How important is the pre-amp?


Hello all,

Genuine request here for other's experiences.

I get how power amps can make really significant changes to the sound of a system. And of course speakers have an even bigger effect. And then there is the complicated relationship between the speaker and power amp. But I wonder about pre-amps.

In theory a well designed preamp should just act as a source switch and volume control. But does it add (or ruin) magic? Can a pre-amp color the sound? Alter pace and timing? Could you take a great sounding system and spoil it with the wrong preamp? Stereophile once gushed (while reviewing a preamp that cost as much as a car) that the preamp was the heart of the system, setting the tone of everything. Really? Some people don't even bother with a preamp, feeding their DACs straight into the power amp. Others favor passive devices, things without power. If one can get a perfectly good $2K preamp, why bother with 20K?

What your experiences been?
128x128rols
I disagree that the preamp’s sonic performance is always tightly correlated with the price.
Funny- I was just commenting about this on another forum. I agree the price doesn't have much to do with performance. Those that price to a formula will be less expensive generally speaking. My philosophy runs very similar to yours.
How little I know, and wish I knew! re:

The issue with transformers is loading and inter-winding capacitance. All transformers have inter-winding capacitance. If the transformer is not loaded correctly (usually too lightly) the capacitance may play a role causing the frequency response to be less than flat. This coloration can be easily heard.

Transformers are called that because they transform impedance. It goes both ways; you're not insulated on the input from the output. So if the output load is reduced, so is the impedance on the input side.

What happens when you have a transformer with multiple taps used as a volume control? Since you are working with a variable turns ratio, to keep the transformer linear you need to have the correct load at both the input and output. You can't, as a designer, expect to always see the same source impedance and you certainly don't see the same load impedance since all power amps are different in that regard. On top of that you have the moving target of variable turns ratio.

So you'll need a lot of switch contacts, not just the ones to change taps but another set with resistor to correct for the changing load impedance as the turns ratio is varied.

This has to be done right, else the unit can introduce coloration.
It's all alchemy to me, what the great designers do. I'm glad for it though.
Shortest signal path (not the same as least complex)  is best and most efficient route to high-end sound imo. For digital sources, the future will see a well-designed preamp function with precise volume control built into primary components such as streaming DAC and amplification components as standard. We are already seeing speakers with streaming DAC, and seeing integrated amplification all with ‘everything inside’, although i would contend that such an approach as far as within the speaker enclosures is not best because of isolation from soundwaves / vibration.
Remember that NOISE removal is the problem we face. Noise being any thing not in the original source. Since it deals with low level information, the preamp is the most likely source of noise of all sorts. Listening to a truly low noise preamp can be very "revealing" (sorry) and I believe the preamp is the most audible and critical of the power components.