Go Active Crossover or Upgrade existing XOs?



It was recently suggested to me that rather than doing a crossover upgrade 

I look into an active crossover for my Tannoy FSMs. Anyone experienced enough 

to guide me? What advantages does active provide?


gadios
@ivan_nosnibor  , well put. *S*  And, both a warning and a challenge.

But, since most of what I've been doing lately is experimental....and nothing is 'pedigree' that I own...

Nothing ventured....;)
 ...and really nothing to lose. *G*

@andy2 , ...'muchacho' , gringo...
I have a hybrid system. Active crossover between lows and mids and passive between mids and highs.

Adding an active crossover to the system was the single biggest improvement to SQ I ever made. 

They can take quite a bit of time to dial in if you have never used one.

I find that they can be a great tool for compensating easily with variations between different recordings where one is too bright and another too dark. Mine is located right next to my listening position so I can easily make adjustments.
I have had bi-amped Maggie 1.6's with an active Bryston 10B crossover (analog) for 10 or so years. In my modest system the difference was quite astounding. As someone has pointed out, cleaner, more dynamic, and musical vs. passive crossovers. 

A caveat though. As richopp pointed out, Maggie crossovers were designed to be bi-amped if so desired and gutting the passives and rewiring was pretty straight forward. I did add new binding posts and plates when doing the conversion but could have used the stock pieces. Maggies are also known for not having the highest quality components in their passive crossovers (see the countless threads on the Planar Asylum of crossover component upgrades). Also, the Bryston 10B has settings that mimic the stock crossover frequencies and slopes, although I ended up preferring different settings.

Point is - it made a tremendous difference in my setup. Well worth the money (extra 2 channel amp and interconnects) and effort.  Not as intimidating to do as you might expect (geez, even I was able to do the conversion).

As to passive crossover component upgrades or digital vs. analog active I have no experience and can't comment.

The Elliot Sound Products white paper posted earlier on active vs. passive is excellent. Good luck with your quest.

Jim S.
Talking about "DSP" engineering an cost ... as a saying goes "A good engineer can do for a penny for what a mediocre engineer can for a dollar."  But I don't do cliche.  Nobody has ever said that an "evil engineer will take the dollar and maybe even your soul".  
I design crossovers for my speakers. I’ve designed and built active and passive. Active all the way! Oh, ANALOG 🤓