2. speakers
  3. 132313-1431

Ohm 2000s at NY Audio Show

Felt compelled to write for the first time in a while after visiting the NY Audio Show today. There were some very good sounding systems (the Audio Note room comes to mind), some other systems that you could tell were good but struggled with room acoustics (The Linear Tube Audio room was saddled with a square room and suffered for it with some boomy bass) and many disappointments (won't bother to list). But the one room that really stood out for me was the Ohm Acoustics room. It's a shame John doesn't show more...his $<4500-all-in system (he paired his 2000s with an $800 Outlaw receiver and a $200 Oppo CD player, plus cables and a streamer) may not have achieved the dynamics of the $100K+ Alta room or the perfect timbres of the Audio Note room, but for my money, it was as enjoyable to listen to as anything in that show. I have no $$ interest here...just giving credit where it's due. 
128x128mdemaio
mdemaio's avatar
mdemaio OP
62 posts
 
Yup, it's definitely a matter of preference, kalali. I owned a pair of Ohms a while back but sold them when I moved from a house to an apartment (I found the Ohms to need some volume to properly express the music, which I could no longer give them). I now own Spatial open baffles which are wonderful even at low volumes, but purposefully designed to direct sound to a relatively narrow sweet spot. Very different philosophy, and as a result a very different experience. The Spatials are also great for apartment listening because they don't transfer energy to the floor nearly as much as most box designs or even omnis (I can barely hear them from the floor below me). 
The original point of the post, though, still stands: The Ohms certainly held their own among much pricier systems, with no esoteric associated gear. Other systems costing much more sounded different, but not necessarily better. 
bondmanp
1,792 posts
 

I was there on Sunday.  I concure that the Ohms were better shown than last year.  I am a Walsh 2000 owner (since 2009), so I could compare the sound in the room at the Park Lane to my own room's sound (where I use better electronics and a pair of Vandersteen 2Wq subs).  Except for the amount of low bass, the sound was quite similar to my own system.  FYI, the severe tow-in was John Strohbeen's answer to what he felt was a very bright room.


A lot of serious, quiet listeners were in the Ohm room both times I stopped by.  That was not the case in many other rooms.


I also agree that the Electrocompaniet (which I heard without the DSPeaker) was the best sound of the show, but at less than 1/10th the price, the Ohm system acquitted itself very well.


I did like the Cambridge Audio room, but the CA reps there seemed very focused on impressing everyone with how cutting-edge their musical tastes are, and with not raising the volume above background levels.


OTOH, many rooms pushed the dBs way, way too high, to the point of ruining the sound by overloading the room.


I also enjoyed the semi-DIY speakers from Pure Audio in the VPI room.  They were very neutral, and sounded very different with each LP played.  But a DIY speaker that you can configure yourself, and that does not require speaker-building expertise to assemble, is rather clever, IMHO.

mdemaio's avatar
mdemaio OP
62 posts
 
Yes, Bondmanp, the Cambridge room seemed to be enamored with pop/rock recordings that had very little to offer in the way of tonal or dynamic variety...hard to judge a system that way. Acoustics overall just seemed to be working against vendors in most rooms, but as you point out they weren't helping themselves much by turning it up to 11. The Pure Audios were interesting, and certainly dynamic, but harsher than what I'm used to with my Spatials, which are a quarter of the price and sound much more natural (to my ears, anyway). What I did take away from that room was an amazing movie score by Henry Mancini for a John Wayne film called Hatari (which I had never heard of). There's one particular track on it that's called "The Sounds of Hatari" that should be on everyone's audition lists for evaluating systems...it throws just about every sound you can think of at you. Amazing to hear. 
nitewulf
419 posts
 
I was there yesterday...and recall the Hatari soundtrack as well.  Typically I am kinda bored by the same demo tracks everywhere, but it's true that they do show off the equipment more than modern pop/rock tracks.

My favorite rooms were actually the Adirondack Luxman room and the Accuphase/Soulution room. But I was there to mainly check out equipment and the sounds in both of those rooms impressed the hell out of me. I love the Luxman tube amp, as well as the entry level Accuphase integrated.  I liked the Mark Speaker room as well, though I didn't stay long as I wasn't speaker hunting. The Margules tube amp was very impressive as well, and it's pretty affordable.  I mainly went to check out Metrum gear, they were supposed to be in the Pure room, but I guess things fell through, and I didn't see any Metrum dacs.
mapman's avatar
mapman
21,905 posts
 
http://ohmspeaker.com/news/standing-room-only/

John Strohbeens summary of OHM at the show on OHM website.
More to discover