First I have to say that vinyl is the only medium I will audition anything seriously with. CD sound floor is still too high and the sound is compressed.
For those who don't know about good analog,they are missing out.
Also, I rarely get to audition new gear in a parlor.I do go to many homes for listening sessions for fun and to help out.
that said,if I am going into a parlour I try to tailor the music with the idea of testing the component I am interested in,not the whole system. I try not to push the system into playing something that will sound good, but what will reveal possible problems and possible excitement.
I like to listen to choral music so that is what I use.
King's College, Elgar's "Coronation Ode." EMI
King's College, "Vaughn Williams/Howells" Argo
Corydon Singers,"Vaughn Williams/Howells" Hyperion
King's College, Palastrina, "Stabat Mater"
Some times these are quite tough to reproduce well,but are good tests. There are fairly sever high transients and very low and powerful organ pedal notes,and loads of texture and mid range sound stage.
Then I try some pop LPs for electronic speed and dynamics.
lately I have been listening to Chris Isaak's "Heart Shaped World",and Christy Moore's "Voyage". These are both great albums for auditioning.(and just for fun)
Also,jazz: Sphere's "Flight Path" and "Live"
these LPs have the lowest sound floor of almost ANY record I own. amazing music too.
I have heard many "high end" CD players and Dacs and they never get it all.There is always something missing. Once you have heard what a great vinyl rig can do,you are done.
btw I don't buy reissues. I am old enough to own many LPs from the golden age of vinyl, and Ebay and my local used record store provide ample opportunity to get more for dirt cheap. Also let me add,that reissues never sound as good as good originals.I own several MoFi half speeds and most of them suck.At best they equal the original.I have also heard some of the expensive 180-200grm reissues and they were so compressed and lifeless I would be embarrassed to play them.
happy Christmas
e
For those who don't know about good analog,they are missing out.
Also, I rarely get to audition new gear in a parlor.I do go to many homes for listening sessions for fun and to help out.
that said,if I am going into a parlour I try to tailor the music with the idea of testing the component I am interested in,not the whole system. I try not to push the system into playing something that will sound good, but what will reveal possible problems and possible excitement.
I like to listen to choral music so that is what I use.
King's College, Elgar's "Coronation Ode." EMI
King's College, "Vaughn Williams/Howells" Argo
Corydon Singers,"Vaughn Williams/Howells" Hyperion
King's College, Palastrina, "Stabat Mater"
Some times these are quite tough to reproduce well,but are good tests. There are fairly sever high transients and very low and powerful organ pedal notes,and loads of texture and mid range sound stage.
Then I try some pop LPs for electronic speed and dynamics.
lately I have been listening to Chris Isaak's "Heart Shaped World",and Christy Moore's "Voyage". These are both great albums for auditioning.(and just for fun)
Also,jazz: Sphere's "Flight Path" and "Live"
these LPs have the lowest sound floor of almost ANY record I own. amazing music too.
I have heard many "high end" CD players and Dacs and they never get it all.There is always something missing. Once you have heard what a great vinyl rig can do,you are done.
btw I don't buy reissues. I am old enough to own many LPs from the golden age of vinyl, and Ebay and my local used record store provide ample opportunity to get more for dirt cheap. Also let me add,that reissues never sound as good as good originals.I own several MoFi half speeds and most of them suck.At best they equal the original.I have also heard some of the expensive 180-200grm reissues and they were so compressed and lifeless I would be embarrassed to play them.
happy Christmas
e