Borodin String Qtt 2


By The Borodin String Quartet on EMI Angel (CDC 7 47795 2) recorded originally by MELODIYA in 1980, analog.
I'm impressed by the the very sensitive playing and the recording quality (via Lexicon RT20 through the Spectral DMC20 & DMA180 & reference MIT pc's, ic's & spk cables.) It did not sound anywhere near as good an another decent system without the ac power conditioning. Looking for comments of other listeners of this, what I consider) excellent modern piece and recording.
ptss
Very interesting Tubegroover. I will definitely seek that recording as I am a huge Academy fan; would probably buy most anything they record. It will be interesting to hear the horn contribution. My first listen to the String Qt #2 made me immediately want to listen again; and check out more of Borodin's work. I like your description, beautiful,exotic and mysterious relating also to Rimsky-Korsakov as I also appreciate those aspects of him as well. I've often been amazed how he could infuse his work with such fascinating nuances. Certainly absorbs me totally. Cheers.
Thanks very much Daverz. Wow; only $10 including shipping! A gift. And thanks to you I've learned the Decca Eloquence label from Australia is very well regarded for re-issues. Yay.
Ptss: got a copy of the EMI recording you mention on silver disc headed my way. I'll give it a whirl and let you know what I think to continue this discourse.
Ptss, The work of Schutz in subject matter in many respects overlaps the sacred vocal works of JS Bach with respect to subject matter, but Schutz's musical style is a world apart from the late high Baroque, as a comparison of, for instance, the Johannes and Mattheus passions, will show. Also, Schutz wrote far less secular music than Bach.

Schutz is not for anyone, so you would be wise to seek out some free exposure to his work prior to purchase. His music moves me deeply. It goes sadly neglected, at least in the US. Every year, in many major US cites, one of the Bach passions is performed during holy week, but I have never heard a single live performance of a Schutz passion. Nor have I heard a single radio broadcast of a live performance.

His music is old and foreign to our years. The scale is intimate. But, for me, it approaches or equals the poignancy of Bach.
Ptss, yes, I think composers are usually on their best behavior when writing a string quartet. Not sure why, but I'm glad for it.