I made a rookie mistake, don't do this


Periodically I look at each stylus under a microscope to see that they are not worn out, that all is well etc.  Anyway this past week I noticed that one of mine, a shibata looked worn and needed replacement soon.  It is unusual in that it is on a mono cartridge, which might be why I didn't notice it sooner.  Also, in my defense it is used on mostly old jazz records, many of them are not spring chickens either, so maybe that is an excuse.  In any event, a new stylus was installed ASAP and there was an instantaneous improvement in sound quality.  There is no telling what irreparable harm has been caused to my cherished old records.  Learn from my stupid mistake.  Go check your stylus ASAP.  Especially with fine line and shibata it is too easy miss the signs.

billstevenson

@elliottbnewcombjr The search to discover exactly what I am referring to is extremely easy to discover.

How about the even stranger phenomenon of Dampers looking like one half has been gnawed away, with the description of a cause being UV Damage.

Cart's are extremely Fragile, certain Parts used are requiring the conditions encountered in the real world to be very sympathetic to their needs.

Once a Cart' is released into the real World, the Cart' is met with a whole new frontier to perform in.

A Dust Cover in many cases is a Band Aid on a Gaping Wound, some in the know, would suggest a dehumidifier is the very basic of preparations to be in place for a space where a Cart' is to be used.

We are all bound by our experiences, and even more bound by our surmising creating deficiency in attaining knowledge through experience.

pindac

You take things to perfection, ultimate solutions, that’s great, for you and others.

I go so far, then stop, not enjoying pursuing perfection any more.

Three fundamentals I simply do not understand people not having.

1. TT, Have a Dust Cover. Expensive/Precise Equipment exposed to airborne .... no way.

2. Tubes: Have a Tube Tester (basic, not advanced unless desired). Uninformed, blindly searching/thinking perhaps a bad tube .... no way. Members and yourself wildly guessing, jumping around like a cat on a hot tin roof, no no no.

******Driving along, trash, driveway sale, thrift store: see a discarded thingy with tubes, yank em, the tubes are very likely good, you can test them when you get home or later if you need one. Using a used tube gets the music playing while you look for new ones at a good price.**** Don’t forget: many tubes last 10,000 hours, so a used one that tests good ....

i.e. I just tested all my tubes friday (I test them 2-3 times a year). matched sets still matched? anything weak?

my mx110z tube tuner/preamp: found a 6au6 with a short. Had none in my collection of new/used tubes. Checked/yanked good tested used one out of a Fisher 500c I will be selling.

mx110z has 17 tubes, I don’t know what it was doing, I didn’t hear anything wrong, or different after I replaced it, but it does something. I very rarely use the Tuner, I suspect it is in the tuner section, who knows? My Fisher 500C uses 1; this uses 3, They are not expensive (now) I am going to buy 4 now for the future. And: test them when I receive them! Test any tube you buy, especially ’matched’ sets.

3. SACD/CD/DVD Player: Have a Lens Cleaner, try it 1st! I have ’fixed’ many of my and friend’s players over the years. Same thing in the VCR/Cassette era, have a head cleaner., it’s the 1st thing to check.

.........................................

there’s others, but these always leap out of my brain when members have related problems and lack/skip the fundamentals.

 

@elliottbnewcombjr I am no where near a perfectionist, but I do take my leads from those in the know and adopt what makes a lot of sense.

My first sent in Donor Model nearly 8 years ago was described as filthy by the Technician, I had no idea of what was meant by that until a later date and a curiosity got to me. 

I do Photography and occasionally produce images that would be referred to as Macro, but not conventional, as I do the reverse lens technique.

I set up another Cart' to be Macro Recorded, that was a Cart' bought in to be a donor model, to undergo a rebuild, this Cart' was claimed to have approx' 300ish hours of usage.

The images focus point was the point where the Armature could be seen inside the Housing.

The images were quite something, almost extraterrestrial, the Crud and range of Colour in the particulate, was akin to viewing a terrain not seen on Earth.

The Cantilever also had Particulate attached that was almost the same thickness. 

To make it easier to understand the inners were caked in filth of what origin who knows, the Cantilever was certainly carrying plenty of Hitchhiker Particulate.

Combine such a visual experience, with description offered through publicly showing photo records of a Cart' received by a Third Party Refurbishment Service.

It does not take much sleuthing to make a plan for ensuring a Cart' is in a much improved condition as it approaches the Mid to Later hours of recommended Cart' Life.

Cart' costs £XXXs - £XXXXs.

Cart' is functioning fine for a period and then the environmental impact has taken ahold. 

Does one let the last 400 - 600 hours of usage, be substantially compromised, or does an additional cost be incurred to thoroughly clean and have the Cart' condition checked?

A conjecture can be, that a filthy Cart' with a £xxxx's price tag might not be much better at producing an end sound, than a Clean Cart' costing substantially less.

Any unwanted reports from a Service if about a bought as new Cart', will most likely be as a result of the way one is using the Cart'.

Surely a knowledge being made known of something being present, is a detriment or a set up for the cart', is being a detriment. Is well worth receiving, even if there is a cost to acquire the Valuable knowledge.

A Cart' condition is not life or death, whereas my home Boiler receives an annual check.  As well my Homes Chimney and the owned Vehicle's. A friend electrician gives the owned homes electrics a once over every 3-5 years apart, when I was letting property the same checks were annual on let property.

Having items checked out that play a very important role is not unusual, skimping and avoiding such practices, now that is each to their own. 

More important, I can't find anything in my suggestion on Cart' maintenance as being askew or incorrect, when the idea of keeping it as a optimised part is the consideration.

@elliottbnewcombjr 

A dust cover might be adequate (or not) keeping dust off the platter and plinth. It serves little useful purpose otherwise. It does nothing to help the life of a cartridge. The latter part falls under keeping your records and stylus clean.

I have a Clearaudio Innovation with two 12" Universal tonearms. There's not even a reasonable possibility of enclosing that in a dustcover. I use a goat hair cosmetic brush to dust off the POM platter, plinth and tonearms now and then, but that's all more for cosmetic satisfaction than functional worth. I clean my records and I clean my stylii with the proper tools.

FYI. I have not used a dust cover since 1990. I probably have put over 2,500 hours on my Frog (known to do about 2x normal play time). Then about 500 hours on my Koetsu Rosewood. Never any problems. I do a quick cleaning of the record before playing each side. Once every few years I check the cartridge with a magnifier. I have never observed anything requiring action.

If I remember correctly typical cartridges are good for around 1,200 to 1,500 hours.

 

Also, I do not own a tube tester. I do keep a backup set of tubes for my tube components. I have had to do a little trouble shooting twice in the last ten years. I think it lasted 10 minutes. I replaced the tubes on one of the audio circuits… 4 tubes… that fixed the problem… then swapped in the old 4 tubes until the problem recurred. Done.

 

I have never had a problem with an optical sensor on my CD or SACD, or DVD player. Although I lived in the dust bowel… Tucson for 25 years.

Just a question of how you approach life. I’d rather be listening to music.