Opportunity to buy the best Preamp... but which?


On the tube front... AR Ref3 vs. CJ ART3 vs. VL TL-7.5 vs. Wavac PR-T1?

Or on the SS front... Burmester 808Mk5 vs Dartzeel NHB-18NS vs Krell Evolution2 vs MBL 6010D vs Halcro DM10?

My preference would be a neutral tube based model.

Any opinions?

Andrew
stevecortez
Balanced operation is definately a big deal ultimately, and should be mentioned. As for "the best", it all depends on what your going for...sympnony hall/jazz club or pop/hip-hop..etc... If re-creating the ephemeral nature of live instruments is a standard, then one can limit the field substantialy. If one only needs to have sufficient bass and treble to connect to pointless pulsating rythms or the inconsequential ramblings of the pseudo-musicians so prevalent today...well, you see my point!
Mikelavigne makes a point about the Dartzeel pre linked via bnc to their amp.
I had a unscientific experience listening to orchestral music, with that pre:

The Dartzeel 18 vs the FM acoustics 255: the 255 was better driving a Dart amp (more sense of immediacy and urgency in the music). BUT the Dart connected via bnc to the Dart amp was as satisfying as the FM-A
01-23-07: Weez
If it were me, I'd buy a Wyetech Labs Pearl and be done with it.

So the Pearl is better than the Opal?
Does Wyetech Labs know this?
Just call Stan Klyne at Klyne Audio Arts and have him buld for you what you want. Just doesn't get much better than this, unless you buy FM Acoustics.