2. analog
  3. 1368310143

My new Soundsmith Straingauge cartridge

Well, after a bit of dillying and dallying, I finally got 'round to trying a home trial of this cart. After a couple of hours dialling in vtf, and esp. azimuth, it basically sold itself, and I bought it an hour later!
It's without doubt the fastest cart I've ever experienced, surpassing the Decca London Reference, but with none of that cart's tipped up 'whiteness'. But this blazing speed is combined with the natural sweetness of the Lyra Parnassus. It has the neutrality of the Transfiguration Orpheus with the dynamics and involvement of the ESCCo-modded Zu Denon 103. So, fast AND sweet, and neutral AND involving, combinations often too challenging for other so-called SOTA carts. All the carts I've mentioned I've had in my system over the years. But I admit, I haven't heard current contenders to the crown (Lyra Titan/Atlas, Ortofon Anna, Clearaudio Goldfinger etc) to make comparisons.
It's tracking really is superlative, 3d soundstaging/dimensionality is beyond the room constraints, and I really believe it has the least artifact-laden sound of any cart I've heard, with NO aural evidence of a diamond carving thru wax. It's really complimenting what's already a neutral, fast and dynamic analog rig in my system (Trans Fi Salvation direct rim drive tt/Trans Fi Terminator air bearing linear tracking arm)
spiritofmusic
spiritofmusic OP
828 posts
 
Prof, I don't know what to say. Much as I love the "standard" SG200 with the twin 24v wall warts psus, they're really holding back the performance of the Straingauge if the Red Wine Audio Black Lightning (RWA BL) twin battery pack psu is anything to go by.
In a nutshell, the whole top end of the cart is improved, with an amazing increase in shimmer and incision. This is adding a lot of energy to the presentation (could almost be "toppy" if the rest of the spectrum wasn't so good), with ambient cues and microdynamics really enhanced.
The midband is so much more natural and transparent, with female voices esp. sounding more ethereal than ever, but not at the expense of a realistic groundedness.
And the bass is phenomenal, with a whole lot more punch and extension, but not at the expense of real earthy tone.
A slam dunk no brainer for $1500.
peterayer
1,382 posts
 
Spirit, could you explain what you mean by "more ethereal than ever, but not at the expense of a realistic groundedness." I once used the terms "ethereal" and "grounded" to describe two completely different speaker systems, one quite diffuse, unnatural sounding and not at all convincing and the other quite natural and real sounding with a much better sense of foundation and presence.
proftournesol
15 posts
 
Oh Dear.... :)
peterayer
1,382 posts
 
I didn't mean to sound critical of your language, just trying to understand what you mean. You can ignore the question. Sorry.
spiritofmusic OP
828 posts
 
Peter, sure. What I mean is that the opening up of the top end of the Straingauge via the RWA BL batt psu is resulting in an amazing "lightness" to music that I think can only now be achieved with crystalline extension of the treble.
If this was at the expense of a lack of power, bass extension, warmth and earthy tone of the lower frequencies, I would have been unhappy with a "wispy" quality. But these positive bass characteristics are all present, and in fact enhanced, leading to an amazing improvement top to bottom. So "ethereal" can co-exist with "grounded". As can "wispy" and "insubstantial/insipid".
More to discover