New Generation Class D - AGD Audion Mkiii upgrade

Ok Then Ralph I have heard your mono-blocks vs a class AB stereo amp 

that’s was 2x the price and a bit better in several areas That the vast majority agreed ,for the $$ monies your mono blocks are a very good deal.

when you take it to the next level vs say a very good class A amplifier , or very good class AB amps of our well known Danish companies , then myself and many others are waiting for that , look at Merrill their insane pricing ,and IMO wasted $$ on these fancy cases , a respectable look and we’ll damped chassis is more important put the $$ inside where it counts, I highly recommend using a top Furutech IEC their $75 retail being copper and gold remove Thst bottleneck judt coming in , maybe upgrading some of the filtering caps ,or putting a decent .1 poly cap on electrolytics , or Bellison  regulators which are the best , man6 ways to make this a SE type quality as well as other higher quality parts look at Silmic or other smoothing  caps .having spent over 20 years just in experimenting with the tonal balances of each caps and Electrolytics by far the worst in noise and filtering with poly caps , output caps , look at VH audio Odam caps ,even wire !Neotech Teflon 6-9s pure Copper  wire makes a difference , or Cardas Litz  wire.

I am just repeating what others too have said ,we all have opinions throw in VU meters in Australia very good ,for minimal cost .

@ghdprentice 

I had a pair of AGD’s in my system and will say they sounded good for the money. There was a bit of lack of refinement on the top end… if I remember correctly. But then I was comparing them to Audio Research Reference 160 mono blocks. I also only listened to them for an hour or so. 

Just curious, which specific AGD amp(s) did you audition? Also, which preamp was used during this time? IMO, the synergy between class D amps and preamps is probably even more important than regular class A/B component matching.

Also, one hour is really not sufficient to form an opinion about any audio gear. There have been times when I absolutely hated a piece of equipment in the first few hours, or even days, only to change my mind after further listening.

@ghdprentice 

Was using my AGD Audion MKIIs.

Actually, I now have ARC Ref 80S. Very similar to George’s Ref 160S.

And between the AGDs and the ARC I thoroughly enjoyed Ralph’s Class Ds.

The AGDs are beautiful sounding and very musical. However, Ralph’s easily surpassed them in musicality and, especially, in bass. They are much more substantial in many major ways.

At 3 times the price, the Ref 80S takes things to a new level. Contrary to Ralph’s position that the amps are now on “life support”, the tube magic of the Ref 80S makes it stand out in quite a spectacular way. Mostly, the ARC brings “life” without any need for “support”. A good example of “you get what you pay for”.

That is, Ralph’s statement on tube amps being on life support.

when you take it to the next level vs say a very good class A amplifier , or very good class AB amps of our well known Danish companies , then myself and many others are waiting for that , look at Merrill their insane pricing ,and IMO wasted $$ on these fancy cases , a respectable look and we’ll damped chassis is more important put the $$ inside where it counts, I highly recommend using a top Furutech IEC their $75 retail being copper and gold remove Thst bottleneck judt coming in , maybe upgrading some of the filtering caps ,or putting a decent .1 poly cap on electrolytics , or Bellison  regulators which are the best , man6 ways to make this a SE type quality as well as other higher quality parts look at Silmic or other smoothing  caps .having spent over 20 years just in experimenting with the tonal balances of each caps and Electrolytics by far the worst in noise and filtering with poly caps , output caps , look at VH audio Odam caps ,even wire !Neotech Teflon 6-9s pure Copper  wire makes a difference , or Cardas Litz  wire.

@audioman58 As you can imagine we've auditioned quite a lot over the last 45 years and we've heard them make quite a difference. But that was in tube amps with little or no feedback; when you are able to run very high amounts of feedback the circuit is able to reject these very same effects; in essence they don't win you the same thing that the did if the amp were zero feedback. Even though I knew that, it was still eye opening to actually see/hear it first hand.

@mglik One does have to be careful about the Veblen Effect. As I mentioned earlier though, the reason tube power amps are on borrowed time has to do with how class D is spreading in the musical amplifier (guitar and bass) world. Since you know about a prototype amp we sent to Ron Carter, you have a better idea than most how that works. Guitar and bass amplifiers are the bread and butter of vacuum tube producers; so its not hard to imagine where this is going in the next 10 years.