A phenomenal new CD transport-Pro-Ject CD Box RS2 transport


I have had in-house for the last week Pro-Ject's new CD Box RS2 transport to review for the website Stereo Times. I was very curious to assess its performance because it uses the Pro 8 drive with the Blue Tiger CD-84 servo card. This drive was developed and built by StreamUnlimited a company started by the original Phillips designers that historically built the finest CD mechanisms. Only two other companies use the StreamUnlimited 8 drive and Blue Tiger CD-84 servo card, their pieces cost $16,000 and $39,000 compared to Pro-Ject's sane price of $3,000!

My reference for the last two years has been the excellent Jay's Audio MK-II transport that had out-performed much more expensive highly regarded transports in my system. Well, across every sonic parameter  (transparency/micro-details-overall dynamics/bottom-end extension/purity of tonality- a much more airy sound-stage with wonderful 3D imaging) compared to the Jay's Audio transport.

That's way I titled this thread a "phenomenal new CD transport" because while not inexpensive, it just might be a bargain based on its performance. Mind you, this superlative level of performance is based on using the switching power supply that Pro-Ject ships the transport with. I have shortly coming a custom 20 watt 3 amp linear power supply from Linear Tube Audio and Pro-Ject's own upgraded power supply to see if the RS2 transport performance will even go to a higher qualitative level of performance.

I'll be writing a full detailed review for Stereo Times in the near future. However, I wanted to share this information to GON members who still spin CDs. I have had numerous CD transports in for evaluation and this just might be the best sounding of all of them.

Teajay (Terry London)




amorstereo

@desalvo55

Thanks for sharing your early listening impressions of the RS2T. I’m glad you stuck with it, gave it a few days and avoided an impulsive conclusion. Well I for one can honestly say that my out-of-the-box listening impression was terrific! Within the first 30 minutes of listening I recognize it was better sounding than my cherished P.S. audio PWT. It clearly improved within just a few hours of play.

And this was realized using the standard wall wart power supply. It’s only got better with additional hours of use. When I added a LPS, another noticeable step up from an already high performance level. I’m glad to read  ythat you are very pleased with this CD transport. It is fantastic as far as I am concerned.

Charles

It seems like us Audiophiles learn and relearn about break-in over and over again in the forums. But it’s still always good to see:)  
If we had an audiophile rules 101, I’d want *do not evaluate or draw conclusions about a new out-of-the-box component at all for at least 48 hours. 

It’s now 2022 !

I to am thinking about getting a really good (yet somewhat affordable) CDT - so how are we all getting on with our choices here. Is the Pro-Ject still king of the hill? Is it still performing above and beyond or are we all getting complacent with it?

There’s also a stupendously good review on a very budget CDT - the Audiolab 6000 CDT here: I doubt it’s in the same league though whatever the review.

 

 

 

Great video on the Audiolab.  It would be great if someine has compared the 6000t with the pro-ject.

Got rid of my Audiolab cdt....did not care for it, and it was much too large for what it does... I think my Marantz hdcd1 sounds better and it is only 12 x 12 inches...Also have a brand new yet to set up Cyrus cdt....looks to be a quality unit. It too is quite compact.