When CDs first came onto the market in 1982 .......

I got back into vinyl a couple of years ago, and I started with an inexpensive Project turntable. It sounded surprisingly good, except it had surface noise and a lot of static. I then upgraded to a Mofi Ultradeck and what a difference, no surface noise and a lot less static. Except for an occasional pop or tick, it is very quiet. It's like listening to a cd, but with that beautiful analogue sound. Needless to say, I am really enjoying it, but I still like my CDs and SACDs too. I think the Pink Floyd Analogue Productions SACDs are Fabulous.

I remember fighting it.  I remember seeing the CD's n the window of my LP store and convinced myself that was software, not music, and belonged in a computer shop - not a music store.  I went years ignoring the CD until a girlfriend bought me a Yamaha CD player and a CD (U2- Joshua Tree).  I had the album and remembered playing the CD and how it sounded like pure crap, and she loved it.  So I smiled and thanked her.  As much as I probably have a thousand CDs, I never really cared for the format.  It was born out of convenience, not sound quality.  My turntable blows away any digital I have ever heard.  Don't get me started on 15ips tape.  

when CD's were first introduced I bought a CD player, probably not very expensive, a few CD's and immediately began scouring ALL the used record stores in Western Washington (Seattle and north) in fear that vinyl would 'disappear'

for once I got it right !  I was able to load my vinyl collection with hundreds of mint, original issue records that reside in my collection to this day. I thought CD's sounded shrill, thin, harsh and in no way comparable to my vinyl playback system

over many years and many CD players later, as technology progressed, CD's became acceptable to me and now both formats are part of my total collection of physical format music reproduction - new and different is not always better, IMHO

The more recently recorded and mastered CD's from artists like Deuter do not sound "loudness war" compressed to me. I have heard that the commercial CD burns now do not engage in such travesty to the extent they that they used to.

As far as I know the dominance of streaming ended the loudness war as we knew it. Spotify, Amazon etc let their own algorythms adjust the loudness (and whatnot) after they were uploaded. That’s why we rarely have to adjust the volume when listening to streamed music. LUFS - a more psychoacoustic way of measuring perceived loudness - is what counts now. I am not an expert and can’t say how a LUFS-oriented mixing/mastering approach affects dynamics but from what I read it does not make overcompressed and turned up to the max mixes and masters as neccessary as before.