My Long List of Amplifiers and My Personal Review of Each!


So I have been in a long journey looking to find the best amplifiers for my martin logan montis. As you know, the match between an amplifier and speakers has to be a good "marriage" and needs to be blend exquisitely. Right now, I think I might have found the best sounding amplifier for martin logan. I have gone through approximately 34-36 amplifiers in the past 12 months. Some of these are:

Bryston ST, SST, SST2 series
NAD M25
PARASOUND HALO
PARASOUND CLASSIC
KRELL TAS
KRELL KAV 500
KRELL CHORUS
ROTEL RMB 1095
CLASSE CT 5300
CLASSE CA 2200
CLASSE CA 5200
MCINTOSH MC 205
CARY AUDIO CINEMA 7
OUTLAW AUDIO 755
LEXICON RX7
PASS LABS XA 30.8
BUTLER AUDIO 5150
ATI SIGNATURE SERIES 6005

With all that said, the amplifiers I mentioned above are the ones that in my opinion are worth mentioning. To make a long story short, there is NO 5 CHANNEL POWER AMP that sounds as good as a 3ch and 2ch amplifier combination. i have done both experiments and the truth is that YOU DO lose details and more channel separation,etc when you select a 5 channel power amplifier of any manufacturer.
My recollection of what each amp sounded like is as follows:

ATI SIGNATURE SERIES 6005 (great power and amazing soundstage. Very low noise floor, BUT this amplifiers NEEDS TO BE cranked up in order to fully enjoy it. If you like listening at low volume levels or somewhat moderate, you are wasting your time here. This amp won’t sound any different than many other brands out there at this volume. The bass is great, good highs although they are a bit bright for my taste)

NAD M25 (very smooth, powerful, but somewhat thin sounding as far as bass goes)
Bryston sst2(detailed, good soundstage, good power, but can be a little forward with certain speakers which could make them ear fatiguing at loud volumes)

Krell (fast sounding, nice bass attack, nice highs, but some detail does get lost with certain speakers)

rotel (good amp for the money, but too bright in my opinion)

cary audio (good sound overall, very musical, but it didn’t have enough oomph)

parasound halo (good detail, great bass, but it still holds back some background detail that i can hear in others)

lexicon (very laid back and smooth. huge power, but if you like more detail or crisper highs, this amp will disappoint you)

McIntosh mc205 (probably the worst multichannel amp given its price point. it was too thin sounding, had detail but lacked bass.

butler audio (good amplifier. very warm and smooth sweet sounding. i think for the money, this is a better amp than the parasound a51)

pass labs (very VERY musical with excellent bass control. You can listen to this for hours and hours without getting ear fatigue. however, it DOES NOT do well in home theater applications if all you have is a 2 channel set up for movies. The midrange gets somewhat "muddy" or very weak sounding that you find yourself trying to turn it up.

classe audio (best amplifier for multi channel applications. i simply COULDNT FIND a better multi channel amplifier PERIOD. IT has amazing smoothness, amazing power and good bass control although i would say krell has much better bass control)

Update: The reviews above were done in January 2015. Below is my newest update as of October 2016:



PS AUDIO BHK 300 MONOBLOCKS: Amazing amps. Tons of detail and really amazing midrange. the bass is amazing too, but the one thing i will say is that those of you with speakers efficiency of 87db and below you will not have all the "loudness" that you may want from time to time. These amps go into protection mode when using a speaker such as the Salon, but only at very loud levels. Maybe 97db and above. If you don’t listen to extreme crazy levels, these amps will please you in every way.

Plinius Odeon 7 channel amp: This is THE BEST multichannel amp i have ever owned. Far , but FAR SUPERIOR to any other multichannel amp i have owned. In my opinion it destroyed all of the multichannel amps i mentioned above and below. The Odeon is an amp that is in a different tier group and it is in a league of its own. Amazing bass, treble and it made my center channel sound more articulate than ever before. The voices where never scrambled with the action scenes. It just separated everything very nicely.

Theta Dreadnaught D: Good detailed amp. Looks very elegant, has a pleasant sound, but i found it a tad too bright for my taste. I thought it was also somewhat "thin" sounding lacking body to the music. could be that it is because it is class d?

