Audiphile Press: Am I jaded, experienced, or has it declined?


I remember Audio, Stereophile and TAS as an older teen getting me excited about music reproduction and technology. Getting out to listen to speakers and find gear I could afford to take me to music Nirvana.

I still like the gear, still like talking about it, comparing tech, sharing experiences and advice, but I can’t remember the last time I really thought "wow, that’s good writing!"

How about you?

Has too much press devolved to covering only the most expensive gear?  Do we lack better international gear coverage?  Does it all look like it could be easily written by an AI chat bot?

erik_squires

@ozzy - that is because those publications only will review equipment that is sold in brick and motor businesses.  They cannot risk to have a small manufacturer who may not stay in business not matter the sound.  We don't sell that way so we are limited by publications, even though our stuff our performs almost all of those manufacturers.  But we are not complaining.  I remember a well known reviewer telling me, hey can you make 30-50 of these? I said, sure in a year!  He said to me, well you have to be able to after I reviewed your product.

 

The overseas market has a lot to offer.  Many speaker manufacturer has tried to penetrate the US market.  Hard to find a distributor to take on a product line plus there is the repair issue.  Look how many dealerships there are today from when you first started reading those magazines.  Less by the minute.  Everyone we approached to have their wears in our listening room always asks if we want to become a dealer.  So what is the cost?  About $50,000 minimum to get to become a sealer for a product line like cables.

 

Happy Listening to you all.

Whole heartedly agree that Art Dudley is sorely missed! Beyond his obvious knowledge of equipment & audio reproduction, he was a great writer who probably could have made almost any subject fun & interesting with his unique, simple observational style of humor. 
 

I do enjoy Jim Austin, the relatively new editor of Stereophile who has a lot of experience in the industry & is also a good writer. I also appreciate Steven Stone at The Absolute Sound for his clear, informative reviews of unique, almost bargain priced equipment. John Atkinson’s “ Jack Webb - Just the Facts Mam” approach is always welcome as are his pretty thorough measurements as opposed to the reviews of lofty stuff in the Absolute Sound that often feel more like a novel about life w/ hifi on the French Riviera than a review. 
 

I still read most of it & enjoy it because I love listening to good music through a good system. 

It's certainly true that the mags are less relevant to audiophile life than they once were.  The reviewers sometimes have useful insights into how to use a product, or its limitations, that I might not have figured out myself.

   I like the ads! Pretty pictures!

   I don't know anyone who would even dream of buying a $200,000 pair of speakers or amps - or even a $20K pair - except, ahem, me.

+1 @facten 

You nailed it.  As my subscription runs out (I have maybe 2 or 3 issues left) I find that I blow through it, Stereophile, in about an hour and then recycle.  Seems like such a waste.

Regards,

barts  

The Science hasn't changed - only those delivering the message. Once you've learned the Science, everything else is noise. You probably reached "Music Nirvana" years ago but forgot to filter out the noise. Has some gear technology's changed? Absolutely! But if you've been in this hobby long enough, you know better than chasing every new thing hitting the market. Over the past 20 years a few things in the stream have changed/improved (better amps, processors, DACs, Home Theater) but "the Science" remained the same. Once you've grown your system to near or showroom class, it should sound at the Audiophile level for years.