Effects Of Power Cords On Electrostatic Speakers


Several weeks ago I took delivery of a pair of Martin Logan CLX ART speakers. I hooked them up with the supplied power cords from the seller. The sound was pretty underwhelming, so I let them settle in. After about 4 days the sound had not changed significantly. I decided to rob a pair of PI Audio power cords from my phono stages and put them on the CLX. Signicant change and was getting the sound I expected. 

The question I ask myself is why? This is a low current power supply that just feeds the stators. 

If it is indeed significant, and it seems to be, what level of cord is going to meet the needs? No reason to spend more than I have to. 

 

Looking forward to reading your thoughts or experiences. 

neonknight

I found that the most important thing is shielding on the power cables for electrostats. A minimum 14-gauge cable, though.

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Galen Gareis presented the following talk at the Masterclass Sessions at the AXPONA show, titled "The Uncommonly Understood Nature of Common Cable Characteristics."

Technical Papers: Iconoclast Cable

Video posted on this page.

As an engineer for 4+ decades, I found this fascinating. Especially since most of my EE peers did not have the knowledge of cable design. This should be a must see in entirety for all the cable naysayers.

Anyways, he does make a few comments toward the end about why E-stats can run better with a different cable than most box speakers being fed by standard amplifier.

Hope this helps.

 

@bugredmachine Good point! ESL's need low capacitance / high inductance cable, whereas magnetic speakers need the opposite. Otherwise is gone the HF !

Easy to get low capacitance / high inductance cables: just run two separate wires an inch apart. Save the bucks for better transducers.

@hsbrock

Yes, seamless integration across the audio spectrum. The character of the ribbons or ATM is completely different from a dynamic woofer. One of the reasons big Maggie’s are attractive (with massive power amps). You get the same character of sound across the audio spectrum. I never could hear the difference in character of the drivers on my ESS AMT 1D’s, until I could. Then I happily moved on.. and up… typically most of us increase our investment over time… and each level up has less overall weaknesses and more strengths (provided you choose wisely).

So many aspects of audio are unimportant until you hear them… then you just cannot un-hear them.