Krell Duo 300: Good amp. Nice and detailed with enough power to handle most speakers out there. I found that it does have a very nice "3d" sound through my electrostatics. Nothing to fault here on this amp.
Mark Levinson 532H: Great 2 channel amp. Lots of detail, amazing midrange which is what Mark Levinson is known for. It sounds very holographic and will please those of you looking for more detail and a better midrange. As far as bass, it is there, but it is not going to give you the slam of a pass labs 350.5 or JC1s for example. It is great for those that appreciate classical music, instrumental, etc, but not those of you who love tons of deep bass.

 It is articulate sounding too
Krell 7200: Plenty of detail and enough power for most people. i found that my rear speakers contained more information after installed this amp. One thing that i hated is that you must use xlr cables with this amp or else you lose most of its sound performance when using RCA’s.

Krell 402e: Great amp. Very powerful and will handle any speaker you wish. Power is incredible and with great detail. That said, i didn’t get all the bass that most reviewers mentioned. I thought it was "ok" in regards to bass. It was there, but it didn’t slam me to my listening chair.

Bryston 4B3: Good amp with a complete sound. I think this amp is more laid back than the SST2 version. I think those of you who found the SST2 version of this amp a little too forward with your speakers will definitely benefit from this amp’s warmth. Bryston has gone towards the "warm" side in my opinion with their new SST3 series. As always, they are built like tanks. I wouldn’t call this amp tube-like, but rather closer to what the classe audio delta 2 series sound like which is on the warm side of things.

Parasound JC1s: Good powerful amps. Amazing low end punch (far superior bass than the 402e). This amp is the amp that i consider complete from top to bottom in regards to sound. Nothing is lacking other than perhaps a nicer chassis. Parasound needs to rework their external appearance when they introduce new amps. This amp would sell much more if it had a revised external appearance because the sound is a great bang for the money. It made my 800 Nautilus scream and slam. Again, amazing low end punch.

Simaudio W7: Good detailed amp. This amp reminds me a lot of the Mark Levinson 532h. Great detail and very articulate. I think this amp will go well with bookshelves that are ported in order to compensate for what it lacks when it comes to the bass. That doesn’t mean it has no bass, but when it is no Parasound JC1 either.
Pass labs 350.5: Wow, where do i begin? maybe my first time around with the xa30.8 wasn’t as special as it was with this monster 350.5. It is just SPECTACULAR sounding with my electrostatics. The bass was THE BEST BASS i have ever heard from ANY amp period. The only amp that comes close would be the jC1s. It made me check my settings to make sure the bass was not boosted and kept making my jaw drop each time i heard it. It totally destroyed the krell 402e in every regard. The krell sounded too "flat" when compared to this amp. This amp had amazing mirange with great detail up top. In my opinion, this amp is the best bang for the money. i loved this amp so much that i ended up buying the amp that follows below.

Pass labs 250.8: What can i say here. This is THE BEST STEREO AMP i have ever heard. This amp destroys all the amps i have listed above today to include the pass labs 350.5. It is a refined 350.5 amp. It has more 3d sound which is something the 350.5 lacked. It has a level of detail that i really have never experienced before and the bass was amazing as well. I really thought it was the most complete power amplifier i have ever heard HANDS DOWN. To me, this is a benchmark of an amplifier. This is the amp that others should be judged by. NOTHING is lacking and right now it is the #1 amplifier that i have ever owned.

My current amps are Mcintosh MC601s: i decided to give these 601s a try and they don’t disappoint. They have great detail, HUGE soundstage, MASSIVE power and great midrange/highs. The bass is great, but it is no pass labs 250.8 or 350.5. As far as looks, these are the best looking amps i have ever owned. No contest there. i gotta be honest with you all, i never bought mcintosh monos before because i wasn’t really "wowed" by the mc452, but it could have been also because at that time i was using a processor as a preamp which i no longer do. Today, i own the Mcintosh C1100 2 chassis tube preamp which sounds unbelievable. All the amps i just described above have been amps that i auditioned with the C1100 as a preamp. The MC601s sound great without a doubt, but i will say that if you are looking for THE BEST sound for the money, these would not be it. However, Mcintosh remains UNMATCHED when it comes to looks and also resale value. Every other amp above depreciates much faster than Mcintosh.

