Mbongwana Star
Thank you for posting. Agree about that Congos reissue btw, terrible. Mine is '08 deluxe 2xlp VP music group. Meh, bummer.
50 of the best hi-fi albums for audiophiles
A friend brought over Darkside-Psychic last night and it is a great sounding record and very cool techno stuff. Not surprised it made this list. Not my usual go to music at all but I just ordered it and the another couple titles as well, Junun, Mbongwana Star Thank you for posting. Agree about that Congos reissue btw, terrible. Mine is '08 deluxe 2xlp VP music group. Meh, bummer. |
Tonight I found a copy of Daft Punk - Random Access Memories on vinyl, and based on this list, picked it up. I can report that this list is not wrong. This is a gem of a record. I have it in digital format but never really liked it as a whole until I heard the vinyl version of it. Really cool concept album of sorts. Great sound and high art to boot. Well worth the time spent to appreciate! |
I was making my maiden voyage to a just-opened Hi-Fi shop in 1972 (Audio Arts in Livermore, California, owned and operated by Walter Davies, now owner/inventor of The Last Factory of record care products renown) on the day Bill Johnson of ARC was delivering and installing his complete system---SP3 pre, Magneplanar Tympani-I speakers bi-amped with D51 and D75 amps. He also brought along a Thorens TD-125 MK.2 turntable and Decca Blue cartridge, which was mounted on a proto-type ARC pickup arm. The arm never made it into production, but it resembled the Grado arm of the 1950’s---a flat, wide chunk of dark wood, like walnut or rosewood. Once set up and ready to go, Walter put on the "Me And Bobby McGee" track on Gordon Lightfoot’s If You Could Read My Mind LP. Bill said "That IS a great sounding record. What is it?". Walter gave him the LP. Used copies are plentiful; give it a spin on your system and see if you agree with Bill ;-). |
@blindjim - the very notion of a "list" of recommended albums is bound to evoke reactions from "what, that again!" to "why didn't they include X?" Your question about researching the story behind the record is an interesting one- I discover music all kinds of ways, from reading and research, to recommendations, to record "surfing" (i.e., finding a singer or musician on one album and then researching that artist's discography). Some of the albums on that particular list are familiar to me. The one from the list I mentioned above was actually the subject of a fairly detailed article I published: [url]http://thevinylpress.com/congos-heart-congos/[/url]. It is a very worthwhile record musically. I'm usually put-off by "audiophile" records because the characterization, to me, usually means great sonics and less interesting music. I don't read any of the hi-fi mags anymore. As I recall, What Hi-Fi is a British mag that does fairly straightforward reviews of gear with "pros" and "cons"--and an emphasis on equipment available in the UK. |
If it ain’t all about sonics and it seems within this list it ain’t, it must be about something else as significant. Perhaps ‘audiophile’ means more in different cultural settings. What Hi Fi is to my understanding an ‘off shore’ magazine, isn’t it? Maybe they feel ‘eclectic’ is as congruent to audiophile as is excellence is to sonics. Did anyone look into the actual choices as to each prominence or uniqueness or even influence, or in other words an albums entymology, its musicians recording venues, and or producers? Not digging at anyone, just wondering aloud. Could be too, as with so many top 10 or top 100 lists on various tV shows, the list is aimed primarily at crating controversy. I see this occur on Nat Geo, Hist. AHC, etc., all the time. Beats me. If only a few items on the list appear audiophile by definition which have not been known before, then you are ahead of the game for not much effort at all, right? I saw they said something about just that thing too, “finding new stuff”. Broadening your musical horizons. Could be just that simple. |
I am NOT associated with the article. I merely cut and pasted the introduction to the article as it appeared on-line - ncluding "definitive" in italics. The introduction (or premise) to this or any similar article is important in order to put the list in context. It is much more informative than the title. |
I had expected the usual list of audiophile warhorses, many with good sonics, but so-so music, or material so well-trod that it is hardly a revelation. The inclusion of The Congos, Heart of the Congo, is cool. It isn't a sonic masterpiece in the audiophile sense, but it is a trip to listen to; Lee Perry cobbled it together using some of the top players in Jamaica, using a TEAC 4 track deck - 2340 o4 3340?-- bouncing tracks to get more space to overdub. The whole thing is a marvel of sound, but it isn't purist stuff- if anything, it is a wacky, wonderful exploration of the art of dubbing and Jamaican roots reggae. (PS: if you want to buy this record, there is only one I've heard that sounds decent- it is the OOP Blood & Fire copy. The short-lived Simply Vinyl reissue of same sounds flat and dead). |
gsm18493, If you are associated with the article, I don’t recall you mentioning "definitive" in your original title/post. I recall this.. "50 of the best hi-fi albums for audiophiles". When one mentions audiophiles, I can only assume, they mean, the best sounding.....You now want to go back and renew your original meaning. My "Automatic for the People" does not give my system a "work-out". It does give my ears a sense of...'I don't want to subject myself to this anymore". |
"We didn't set ourselves the task of picking the absolute, definitive best 50 albums for audiophiles. "We did, however, manage to compile the below list of 50 records (and a little further listening for each) we feel span genres, styles of production and sonic character rather well. If nothing else, they'll give your hi-fi a workout and, hopefully, broaden your musical horizons at least a little."> From the introduction to the article |
Not an album, but a stream: this summer BBC Radio 3 has experimented with full red book standard 16/44 streams of live classical broadcasts (compressed in lossless FLAC). What was remarkable was that the average recorded level was much lower than I have heard elsewhere. So there was plenty of headroom for a very high dynamic range. It was pretty spectacular. The music was often great too. |