Dazed & Confused


Listening to mostly jazz, solo instruments and vocals I find my Martin Logan Spire hybrids to sound awesome, but recently I was listening to some both "Busy" 90’s rock and classical (lots of instruments playing loudly together) and I find the music starts to sound garbled and annoying (to bright), so much so, I turn it off.
I was wondering if you all might have some suggestions on some speakers that would be a little more forgiving with busy/loud music that I could possibly switch over to when listening to different types of music. That is unless I can find speakers that can handle all styles of music, then I would consider taking the hit ($$$) on selling the Spires.

Without getting into room size and dynamics, lets just call it a standard room, I was also looking for something more efficient. The Spires need a huge amount of power (and volume) to sound good. Looking more for something I can listen to loud but also still enjoy the music at a much lower volume if that’s at all possible. Neutral and not to bright.
Living in the sticks, I can’t just jump in the car to go demo speakers. Only once, in the past, did I purchase a set of speakers online and unheard, going solely on the sales person’s recommendations. I learned the hard way to never do that again!

Equipment now: Coda CSiB integrated amp with W4S 2v2 SE Dac running Roon Nucleus.

I also wanted to mention that the Spires have phenomenal base, so much so I sold the 2 subs I was originally using with them. Floor standers and bookshelfs have come along way in SQ these days, but if I need to purchase another set of subs the budget is starting to dwindle.

No vinyl or CD’s, just Tidal.

$3,000 - $5000 budget, new or newer demos.

Thanks for any suggestions or advice you may have to offer!
Paul
high-amp
Boy, you are all great! Getting a little technical in some aspects ("never been a fan of amplifiers with so many output devices per channel"),
 but love all great the feedback. Been reading AF for years with never really participating, glad now that I finally have!

Hey ieales, OK, you talked me into, now a new amp (suggestions for something without so many output devices), but I do have to figure this speaker thing out first! Especially if I'm moving on from the ML's.

At one time I had some decent XLO speaker cables (along with some other good power cables and IC's) but had a few personal issues arise so the first thing to go was the "Jewelry" 
Right now just running Blue Jeans Belden 5000.

Oh so temping - https://salon1audio.com/product/sonus-faber-sonetto-viii-new/ and my wife would go out of her mind being offered in white. Already designing our new digs, wherever that may be? It'll be all-white.

I once purchased a pair of speaker without hearing them, promised I would never do it again! 


"Played YES, Close to the Edge first track and when the vocals come in at the 4 minute mark, ouch. Then when the organs starts up at 13.03 I gotta turn it off (or at lease way down)."

"I get up, I get down..." Epic, at max volume. Almost a religious experience.

That album will only sound  a little "better" on really nice systems. There are articles that mention CTTE isn't a "reference" recording.  I've played a very clean original press of that album in STELLAR setups. It's only a litle more controlled, but still a busy mess. I haven't heard a file or CD sound more convincing, either.

It's one of my favorite Yes albums. Even on the "best", it's only a little more controlled on the complex busy sections. 

Better to just enjoy the music. You have fine equipment.  As mentioned speaker placement and room tuning do wonders.
@tablejockey I agree that CTTE is one of the worst recordings. I remember buying the LP when it was first released and could barely listen to it. It was so harsh and brittle that you can compare it to nails on a chalkboard.
Point well taken on the recording gents.

 Anything you can recommend that is that's as an "Religious Experience" (luv it)/ busy that would be good to put a system to the test?
 Love Emerson, Lake & Palmer as well, but I think all their recordings may not be so great either

Just a side note on YES, got me to thinking. They were the first real concert I saw when I was 15 years old (first was Paul Revere & the raiders in more of a theater like setting). Triple bill: The Eagles, Edgar Winter featuring Rick Derringer both opening acts for YES.
 Cost for ticket, are you ready for this...$4! 
After the supercharged, high energy show of watching EW/RD who followed the Eagles, everyone was ready to sleep when YES finally played, oh so mellow. 
Then there was ELP with the quadraphonic set up in a large stadium type venue...Ah, the good old days.
suggestions for something without so many output devices
My tastes tend to tube amplifiers. I would never presume to recommend. The BJ 5000 is decent garden variety speaker cable and should not cause any issues with most well designed amplifiers.

I would council buying performance and not jewelry. Given 4 amplifiers, 4 sets of cables and 4 pair of speakers, one will have 64 combinations, not one of which will be accurate and all will be flawed in several areas.

The secret to a satisfying system is knowing the flaws you can tolerate and those you can’t. In my case, I don’t really care a hoot about frequency response but can’t abide incoherent time response. ESLs, Maggies, and aligned dynamics are my cup of tea. Not much of a fan of anything ported as the very low end is always indistinct. YMMV!

AND, I’m not a fan of multi woofer tall, vertical front skinny boxes. IMO, time performance suffers badly. A 2 or 3 way with single woofer and a pair of subs [with delay, variable XO freq, multiple XO slope choices and continuous phase control] gives a more coherent low end... everything else being equal.

In the end, it is the system which is the ± of the cumulative device flaws that matters.

Buy in haste, regret at leisure.