That said, my future purchase (when i can find a steal of a deal) will be the Pass labs 350.8. I am tempted to make a preliminary statement which is that i feel this amp could be THE BEST stereo amp under 30k dollars. Again, i will be able to say more and confirm once i own it. I hope this update can help you all in your buying decisions!


jays_audio_lab
Really good full range speakers have a coherence in the mid-bass to deep bass that is hard to achieve with added subs. Difference in driver material and amp speed/topology can be quite apparent in truly high end systems, crossovers are rarely totally transparent if used between pre and amps. And i find most aftermarket subs, including REL lacking in phase adjustability, something that becomes apparent if you want to use a high crossover point, like 100 HZ.
Weak and bad bass...so you're saying that unless there are subs with a REFERENCE speaker, the bass is weak and bad...interesting... These are news to me now. .. Reference speakers are aren't really reference unless subs are added. 
So then getting a pair of wilson daw and adding subs would end up being a far better speaker than the alexx because the bass from the subs is of more importance than the time alignment, extra drivers and size of the alexx. 
Subs are needed with more modest speakers, standmounts in small rooms, etc.

Not with reference speakers which are made to play huge and fast bass.

Why put some much money on a reference pair of speakers that would be handicapped with weak and bad bass...
Subs could become  part of the formula someday or maybe an entire speaker altogether. Subs actually would be something I'd do first before trying a turntable. 
Gentlemen - earlier in this forum (when the Monte's were Jay's main speakers I believe?) the discussion of sub's came up.
I shared my experience when I listened to a pair of lower tier Martin Login speakers with and without a single well setup / integrated Rel sub-woofer. I was floored by the difference. The entire spectrum of music became fuller, the imagining went from thin to full and lifelike, the entire dimension of the music transitioned from portrait to fully dimensional!
I know this sounds extreme - I'd never have thought this could happen with the addition of a sub-woofer but it was an experience I'll never forget.
I also read about a similar experience (Stereophile or Absolute Sound?) with a super tweeter (a smaller square box - Mylar film if I remember correctly, placed on top of a speaker) that added the same type of completeness to the music spectrum.
This experience demonstrates the over and undertone harmonics are a critical part of musical spectrum.
You all are 200% correct by the way. Yes I know subs would enhance the presentation to a whole new level. I’m aware a sub would do things a speaker can’t completely do. My issue is that it involves more tweaking, crossovers, moving subs around the room to get them dialed in properly, and knowing me I’d want an expert to do such feat. There is also the point that Kren just brought up which is me not able to fully taste the control of an amplifier. Another point I wanted to bring up is that i haven’t heard a system with subs that blows me away yet...I’ve been at shows and I don’t think I remember a sub making the difference and I also have been at a local stores where subs were used and I felt and still feel that my bass here in my room goes much lower and it is more impactful. I also dont have anyone near me (that i know of) with a system that would properly display the advantages of using sub.
Let me clarify. I don’t mean loss of transparency in the overall sound. That will likely be enhanced because the mids and highs will actually sound better with subwoofers. So there is that, and that’s why I myself would do it.

Also, I am not knocking class D or especially subwoofer class D. Just stating a fact that REL subs use class D.

But what will be lost to a degree if subs are added is the ability to entirely focus on the full range performance of the amps ( Boulder, Mephisto, Dag, etc) because there are now more amplifier cooks in the kitchen, rather than just one. That’s what I meant.

If one’s primary purpose is to rate amplifiers even at the expense of the best possible sound, then I can understand why WC doesn’t want subs
@kren006 you are mostly right and i agree with you .
talk of prerogative is irrelevant as these are ofcourse suggestions in general context whether jay goes this path or not.
But class D IMO works better and suited for subs and its not bad as its for mains speakers.class D amps are fast and efficient being well suited for subs.
and i disagree about loss of transparency. addition of a class D amp of REL will not cause any loss of transparency of the mains amp and speakers.
ofcourse the best and more costly approach would be to use passive subs like wilson thors or subsonic and run 4 power amps of same type ( 2 pairs of monoblocks).this would match the timber and tone of subs and mains to greater extent.

