I don't own a Jolida amp but all the tube amps I have owned have benefited from certain special kindnesses.
The first is to get them down to the floor if you can. Bass gets better. Next is footers. Some swear by brass cones or spikes, others by soft footers, I use brass cones myself, bought from EdenSound. You can put the footers between the amp and the floor or you can spring for a rock maple platform and put the amp with its footers on that.
Herbie's tube dampers, first on the drivers, then the output tubes, come next.
Last comes a premium power cord.
Now I purposely didn't mention NOS tubes. The small driver tubes make a lot of difference, but if you're a NOS beginner, it's a jungle out there. Your 12AX7s are among the most expensive. 12AT7s are a little easier on the wallet. You can look for NOS output tubes if you like but you need 8 of them -- a pretty penny if you must have, for example, vintage Mullards.
I'd start with the footers -- look into brass cones or maybe Herbie's Iso-cups -- and meantime do some research on the NOS tube side.
Have fun !
The first is to get them down to the floor if you can. Bass gets better. Next is footers. Some swear by brass cones or spikes, others by soft footers, I use brass cones myself, bought from EdenSound. You can put the footers between the amp and the floor or you can spring for a rock maple platform and put the amp with its footers on that.
Herbie's tube dampers, first on the drivers, then the output tubes, come next.
Last comes a premium power cord.
Now I purposely didn't mention NOS tubes. The small driver tubes make a lot of difference, but if you're a NOS beginner, it's a jungle out there. Your 12AX7s are among the most expensive. 12AT7s are a little easier on the wallet. You can look for NOS output tubes if you like but you need 8 of them -- a pretty penny if you must have, for example, vintage Mullards.
I'd start with the footers -- look into brass cones or maybe Herbie's Iso-cups -- and meantime do some research on the NOS tube side.
Have fun !