With regards to the specific question of this post, let's remember that the main ingredient of the Reference Lenco MKIII is the Reference Lenco.
The original Reference Lenco itself was deemed Upper Class A by Salvatore, equal to or superior in every way to every 'table Arthur had owned or heard, including his Forsell, Goldmund Studio with T3-F tonearm and Versa Dynamics 1 & 2, see his website for the detailed review. Mono and Stereo in Europe agrees with his findings: "Jean Nantais Reference Lenco MKII turntable finally arrived at Mono & Stereo. This is another highlight of the year and a "killer" that brought down to the knees many upper echelon turntables like TW Acustic flagship etc." The Reference Lenco MKIII includes a faithful copy of the original Lenco chassis, with improvements, new bearing, new linkages.
I went from a mk2 to mk3 last summer. This is how I would put it.
The image stretches out beyond the edge of the speakers (whereas before it was confined within); the image is now pin-point whereas before there was some diffuseness. The intelligibility (i,e. the ability to make out individual performers) took a big step up; I am hearing detail on audiophile LPs Ive never heard before. The bass is tighter and deeper than before and the sound floor has dropped. I notice it now takes much longer for the platter to come to a stop, due to the new main bearing (increased speed stability being responsible for much of the improvements I think, along with rigidity and a simply better bearing). My experience is that each new offering from Jean elevates the information extraction and enjoyment to another level, and the MK3 is significant in that regard.
I should like to emphasize that with the MK3, we now have a substantially evolved record spinner that only retains the motor and transmission mechanisms from the original Lenco. Everything else is of his own design. The so-called Nantais plinth recipe is itself unique as he uses a special set of aged wood layers specifically chosen and combined for their clarity, accuracy and musicality. The customer's ability to choose custom veneers and stains makes his product even more striking and always visually stunning.
His website is very informative and describes the product levels; the good thing is that one can start at the MK2 level and upgrade when funds permit. Either way, you will have a world-class table that you can be proud to own. I know I am.
The original Reference Lenco itself was deemed Upper Class A by Salvatore, equal to or superior in every way to every 'table Arthur had owned or heard, including his Forsell, Goldmund Studio with T3-F tonearm and Versa Dynamics 1 & 2, see his website for the detailed review. Mono and Stereo in Europe agrees with his findings: "Jean Nantais Reference Lenco MKII turntable finally arrived at Mono & Stereo. This is another highlight of the year and a "killer" that brought down to the knees many upper echelon turntables like TW Acustic flagship etc." The Reference Lenco MKIII includes a faithful copy of the original Lenco chassis, with improvements, new bearing, new linkages.
I went from a mk2 to mk3 last summer. This is how I would put it.
The image stretches out beyond the edge of the speakers (whereas before it was confined within); the image is now pin-point whereas before there was some diffuseness. The intelligibility (i,e. the ability to make out individual performers) took a big step up; I am hearing detail on audiophile LPs Ive never heard before. The bass is tighter and deeper than before and the sound floor has dropped. I notice it now takes much longer for the platter to come to a stop, due to the new main bearing (increased speed stability being responsible for much of the improvements I think, along with rigidity and a simply better bearing). My experience is that each new offering from Jean elevates the information extraction and enjoyment to another level, and the MK3 is significant in that regard.
I should like to emphasize that with the MK3, we now have a substantially evolved record spinner that only retains the motor and transmission mechanisms from the original Lenco. Everything else is of his own design. The so-called Nantais plinth recipe is itself unique as he uses a special set of aged wood layers specifically chosen and combined for their clarity, accuracy and musicality. The customer's ability to choose custom veneers and stains makes his product even more striking and always visually stunning.
His website is very informative and describes the product levels; the good thing is that one can start at the MK2 level and upgrade when funds permit. Either way, you will have a world-class table that you can be proud to own. I know I am.