2020 update : JC Verdier La Platine


A recent encounter with a JC Verdier dealer as well as a recent Audiogon discussion thread led to the start of this thread. He was in my house updating my La Platine which had been in storage for ten years with thread and oil. While he has high regards for the deck, his newer clients nevertheless prefer a Techdas iii than an 'old' La Platine. Given the proliferation of expensive decks in the past dozen years, La Platine has become very much under-appreciated. 

It's clear to me that the influence of the La Platine is everywhere to be found. Specifically, the magnetic suspension system that was employed 30+ years ago. Even SOTA offers their newer decks with mag. lev. features. And if you read this review: https://www.callas-audio.nl/Callas%20Platine%20Mod%20Kit%20Review.pdf, the Continuum Caliburn uses the same concept, which was not acknowledged in Fremer's review, albeit with more sophisticated , and expensive, execution.

It is also clear to me that there is much misunderstanding of the workings of the La Platine. I for one have contributed to this. The motor of the La Platine, for example, has been much maligned. The thread drive is another aspect of the turntable that have been described as inferior. With regard to the motor and thread drive, I have been set straight by Chris @ct0517 and Lyubomir @lbelchev. Experimenting with the different types of silk threads, the tightness to the platter  and a renewed understanding of the soundness of the Philips motor have been rewarded with better dynamics and transparency. 

The funny thing is that during the past two years of re-engagement with audio, I have questioned ownership of every components in my arsenal except the La Platine. It has always been a keeper. I wonder if La Platine owners would contribute to celebrating this 'old' deck with tales, advice, and insights?

Cheers!
ledoux1238
@barbapapa Thanks for the update. According to a post by @ct0517, it retails for $13,995 in the US. I seem to remember purchasing it for closer to the its present French domestic retail price.

Did you ever get the Trans-Fi Terminator?

I suspect you all are correct about the fact that the suspension of a vintage cartridge will have aged, inevitably. But does that really matter, when one is getting pleasure from the sound emanating from that cartridge? Why waste time perseverating over what the actual compliance might be, when you can have fun listening? If you choose a Tone arm and head shell with effective mass that work well with whatever the compliance is, then you may not ever need to know the difference. Speaking specifically of the Ortofon  MC 2000, it is my opinion after a few years of using one that this cartridge is capable of magical results, but it is highly dependent on the nature and character of the amplifying device, because its voltage output is so low. So it is rather like a Chameleon.

for that matter, even brand new cartridges come to us with a stated compliance from the manufacturer. What do you think is the margin of variability of that number from the actual compliance of any single given sample of that cartridge? I would bet that it is a wide tolerance. I would also bet that most if not all manufacturers do not test individual samples for compliance.
The venerable J Gordon Holt reviewed the MC 2000 for Stereophile in 1985. The cartridge, if NOS, would be at least 20 years old. 
My interest with this super low output cartridge is due to a recent acquisition of a current mode phono stage, Channel D Lino C 2.0. It  seems a perfect candidate to run through the Lino.

@lewm Would you happen to know the input impedance of the cartridge? And how are you amplifying the darn thing?