLue CIrcle big boys would sure be sweet.....
Here's something interesting for you guys:

I sent the following email to Jim Smith, the author of the book (which I recently bought and highly recommend) called “Getting Better Sound.” I asked:

I have a question for you.

My heart kind of sank when I read the section of your book dealing with "wide dispersion speakers." I have a pair of Ohm Walsh 100 S3's. As I'm sure you know, the Ohms have a modified "Walsh" driver with the inverted cone, damped in the back to reduce rear-wall reflections, and supplelemted with a supertweeter mounted so as to fire at a 45 degree angle into the center of the room. They really disappear into a very expansive soundstage.

Given this design and your comments on wide dispersion, I'm wondering how much of your speaker set up advice still applies.

Thanks in advance!

Here's his reply:

Re the Ohms, German Physiks, MBLs, etc, they all can produce a very involving sound, in part because of their uncanny soundstaging, not in spite of it.

Speakers of that class are the only ones that I know of that go beyond tone and dynamics to deliver a compelling involvement from the soundstaging. Aside from the speakers I listed, IMO, the last loudspeakers to deliver to truly deliver that experience were the Beveridges in the 70s and early 80s.

Except for some placement issues (such as separation), virtually everything else in the manual is applicable. I do think it takes some canny voicing to get the best of these, but it can be worth it.

Although their phantom imaging off-axis is more interesting, they still have the least colored response precisely in the middle seat. Even they can't repeal those laws of physics. :)

Best,

Jim Smith

Food for thought, no?
Mapman,

Very interesting, that Potis piece. Thanks. Makes me think that even the 100's will shine further with more robust amplification, although, as I've said, they seem to sing nicely with the 80 watt Unico.
I found the link to the piece by John Potis that I mentioned:

http://www.soundstage.com/revequip/bluecircle_bc8.htm
Interesting about the Blue Circle speaks.

There are other makes using Walsh designs, like German Physiks, but none other than OHM using OHM walsh drivers that I know of.

I'd like to see what is under the hood on those PEnnys. Maybe you could share some pics?

I recall a piece by the late John Potis that indicated that introducing the OHMs in his household to Blue Circle amplification took them to levels never heard before. I have that comment in the back of my mind when I say how I would love to introduce my OHMS to a really good high powered monster amp some day, maybe a larger Class D. I think I could survive easily with the Blue Circle amp as well were I to splurge though! I have this vision of it as the ultimate amp for the OHMs, at least among those that I have read about, based on John's published observation's.
Wow, what a long and enduring thread. Can't say I've read it all but I thought I'd add a wrinkle. In case you don't know and may be interested, Blue Circle Audio has introduced a new speaker based on the latest Ohm driver. It's called Penny. You can see the details on their web site. Disclosure: I have recently become a Blue Circle retailer (and Green Mountain Audio). This is a home based business in northern Colorado, Departure Audio.
Penny is different from other Ohm models as it uses conventional bass drivers for frequencies below around 90 hz. There are also a few other tricks that Blue Circle is not revealing. Penny's were singing at the last RMAF and sounding quite good. Some final tweaks are being made and the final speaker will be available soon. I will have a pair later in the spring and can't wait hear them in a real world room. Also, how they compare to the exceptional Green Mountain models. Again, just an FYI for Ohm lovers. I don't believe there are any other manufacturers using the ohm driver so this is a alternative for omnis.
Julian
Everybody,

Well, although I'm not yet in a position to really offer a detailed impression of the 100s, I can definitely say that they sound great and that I'm enjoying the process of getting them set up. I'm finding that although they are not, "hard to place," they are, at least in my room, sensitive to placement. Moving them a few inches either way, closer to or farther from the rear wall, produces marked differences in soundstage and tonal balance. I'm still working with them and imagine that I will continue to do so for quite some time.

To my surprise, my pleasant surprise, their bass feels solid and controlled while not being “boomy” or overwhelming, even in my relatively small room. Highs are sweet and extended without being harsh, although that sense of brightness does seem to be somewhat dependent upon positioning -- I guess it has to do with how directly you are in the line of fire of the super tweeters.

Do they sound different than the Micros? Yes, indeed. My initial impression is that there is more inner detail, and that, as our friend, Mapman likes to say, "more meat on the bones."

By the way, as far as I can tell, my 80 W per channel integrated amp provides more than enough juice to make these go plenty loud. In fact, at least in my room, I can't really stand playing them much louder than about one third of the volume dial. :-)

More to come as I gain some more solid impressions...
100's/Walsh 2s are not too bulky and relatively easy to handle and move as needed.

You should see the big F-5s on the other hand. These are heavy and came in 6 separate boxes with serious re-enforcement for the big cabinet boxes. Thank God they sit on casters for easy movement.

Still for the big sound they put out, they are not so big compared to many mega-sized speaker systems out there.
Rebbi,

I just assumed that the quintuply redundant nested packaging of Ohm speakers was intended to ensure that no-one would ever return them. I can tell you that once I finally managed to get mine out of the boxes, there was no way they were going back in!

