The 300B World


Disclosure:  I am not new to Aric Audio, but I am new to the 300B.

 

I took delivery of my Aric Audio 300B PSET a couple of months ago. Since then, every listening hour has been different than it would have been were I new to both. I want to know who is responsible for what I'm hearing. So, the overriding question every observation is passed through is simply "Was that the 300B or was that the 'Aric Audio Heft'?" Over the years I have purchased a number of different amps and preamps from Aric and have come to identify certain characteristics that can be expected from all of his builds. That's why I keep going back. Examples include the "dead black" background, the solid signal strength delivered by his preamps, the ease with which the soundstage can be mapped, and the raw power resulting from the overbuilt approach he takes in his design work: "The Aric Audio Heft." Knowing what I would get from any Aric Audio amp is instrumental in being able to appreciate the magic of the "show off tube." 

 

I've heard it said that people who go to the 300B never really come back and I've been intrigued by that ever since. It invites critical listening across the broadest spectrum of music one can tolerate. It's here that observations are bagged and tagged, the first being the kind of music I listen to matters much less because I find myself listening differently and hearing so much more. One of my favorites is the leading edge of the lower frequencies and the way every beat reminds me that I'm listening to a 300B. The way I would characterize the sound profile would be to say it's as if the veil has finally been lifted and the distance between the performance and my listening chair closed. You know it immediately even if you can't quite define it yet and it commands your attention.

 

For some reason I'm surprised by how closely the tonal qualities of SET and PSET modes align. Somehow, I thought there would be more of a "sonic cost" for that extra power. I'm still cautious here though because the quad of tubes I'm using for PSET mode are not topflight tubes. So, the final analysis will have to wait until I can level the playing field. In SET mode I'm listening to a pair of Gold Lions, which I consider to be at least among the heavyweights. The question I'm presently grappling with is which tubes come next? I've done my due diligence researching the various offerings and think it will be a quad of Emission Labs XLS 300Bs. Any input around your experience with 300B tubes I would welcome. Yes, I have my wish list that starts with the Western Electrics (which I'm sure I'll own one day) but the guidance I'm seeking here is the step between now and then. What would be a suitable tube to take an already remarkable experience to a whole new level? Conversely, are there tubes that I should simply stay away from? My thanks to all. Happy listening.

128x128pseudonym

A good quality lower cost 300b amplifier is a tough act. Simple circuits and fewer parts count on one hand.  But, those parts have to be at least decent/reasonable quality or the SET will disappoint with its sound quality and reliability.

Charles

I like many 300b amps, although I would not pick it as my favorite tube type.  Likewise, I like SET amps, but, my absolute favorite amps happen to be a pushpull amp (running crazy expensive and exotic 252 tube) and a custom made OTL amp (can't remember the tube type, might be 509).  I own a pushpull 349 amp that is a custom rebuild of a Western Electric 133 amp) and a 2a3 PSET (Audio Note Kageki).  The downside of PSET amps is the tendency for one tube in the parallel pair to become weak quite quickly, meaning the extra power is not there for a long time unless the weak tube is replaced).  

As for the specific 300b, the new Western Electrics have a quite generous warranty, and if they are anything like the prior reissues, they can be expected to last a very long time if not pushed too hard.  

Built an Audio Electronic Supply (Cary) SE-1 kit amp in 1994.  It came with Cetron 300B's which worked beautifully until I replaced them with Psvane Acme 300B's about a year ago.  Keeping the Cetron's as backup.

I have modded, and installed many upgrade parts in this amp, over the years, but I must say these Psvane Acme 300B's sound great, and seem to sound better every day.  Also upgraded the driver 6SN7's to Acme's as well.

My SE-1 drives my Klipschorn/Volti speakers with ease and grace.  With a good recording, it is scary how fine, and authoritative, one watt or so, can sound.

@jimintally Somewhat similar setup in that I drive  Khorns with Volti horns and other mods with custom build 300B's using Acme, no desire to further upgrade with either of these components.

I recently purchased one of only 2 Don Sachs 300b class A amps he has made, and the only one with custom wound CineMag IT transformers.  Four 300B tubes.  Four NOS Tungsol 6V6 from the 50's.  And two 6sn7's.   I've owned a lot of equipment in my life but, for the first time, I've got an amp that checks all the boxes.  A truly great sounding piece.  No need to look any more.  This is it for me.