I agree with the subwoofer recommenders. It is undeniable that if even two (let alone four) top RELs were added that WC’s system would sound better.

But if he doesn’t want to go there that’s his prerogative. For example, WC’s main deal is reviewing amplifiers. If he were to add subs, he is in some sense losing some transparency into amplifier performance because the subs’ class D amplifiers kick in.

So there are valid reasons for either approach.
If it were me, hell yeah I’d add the subs!  Amplifier review purity be damned I just want the best sound!
You are making it difficult to have an intelligent discussion about the topic if you start talking about "feelings". We all know the quality and power of the Boulder. No one said it needs any relief. It is just a fact that if you ask your main speakers and the amps that power them to do less, they will perform what is asked of them better. The concept and reality are quite simple. Please take your balls off the wall, you will ruin the acoustics of your room (unless you have one on one wall and the other symmetrically placed on an opposing wall, perhaps acting like a SR HFT). :)
@whitecamaross
its not about your amps whether boulder or for that matter even a dan relentless.its about your speakers or for that matter any full range mains speaker.no matter what u do to drive them or how many kilo watts of power you pump them with ,they cannot do what a subwoofer does.
again i just mean quality,definition and spatiality of the bass and not its power or SPL.

and needless to say ,although your system is very good and you may be satisfied with what you hear, as you would know in audio , you would not be able to imagine or know what is better than this, until you experience an array of correctly tuned subwoofers, whether its array of 6 rel no.25 or four drivers of a wilson thor hammer.

If I felt I needed to relieve the monster boulders from bass duties, they’d be sold right now...this is WHY you buy a monster amp like boulder. It needs no mercy from anyone. It doesn’t need your help or a lending hand. If anything your ears will need help in the form of ear plugs or hearing aids down the road. You could throw house parties or block parties with these things.
I was guilty of thinking maybe I shouldn’t push my previous amps hard all the time or maybe turn them off when not in use because the capacitors might wear out faster.
Believe me, I don’t have any mercy of any kind of these beasts. I go balls to the wall every single day and they just wink back at me 😉
I can't baby something that is built like this. If they fail me then I probably was the one who did something stupid. 

To echo and reinforce accurate points by both goodsource and carey, the main benefit to adding subs (properly, electronically with high and low pass filters in my experienced opinion) is not to add bass (but can be as well), but to relieve the main speakers and amplifiers of low bass responsibilities. The quality of low bass improves with subs and their dedicated amplifiers as well as the quality of mid bass and midrange in your main speakers. Not at all about quantity of bass, it is about the quality of bass........in your specific case.
Your system has plenty of bass but probably not sub bass. I’ve heard the Alexx with D’Agostino gear along with a Six Pack of Rel subs. The difference is pretty amazing when they are tuned right. At first the differences seems subtle but after while you don’t want to be without it.  Soundstage explodes in size and depth. Even instrument tones take to a whole new level. These were crossed between 16-20 Hz. The room was only about 16x18. Very nice effect and not overpowering as it may seem. 
Dude- hardcore evaluation.  So, what would you recommend for a small room- re: a great, easy to use streamer + phono for rich, full sound?
Post removed 
Wilson has the wamm with subs because they are always in huge rooms... And because as I have mentioned many many times, wilson is very VERY room dependent. More so than other speakers that I know. The bass is a hit or miss. If it’s a miss then you need subs...
5 pairs of wilson speakers so far and I am more than convinced that this is why they do subs with the big boys.
I heard the chronosonic locally and it had no bass and guess what? Neither did my Alex in that same room...
@whitecamaross
jay i disagree with you on this. its neither about you room nor its about lack of bass or SPL.
no audio system is complete without a subwoofer.
subwoofer is not added to compensate lack of bass.
it improves both the definition and spatiality of the bass.and subwoofer helps and augments the main speaker
there is a reason 350k xvx and 850k wamm come with add on sub woofer.
there is no main full range speaker in the world that can render sub 20hz frequency faithfully and it’s simply is neither possible nor desirable or should be expected from the main full range speakers
for example in REL 6 pack. each of the 3 pairs are crossed over at different frequencies.and once you hear the rel 6 pack or wilson thor or subsonic, its hard to go back to being without them.
@larry:
I have more than enough bass to be honest. My wilsons have never lacked bass in my room. This wasn't the case in my living room though. Im also not into trying to mess with crossovers and dialing things in, etc. I've always loved the full-range speaker sound and if I find the speaker lacks bass then it means it's not the right speaker for my room. 