OTOH, I'm sure the UPS argument holds plenty of water. If crates could tell stories...! In fact the guys at Ohm deserve some credit here: They do manage security without resorting to undue expense (i.e. the aluminum flight cases my Verity P/Es ship in).

Marty
Well, here we go! The first installment of a shoot-out, if you will, between the Ohm Micro Walsh Tall and the Ohm 100 S3 (Series 3) speakers. This first installment will focus largely upon physical differences.

The 100's shipped in two very large boxes, weighing in at 57 pounds each.

The speakers are extremely well packed — the packaging is substantially more robust than on the Micro Walsh Talls. In fact, the unpacking process reveals that the 100's are QUINTUPLE boxed — that's right, there are 5 nested boxes in the packaging. Indeed, once the speakers are freed from their packaging, it becomes clear that the packaging itself is far heavier than the speaker it contains. I joked with John on the phone that UPS, their standard shipper, should be pronounced, ”Oops!“ (The box on one of my Micros was almost unbelievably mangled in transit — but the speaker inside was fine.) John referred to their packaging as ”a sacrificial offering to UPS."

Speaking of packaging, kudos to John Strohbeen and the boys for utilizing almost 100 percent recyclable packaging materials. Other than a thin layer of styrofoam at the very bottom of the box, everything is made of corrugated or recycled paper fiber.

Unpacking tip: because one of my boxes was somewhat confusingly labeled (the shipping label on what proved to be the bottom of the box rather than the top) I had the experience of unpacking my 100's both from the top and the bottom. My tip: open the boxes from the bottom. It's not only a much easier unpack, but it's easier to keep the spacers between the nested boxes in place and reseat the empty cartons for storage.

Exterior Size: The 100's are, in cross section, 8 x 8 inches, compared to the 6 x 6 inches of the Micro Walsh Talls. They are, with the fabric “caps” installed, about 2 inches taller, as well. Placed side by side with the Micros, the 100's cut a far more imposing figure, really making the Micro's look, well, microscopic! But taken on their own, they're hardly gigantic, especially in the context of some of the truly behemoth-sized, high-end speakers out there. Interestingly: in terms of height, the wood cabinet of the Micro's and the 100's is exactly the same height. The taller height of the 100's is totally in the size of the cloth “cap” on top.

Here's the difference: take off the “caps” and you find that the diameter of the driver can on the Micros is about 4 3/4 inches, with a height of about 5 inches. In contrast, the driver can on the 100's is a whopping (comparatively!) 7 inches in height and diameter. Add to this the fact that there's about an extra inch of clearance between the top of the driver can and the top of the cloth “cap” on the 100's, and you've accounted for the difference in height.

Another few observations about the drivers. The driver can on the Micros is plain on top. The driver can on the 100's has the “Ohm” italic logo embossed in it. The mounting flange on the Micro drivers is bolted to the top surface of the cabinets. The mounting flange on the 100s drivers sits in a recessed channel carved into the top of the cabinet. Finally, the “cap” on the Micro simply rests on top of the speaker. The “cap” on the 100 has velcro dots on each corner which mate to velcro strips on the top of the 100's cabinet. If you look carefully, this imparts to the 100's a slightly different look than the Micros — the velcro causes the “caps” to “hover” about 1/8“ above the cabinet.

Fit and Finish: It's been noted here and elsewhere that the finish on the Ohm line isn't ”furniture grade.“ That may or may not be the case, but the semi-gloss, black woodgrain finish of both the Micros and the 100's looks very sharp to me. I can't vouch for the appearance of the more conventional, woodgrain finishes. There are no obvious flaws in the finish of either set of speakers.

This concludes this initial report. I'll have more to posts after some listening and break-in time.
" I'm concerned that the 100's are not as good for nearfield."

They should be as good or better for Nearfield as well at higher volumes.

The difference may be a wash at lower volumes nearfield.

They just go louder with more meat on the bones which makes them more suitable for listening at a distance in suitably sized rooms without losing anything.

I sit ~ 6 feet from my 100s which are also ~ 6 feet apart in a 12X12 room.
Marcus-

That's a great idea. But sitting 6 ft back, I'm concerned that the 100's are not as good for nearfield.

I'll be calling John when I'm closer to making a purchase around June or so.

thanks again!

-P
Marcus/Parasound:

Take a look at my system listing. The Walsh 2's in my system are OHM refurbished Walsh 2s with 100 series 3 drivers.

IF you are handy with a glue gun, you can also pick up old Walsh 2s and trade in the drivers and do the upgrade yourself.

Also Walsh 2s are very easy to refinish if needed. I totally re-did my original Walsh 2s, which I traded in towards the F-5s, years ago.

The fabric on the cover can be redone easily with nice custom fabric to match decor as well.

So you can easily pick up a pair of old, worn Walsh speakers for very little and with relatively little work, upgrade them to look and sound fantastic. Possibly the cheapest road to really great sounding speakers these days out there.
Hey Parasound:

You might save yourself $400 smacks if John can put the new 100S3 driver in an old Walsh 2 cabinet. The old cabinets are pyramidal and are actually better looking in my opinion. I had a pair and the finish was great. You would never know that the cabinets were used. Call John, he can probably set you up with a pair for $1300. And don't forget that Decware ERR radial for $1395. I'm just dying for someone to post their impressions. Steve Deckart says they are taking orders now and will ship in 10 weeks.
Yeah- the nearfield experience is also vital to me.

