When choosing new Speakers, what matters most to you?


When auditioning new speakers have you ever listened to a pair you thought you really liked only to realize you didn’t like them at all after seeing their measurements/specifications? And I’m not talking about speakers that would be too difficult for your electronics to drive but rather, you just didn’t like their waterfall plot, or their frequency response or some other measurement even though subjectively, you loved the way they sounded? Conversely have you ever listened to a pair of speakers you did not care for only to change your mind after seeing their specs?
 

Assuming speakers can be easily driven by your home electronics, in other words, no compatibility issues related to sensitivity or impedance, what is the single most important thing you look for when finding speakers you’ll enjoy listening to? How do you go about confirming the speakers you buy will be enjoyable to listen to in your home system?

128x128ted_denney

The only thing I don't understand is the type of speaker people listen to. Why on earth would a speaker that sounded great when I was 30, sound worse at 67? That's just it for me, they don't. They still sound great, why keep looking. I know what certain drivers sound like. Even if something is wrong, usually I know how to fix certain kinds of drivers to sound right for me. 

I also know there are cone and voice coil drivers that sound good, but there is always something missing unless I use at least a ring driver/ dome or better yet small push/pull planars or ribbons.. It's the speed that I'm use to and like so much.
I like soft domes in a LS or a single too. A good A/B valve amp don't hurt either. :-)

Regards

(a) price, (b) appearance (can I stand to look at it long-term), (c) size (will it fit, reasonably, in the target space), (d) compatibility with existing electronics, at least short-term, (e) can I live with the tweeter long-term, or will it give me ear burn?, (f) does it accomplish my upgrade goals? (g) (probably equally weighed with (a)) sonics

I find that listening to a full range of well recorded human voice (spoken word) is very revealing of colorations and crossover issues. If a speaker passes the test: you can make yourself believe you are listening to a live voice, it’s going to do well on all kinds of music.

For most speakers, I find, you know within 10 seconds you are listening to the kind kind of electronically reproduced voice that you could never confuse with a live person’s.

Also listening to the treble/soprano sections of naturally recorded choral music -- (Faure’s Requiem [Kings College Choir] I use often), or Paul Desmond’s sax on Time Out tracks, is very revealing of upper range crossover smoothness, and colorations.

Good speakers are revealing of less than perfect recordings. Music that can sound lively and sweet on cheaper speakers can sound un-engaging on really good speakers. But then listen to, say, Diana Krall’s "Walflower" and then you hear what you are paying for.

I had pair of ProAc EBS studios for about 30 years. Just sold those and now have an ATC set up. Very happy.

  1. Flat frequency response on axis, and (as much as possible) off axis.
  2. Reproduces the full range of audible frequencies.
  3. Cardioid dispersion pattern to minimize rear and side reflections.
  4. Holographic - speakers should 'dissapear' so with closed eyes you can't pinpoint (by ear) from where the sound is coming.
  5. Aesthetics/placement/approval factor

For me, these should be the philosophical pillars of every speaker maker.

Crystal clean high frequency tweeters. I like domes as they are not as placement finicky. Good linear bass response that you can feel when you add volume. I also am a fan of front ports to enable the speakers to be placed close to the wall. I also like the "live sound" that speakers like JBL provide. Just makes the music seem more real. Good for toe tapping. I like speakers that make me move.