I wonder why you haven't thought about adding a pair of good size REL subwoofers to fill in the lower end and go with an amplifier that creates the detail in the middle and have the best of two worlds?
Jay, you kinda confirm that the Momentum fitted the bill regarding those three questions. However, you also indicated that depending on your mood, you may pick the Boulder’s or the Mephisto for the dynamics/details.

I think that you start looking into the d’Agostino Relentless! Probably they would fill up all of your requirements 😉.
Since you asked my preference has always been musicality over all. Yes want detail but if I don’t want to listen after 20-30 minutes why bother. 
I’m still all over Boulder as my favorite combo. Boulder is Boulder, it’s the absolute reference for me.
Not a fan of the D’Agostino momentum in general as I much prefer the Luxmans in that kind of sound categorie ( much less expensive also). Although, I admit the Momentums look is the best of the 3. I can understand why they are popular...beautiful jewels.

(To admin, please delete my upper post, doublon error. )
WC,
Quick thought on the Transparent Opus - this won’t be able to be a comparison of Transparent vs Dragons vs Nordost. It will be more of just how an upgraded power cord does with the Boulder vs. the stock cord. Too bad you could not try the Opus out before you had it converted to a Boulder type of cord. That way you would know what it does vs the Dragons and/or the Nordost.

For the Momentum, perhaps just having different cabling on hand - depending upon your mood. Nordost cabling will give you one presentation, and Audioquest will give you another.

Do the Pass Labs Xs300’s give you the best of both worlds? Of course, i realize they’re a bit more of a pain with heat and with time to warmup.
Dave
Here are my answers:

1). All 3 fit quite well. They all sound incredible with Wilson for different reasons
2). Momentum are probably the better one, but i think this is mood dependent too. Some days you might want a long listening session with a ton of speed, dynamics, slam, resolution and some other days you want to listen more relaxed with a glass of wine and not be knit-picking the presentation.
3) Momentum is by far the easiest one to sell anyday of the week. Not even close when it comes to this aspect.


If i sit in my room working all day, relaxing, being calm, and not judging anything critically then the momentum wins over both of the other amps. On the other hand, if i want to hear things as truthful as possible without having this sense of "technicolor" , but rather just pure facts then it is either the Boulder or Mephisto.
One last thing to remember is to wait and see WHAT the transparent opus powercords will do to the Boulder amplifiers. This will be key in many ways.

i also want to mention that something needs to be said about unlimited dynamics, speed, slam, etc. I realize that when you have an amplifier like the Mephisto and Boulder 2150 you get all of those traits, but you also are almost unable to "calm yourself down" when listening. Does this make sense?
Think about it like this: How could someone relax when listening if you are in front of level of "thrust" and speed that throws you around all over the cockpit? It is like thinking that astronauts can actually relax when the space shuttle is taking off at 25,000 mph.
You are almost forced to decide which kind of tonality you need because no power amplifier has both. Could i turn the Boulder into the softer presentation of the momentum? i think so, but i would have to kiss goodbye to the supersonic speed and dynamics, etc. Trade-offs indeed...




Jay, here is my opinion regarding your amp question. If it is so difficult for you to pick one of them, I would ask myself the following questions:

1) Which amps have the best fit with the Wilson's?
2) Which amps are the best for long listening sessions?
3) Which amps will be the easiest sell, if I need to depart from them?

