Which Tweeter preferred- dome natural material, Beryllium/Metal or Planar Ribbon? Why?


This is bugging me. Just as I think I have the

right answer it slips through my fingers. 

 

Let's not consider cost in this opinion poll.

 

For example-

Pick one of the types of tweeters

Choice- Planar Ribbon

Reason-Low moving mass and larger surface area vs domes.

 

Everyone should have an opinion here unless they are relatively new to the game.

Lets see if we all learn something new!

chorus

Back in the day, I had a pair of DQ-10’s and I replaced the tweeters with Decca ribbons and they made the high end smooth as a Sows ear.😁 No really, there was no longer that sharp drilling sound that came out of those Piezoelectric ear shredder’s. Even after changing the tweeters, some caps on the crossovers and a few other things, I ended up trading them for a pair of Acoustat Model X’s, that I still have.

JD

Designer and manufacture of Arion Apollo (AMT) speakers.

JD,

We will be exhibiting at the Pacific Audio Fest show this year in late July. We also plan on being at the Capital Audio Fest show this year. We will likely show Apollo 9 speakers at the PAF show. Is there a show in the Midwest?

One of our design criteria is high efficiency. We feel it is worth the extra effort to build speakers that can be enjoyed by both low power SET tube amp enthusiasts (2 watts) and medium power SS amps enthusiasts (200 watts) and everything in-between. Apollos speakers let the amp's virtues (or deficiencies) shine through. Personally, I use 45 tube amps (1.5 watts) driving Apollo 12s. At last year's CAF show we used ARC Ref 160M amps (140 watts). Other uses class-D amps, another uses 300B amps.

Good AMTs work well with both SS amps and tube amps. SQ issues are more likely about poor implementation or sub-par equipment.

dont like the myriad of soft tweeters speakers (of differing materials) I’ve heard as they dont get brass instruments and cymbals right with the proper metallic clang ~~~~~~~~~~~~~~~~~~~~~~~~~ Problem w all dome tweeters is the fact , they are all being xover too low, Yeah I know Seas/Scan and SB Acoustics claim 2500hz-3khz is perfectly ok. But IMHO you are asking the T to do something that may add breakup/distortion. Especially w my classical/operas. I placea single 8uf cap which takes the T to 5k. Thats it. Now the T is very happy and sings beautifully. No stress, no breakups. Troels attempts to achieve this magical xover fq to 2k hz to meet his midwoofers. I can't stand fq's w T's below 5k hz. After lengthy experimentations and cash investments, I FINALLY figured out why my classical music was not LIVE sounding Now I have a front row seat in all my 1950's operas, , Corelli/Turnadot never sounded so powerfully dynamic and full of soul.

I have heard excellent examples in application of just about every type of tweeter.  The key is putting a given tweeter in the right application with the right electrical integration to its mating speaker and enclosure.  

I have also heard some terrible examples of applications of different tweeter types.  

My favorite sounding tweeter of all time is the Scan Speak aluminum dome tweeter in the Harbeth C7ES3 speaker.  What a gorgeous sounding tweeter.  

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