JC3+ Anyone?


Hey Folks,

Despite my current economic situation, I am seriouly considering replacing my GCPH with a JC3+. I am have a few intermittent issues that may be the GCPH. I have a DV P-75 mkII in the system for testing. And it is as I remember, somewhat lightweight but pretty good. Not nearly as refined as the GCPH and a weak bottom end. Does seem to have more large scale dynamics than the GCPH.

So back to the JC3+, anybody try one or have one? Fremer liked it but his taste leans more to detail than mine. I like detail but my idea of detail is hearing the leading edge as well as the body of the note/instrument.

I would be using a Kleos with the JC3+ and the JC3+ would be going via Cardas Nuetral XLR to a Classe CDP-500.

Hope y'all well and good,
Robert A. Ober
128x128Ag insider logo xs@2xrobob
If you have any doubts about your financial situation, give it a rest until things improve. Chasing 'better sound' is no substitute for money in the bank.
I have a JC-3 with a Denon 100th anniversary version of their 103 cartridge. I use an ARC LS-17 preamp, and I have noticed there is a lot of gain. However, my system is completely silent, and the quality of the sound is wonderful. I suspect any noise would come from the preamp. The "louder" the preamp is set, the lower it's noise will be, so if it is set too "softly" there may be noise. I think it is just an unfortunate pairing. Parasound does make a big deal about how quiet their preamp is, so that may be their standard. I did have a problem with hum until I re-stacked my components and dressed the cables. I also decided to use Kimber Sliver Streak cables and they seem like a good match for delicate low level signals.
On "setting azimuth with a voltmeter".
You need a high quality voltmeter and a test LP that has bands with signal in R channel, only, and in L channel, only, respectively. Preferably the frequency of the signal is 1kHz, but you will get slightly different results at different frequencies. For accuracy in reading the meter, you will probably need to measure voltage at the output of the phono section vs the output of the cartridge, which would be more ideal. Then you play, let's say, the R channel 1kHz signal and measure its amplitude in terms of signal AC voltage in the R channel. Take note. Play the R channel signal again and measure any AC voltage that appears in the L channel. Take note. Then do likewise with the L channel 1kHz test band; measure voltage in the L channel, and ideally at this point you need to set it to be equal to the voltage you saw for the R channel signal in the R channel, perhaps by use of a balance control. Once that is done, play the L channel signal again and measure VAC in the R channel. The voltage in the L channel when playing the R channel, and the voltage in the R channel when playing the L channel, represent "crosstalk". Some people like to adjust crosstalk so it is equal in both channels. Others like to adjust crosstalk to obtain the minimum values possible. (The two goals will not be arrived at at the same azimuth angle.) There are good arguments, either way. Also, keep in mind that azimuth has very very little effect on channel balance (a difference in output between R and L). Don't use azimuth to correct channel imbalance.