I'm only sitting about 5 to 6 feet away from my current speakers (DefTech BP2006's), and really expect the Talls to be the best choice. Additionally, any house we're likely to move to next will have the same size or smaller room- roughly 15 x 12.

Still, it's exciting to wait to read his impressions.
Oh, Rebbe, be sure to include something with some well recorded pipe organ in the shootout.

When all else fails, the low notes on a big pipe organ will really serve to separate the men from the boys!
I'm curious as well. I've never heard MWTs and this should be the most informative comparison that I know of.

I anticipate the 100s will deliver a sound that is essentially similar but has more authority and meat on the bones, like other much larger, and more expensive designs in a larger room might, at higher, more realistic listening levels, similar to what I have heard in comparing my 100s to Walsh 5s in both my smaller and larger rooms.

For near-field listening at more moderate volumes, I'm not expecting Rebbe will hear much difference worth getting excited about.

Rebbe, for an apples and apples comparison, be sure to compare the standard configuration MWT drivers, not the juiced top end versions that John Strohbeen rigged up for you, if you still have them.
I second that about the suspense.

I'm a few months away from being able to make a purchase, and am undecided between to 100's and the MWT. I'm really concerned about bass, but then again $700 can buy a lot of sub, especially for a small room.

No pressure, Rebbi, but your experience will have a lot to do with the decision.
Speakers (100s) arrived today but got shipped to my office instead of my home as I'd asked. After hours again, just like happened with the Micro's, except fortunately this time there happened to be someone around to sign for them so they're not just left sitting in front of the building!
Anyhow, I'm out of town for the weekend, so no new speaker trials for me until Monday! *sigh*
Me too.

Its all worth it if the result is the ability to thoroughly enjoy your investment in music though!
Not likely, I plan to fix what needs fixing and enjoy them as they are for a while.
But we'll see, this audio thing sometimes runs a little further than we initially plan ;~)
I'm looking forward to your thoughts.

I'll be getting a set of older Ohm 2s myself this spring.
They're in need of some repair, but worth the asking price...

I just have to drive 200 miles each way to get 'em ;~)
NEver heard Decware stuff.

The ERR model is pretty new apparently.

It appears to be geared more towards the low wattage tubed/SET amp crowd, which is interesting.
I spoke with Steve at Decware about the ERR model. He was quite helpful. About eight weeks wait time for ERR speakers in the standard finish.

I am struggling with my room and speaker positioning, so a more forgiving radial/omni style speaker does appeal to me.

Has anyone listened to this speaker?
I fell asleep last night with the music server serving up tunes randomly while listening on my 100s.

I kept waking up realizing how good things have been sounding of late on the Ohms as the Audio Research sp16 tube pre-amp seems to break in further, as the documentation indicated it does.

The combo of OHMs, and ARC tube pre-amp and MF SS power amp is truly out of this world. I cannot find a flaw at present.

I suspect your Unico hybrid integrated will similarly rise to new levels of performance as well with the 100s.
Looking forward to getting the 100's. I'm thinking I should have them in a little over a week. I'll report back after that.
Interesting that this is the first I have heard of the Decware radials. They haven't come up on other threads that I've read here that I recall.

Not much inforamtion out there on the Decware radial speaks. Their site indicates the older discontinued radial models have been out for at least a few years and there is a newer model as well.

Interesting design though and not outrageuosly priced either, assuming they sound good.

They don't call it a "Walsh" driver or design, but it does appear to be somewhat similar to OHMs from a glance.
Hmmm... Just looked at their website. Those Decware speakers are reasonably priced, but the audition period is only 30 days, and custom finishes are non-returnable.
Rebbi....why don't you send for a pair and host the superbowl of radial speaker shootouts?

Because — taking your question seriously ;-) — I'm not made of money, as they say. Plus, I'm afraid that the 100's are about the largest speakers that my significant other will tolerate in our little guest room!

I mean, John's willingness to keep shipping stuff to a customer and say, “take your time and ship back what you don't want...” Where else are you going to get that kind of service? At least I know that if in the end I prefer the Micro's I can ship the 100's back and get the $700 difference returned from Ohm (and I'm only out the shipping).

But if any other brave soul with some money to burn wants to order the speaks you've mentioned, I'd love to learn more about them, too. :-)
Hey guys, continued great thread. Rebbi, you are out of control! Just have John send you the 5-series and get it over with!
I came across another radial "walsh style" speaker in the Decware RL1.5, RL3.0 and now the new ERRs. The reviews sound almost exactly like the Ohms in terms of soundstaging and they certainly LOOK like the Ohms--only with better fit and finish. Interestingly, they are designed with super high efficiency in order to allow the use of low wattage single ended triode tube amps (like 2-10 watts). They would certainly do fine with a modestly powered SS amp like the ones mentioned above. I'm curious if anyone has heard these things. They seem to have an allure much like the Ohms. So what do you think, Rebbi....why don't you send for a pair and host the superbowl of radial speaker shootouts?