I think you have your answer now :-)
Rockport is on my radar, but i need to be patient. That Sonus Faber Aida 2 left a long loooong lasting impression on me when i heard it at Axpona 2018. The soundstage is larger than the Alexx and the bass is also much fuller believe it or not. Some say that is the best speaker under 200k MSRP and some have reported to me that they sold the M6 magico to buy the Aida 2. Either way, in order to replace my Alexx and stay at the same level of performance there will be less options for me. It was more fun when i had the DAW and speakers at that price point !

SF doesn't really seem like a speaker you'd like???  Too laid back??

What about Rockport?  I suppose it is all about opportunity and what you have access to at a given time, so that is something none of us know.
Good points, and i have access to a fresh pair of 750se, but i have someone who told me to not go after the 750se. They seem to not be a great match for the Alexx.
Speaking of Alexx, i was thinking last night WHAT SPEAKER could i buy if i wanted to bring something else in to replace the Alexx that did not cost me an arm and a leg and here are my options:

1. Sonus Faber Aida 2
2. Magico M6
3. nothing follows
4. nothing follows
5. nothing follows

That pretty much summarizes my thoughts. At this level it gets HARDER to find options and i am here to admit something to you all: it is a HELL OF ALOT more fun to play at the cheaper price points because more options are readily available.
Sell the D’Ag and Mephisto and Gryphon Pre and Rossini and clock. Get the ARC 750 latest version like you talked about on the chat and Ref 10. Then get the best DAC you can - Vivaldi or whatever. Then you will have the best balance. I think that could work out close to an even financial swap maybe??

Top of line Boulder and top of line Audio Research, with top of line dCS. That would be something else

Hey, you asked .....  That's what I'd do if money were no object, relatively speaking.
i want to ask you all, and obviously this is hard for you all to probably give an opinion on because you have only heard the amps through Youtube, BUT what would you do if you had to make  decision with the 3 amps i have on hand? Do you settle for endless musicality even though you aren't getting a spoon full of what is on the platter for you or do you go after the spoon-full even if it means you get full faster? 
Shouldn’t this have read:
-Arnold Schwarzenegger’s musculature (Jay’s build!)
:-) 
Yesterday i turned on all 3 power amplifiers (momentum m400s, Mephisto and Boulder 2150s) for about 5 hours and i began to listen for about an hour each. I really REALLY feel like all 3 do some great things:

Momentum m400s:
-Easy listening
-You don’t wonder or look for microdetails while you listen to them
-Everything sounds very pleasant
-You can leave them on 24/7 and you never feel like your ears need a break
-Extreme synergy with Wilson Alexx

Mephisto:

-Arnold Schwarzenegger’s musculature (his prime days)
-Big bold mids
-Bass that makes you want to buy critical mass footers to place under your chair to avoid vibration
-3d imaging that makes you wonder if speakers are playing independently

Boulder:
-Your ears now have hearing aids because you can hear what you couldn’t before
-Everything is balanced with nothing sticking out
-Devastating dynamics
-Each song has a different volume so you reach out for your remote all the time
-NO song sounds the same through these


Each one has such great attributes and it becomes such a painful exercise to select one. I listen to the Boulder and i am blown away and then i switch to the mephisto and whoa this one does a little more of this and that and then i switch to the momentum m400s and now this one does something else that is also appealing.
Who can choose what to keep? I STILL CAN’T choose. I am actually surprised how much i like the momentum this time around than the first time i had them. Maybe it is the critical mass footers under them? the audioquest dragon powercords? Not sure, but they are sounding very nice. 
I would try the CM footers under your dac/clock before final judgement and selling them. 
Not taking anything away from your awesome system but I would say your source dac/clock is currently the weak link compared to the  rest of your system. 
Momentum m400s with Audioquest Dragon Powercords and synergistic speaker cables are cooking. One thing i can say about the m400s: long loooooong listening sessions with NO FATIGUE at any volume. I actually worked all day with music at moderate volume on the background and my ears are fine. They don’t feel exhausted at all which is simply a welcomed trait. Friday i expect to let you all hear the M400s with the Critical Mass 1.5s under them. Let’s see how it turns out! Will you all prefer the synergy of the m400s with Wilson over the Boulders? anything is possible here and THIS IS what i wanted to do; To chase more synergy.
And before i forget, the Nordost Odin 1 speaker cables are also back... how will they do with the momentum and Boulders?? will they unseat my synergistic research speaker cables?? i am excited to find out....
Just to clarify: "embedding" takes place mainly during the "honeymoon" period of owning an audio system.
Post removed 
mechanical embeddings of the system:

vibrations of all piece of gear coming from inside or outside
resonance of different kind coming from the design of the speakers...

