A DAC that crushes price vs. performance ratio


I felt strongly that I wanted to inform the Gon members about a new DAC that ranks with the very best on the market regarding performance, but costs around $2,000.00.  The Lab12 DAC1 SE was compared to three reference level DACS that retail for over $12.000.00 in my review for hometheaterreview.com and was at least on the same level sonicly, if not better.  This DAC from Greece is not just "good for the money" but competes with virtually anything on the market regardless of price!

For all the details about the Lab12 DAC1 SE performance and what other DACS it was compared to take a look at the review.  If you are shopping/looking for a new digital front end to drive your system, you owe it to yourself to check this DAC out, unless you like to spend tons of more $ without getting better performance.
teajay
mzkmxcv
... timbre is just about distortion, it’s why a guitar and a piano playing the same frequency key sounds different.
Timbre is an inherent quality of real musical instruments, and a more correct analogy is that it’s what makes one piano sounds different than another piano. Timbre is not distortion; a piano is supposed to sound like a piano, not a pure tone from a frequency generator.
I do agree that, in general, most people are looking for the types of colorations they like most. Which is fine. It's why I don't really want a DAC that's described as being warm or lush, but don't necessarily run from DACs that are described as being sterile. My amps (Benchmark AHB2) have been described as such, and I couldn't disagree more.

However, I also don't want a DAC that makes everything sound or threadbare.

Tubes be damned, I do believe the Pagoda is relatively neutral. Not completely, but it isn't warm and it isn't sterile, and I do believe that I can get more information out of a DAC that's built to extract as much information as possible.

I really don't understand why anyone would say inputs don't matter, as though they're all equal. Outputs are definitely not equal, and if you're looking for transparency, you'd want the most transparent output to begin with. Which is going to be the i2s, in general. 
Tubes be damned, I do believe the Pagoda is relatively neutral. Not completely, but it isn't warm and it isn't sterile, and I do believe that I can get more information out of a DAC that's built to extract as much information as possible.

I have the standard Pagoda and I find it the same. I would say it sounds pretty balanced .. neither "tubey' nor, as you say, "sterile". 

Hi Teajay,
I also have long ago grown tired of the measurements versus listening debates. Interestingly I heard a system that used a Benchmark DAC. My listening impression matches your description. You had the added advantage of hearing it in your own system. In my case I can’t pinpoint how much I heard that could be attributed to the Benchmark DAC. Nonetheless what I heard was clinical, sterile and lifeless. If some consider this type of presentation accurate and transparent okay, that’s their call and I just leave it at that. I acknowledge we all have our specific preferences.

I want to hear the full bodied tone,rich color/harmonics/overtones and vividness that’s so obviously present when listening to live musicians and vocalists. I want the life, excitement, engagement and emotion, not flat, colorless and analytical despite the stated excellent measurements. In essence I'm seeking a 'natural ' presentation/sound quality.   It is certainly true, "to each their own".
Charles
Timbre is an inherent quality of real musical instruments, and a more correct analogy is that it’s what makes one piano sounds different than another piano. Timbre is not distortion; a piano is supposed to sound like a piano, not a pure tone from a frequency generator
 
 
So, harmonics? Do you know what THD stands for?