Electrical embeddings of the system:

any system is immersed in the electrical grid of the house and room... The noise floor of this grid impact negatively the system...


Acoustical embedding of the system:

This embedding is very powerful.... so much that most people cannot even fathom it....

No speakers can beat the room where they are located.... It is a simple acoustic fact easy to verify with any acoustician.... I experimented with my room and the results were amazing... There is no comparison between any system before or after embeddings controls...

i dont buy "tweaks".... I tried to create the devices myself adapted to my specific system and situation....A method of listening and experiments is not a "tweak"...

Controlling the acoustic in a room is not easy task but the results exceed many possible upgrades... I dont affirm here that a pair of speakers like mine can beat the Wilson...I accept if someone say that i am "nut" but i am not an idiot.... I only say that the acoustical settings is more important than the choice of speakers for the final S.Q. results....

For me audio experience is about embeddings controls.... I had no other choice anyway, i dont have the money to do anything else.... But i succeed....



I used myself different devices of my own....I sell nothing and anyway it would be easy for you to laugh at the first sight of some of my devices... The important fact is that WITH this controllling devices we can transform for the better ANY system at any price...Create your own or buy some acoustical materials or acoustical devices....

My point is to sell creativity not products.... I bought nothing that cost more than peanuts price....

This thread here is amazing and very useful to many....

I would feel very bad if someone took my observation for negative criticism.....

The person investing his time with tremendous passion to compare all these gear dont deserve that....



I will mute myself now my point being made....


My best to you all.....
I’m not understanding what you mean by mechanical, acoustical and electronic embeddings. Can you explain?
Thanks for your kind answer...

First and very important.... My system is absolutely NOT comparable to your system on any count whatsoever...

Second the fact that there is a so great difference between the youtube files and the original cd in the direction of increased harshness indicate to me that the best way to upgrade your astounding system is the acoustic settings of your room....

It is my point....

It is not a criticism of your system.... It is one of the best there is probably.... It is only a remark about the importance of the acoustical setting of room...

You can dismiss what i say by pointing to the photos of my system....I will not replicate any defense or attack....My system is average Joe Smith....😊

My only discovery in audio is that upgrading is less powerful when your system is already relatively good than the improving way that you could control the mechanical, electrical and acoustical embeddings...

You worked passionnately with a great deal of time and money to help others....

Any free negative critics of what you do is not admissible...

But i wrote my observation amazed myself by the fact i communicated to you.... Thats all i wanted to say....

My best to you and i will listen to your observations about audio gear with interest....

Thanks and my deepest respect....



P.S.
Our goals are very different, mine is the best system for the least money invested.... Your goal is what is the best at any cost.... Our goal are different but they are interesting "per se"....
Mahgister- of course any you tube video will sound different than your home system with the CD for so many reasons I can’t even begin to tell you.  To start with how are you listening to the video?
I’m not sure how to respond to you. I took a look at your system on your profile so I am not really sure what to say or how to address your question because our systems are too different. 
Maybe someone else can chime in ?
Presentation 1 was more detailed....I prefered 2...

What i dont understand is that compared to the original cd the presentations 1 and 2 sounded completely artificial...

Is it your microphone? your room?

Through youtube we  lost information for sure but the harshness and unnaturalness i feeled is not related to youtube i think....

What i listened to in my system was more musical on all counts, timbre and imaging...

I am even afraid and ashamed to describe my modest audio system here....But i worked 2 years to install it the best i can in my audio room...

My own experience is that ANY system must be embedded mechanically, electrically and acoustically... I made all my devices homemade myself....

I apologize if my post seems rude....It is not my intention....

You are yourself invested totally and your comparison can help many and already had with their choices ...

But my experience is the embeddings controls are more important than the electronic specific design of most gear piece...